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Bright Winter Plumage (was: ID tip: Le Conte's Sparrow)Hi All
Ted Floyd writes: (Kenn Kaufman has a useful reminder in the January 2009 Birding, p. 11, regarding difference between sparrows on the breeding grounds vs. off the breeding grounds. "Birders...may be stunned to see how much more brightly and crisply marked [sparrows] are in early winter than in mid-summer. Their plumage is still fresh and new in early winter, but by mid-summer it can be quite worn and faded. The effects of wear are seldom discussed or illustrated in field guides...") (snip) This doesn't make sense according to the usual paradigm of the male making the most of his vocal and display-plumage assets on arrival at the breeding ground. If, as usually assumed, crisp bright Definitive Alternate plumage is a sexual display asset, what is the advantage of having a well-defined display plumage in early winter but a duller one on breeding territory? Can this indicate that mate selection and pair-bonding can begin earlier than males-singing-on-territory? Is it possible that then that the first singing males on territory are un-mated first-year birds, and that later arriving males are actually accompanied in the northward migration by females attracted by a bright Alternate plumage on those wintering grounds? But these are secretive birds at the best of times and for mating purposes, a bright Alternate plumage would be of limited visual value to a species so reticent. If females on territory are satisfied with a song and a dull plumage on breeding territory, why then a bright plumage at all? Nature gilds few lilies, so why bother getting all dressed up? This suggests there's another advantage to being a bright, crisply patterned bird on early winter territory. What might that be? Well, competition with other males for winter-territory resources may be one reason: competitive intolerance between males may be mediated in part by plumage brightness, with exemplary males gaining advantage. Competition with similarly-plumaged indigenous species occupying the same winter habitat, another. Another possibility is the seasonal character of the winter-territory habitat requires the brighter Alternate plumage of these sparrows to successfully blend in to the same degree that they blend in with their duller Alternate plumages on their more muted breeding territory habitat. I'm just guessing here, but it's possible that these brighter early-winter plumages are tied in to winter-territorial requirements rather than mate-selection. Best wishes Michael Price Vancouver BC Canada loblollyboy@... "I feel like a fugitive from th' law of averages!" -- GI Willie Join or Leave BIRDWG01: http://listserv.arizona.edu/cgi-bin/wa?SUBED1=birdwg01 Archives: http://listserv.arizona.edu/archives/birdwg01.html
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Re: Bright Winter Plumage (was: ID tip: Le Conte's Sparrow)Michael, I think you're over-interpreting what I
said here. There are many different molt strategies, of course, but the
vast majority of our songbirds have a complete molt in late summer or fall, and
a partial molt, if any, in late winter or spring. The result is that more
of their feathers are fresh and crisp in early winter than in early
summer. That doesn't mean that they all have some need to look their best
in winter. More likely, late summer / fall is just the most efficient time
for them to put in the considerable expenditure of energy needed to replace all
those feathers.
In the case of Le Conte's Sparrow, according to
Pyle, adults have a complete molt in late summer / early fall, mainly on
the breeding grounds, so all their feathers are fresh in early winter.
They then have a partial molt in spring. That spring molt presumably
includes some head and body feathers, and Pyle says it usually includes some of
the greater coverts, tertials, and central tail feathers. So some of their
feathers will be just as fresh in late spring as they are in late fall, but
other feathers will be older and more worn, so the overall appearance won't be
quite as sharp. And by mid-summer, after the adults have been working
feverishly on the hard work of raising young, they may start to look fairly
worn. If you can find good photos of adults of grassland /
marsh sparrows in December and July, you'll see that the latter tend to
look more drab and faded. But nothing about this suggests that they are
courting or pairing up on the wintering grounds. Indeed, Saltmarsh
(Sharp-tailed) Sparrows, which have a similar molt to Le Conte's, don't form
pair-bonds at all; the males just compete randomly for females at the
marshes where they nest.
A good bird to consider in your immediate
neighborhood (Vancouver) would be Townsend's Warbler. Adults have a
complete molt in late summer and early fall, before they leave the breeding
grounds. In spring they have a partial molt, involving head and body feathers
but usually no wing feathers. With a close look, the wing pattern (wing
bars formed by contrasting tips to the greater and median coverts, paler edges
to the tertials, secondaries, and primaries) will look more neat and crisp on
freshly molted fall birds than it will on spring birds, and again the wear on
the feathers may be especially noticeable by mid-summer. But warblers
aren't as subject to abrasion of the plumage as sparrows that live down among
dense grass.
Kenn Kaufman
Oak Harbor, Ohio
Join or Leave BIRDWG01: http://listserv.arizona.edu/cgi-bin/wa?SUBED1=birdwg01 Archives: http://listserv.arizona.edu/archives/birdwg01.html
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Re: Bright Winter Plumage (was: ID tip: Le Conte's Sparrow)Ted,
I would suggest that having fresh, unworn feathers (regardless of brightness) has a survival advantage (and thus subject to natural selection) to a bird needing to migrate and/or having to spend a winter season in potentially harsh environmental conditions. But taking this discussion back to ID, and the initial topic that started this diversion, I posted a question last week about the usefulness of the bright orange rump of Le Conte's Sparrow vs. Nelson's Sparrow as an ID character. I have seen no response to this, publicly or privately. Did I ask the wrong question? Am I missing something obvious? Separating these two species in the Upper Midwest, where both are rare, is an important question I think. Allen T. Chartier amazilia1(at)comcast.net Inkster, Michigan, USA Join or Leave BIRDWG01: http://listserv.arizona.edu/cgi-bin/wa?SUBED1=birdwg01 Archives: http://listserv.arizona.edu/archives/birdwg01.html |
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Re: Bright Winter Plumage (was: ID tip: Le Conte's Sparrow)Hi All, First, I'll ask Allan Chartier's forgiveness in leading his original question into possible off-topic areas. I really do hope you get a reply, Allan! (full disclosure: partly because that's an ID problem that observers in Vancouver BC would love to have, and which may occur here. So there's a vested interest in you getting an answer.)
I thank all who, privately and publicly, responded to my query with more knowledge and perspectives on the question than I thought possible. Though there might have been a temptation to sigh, roll one's eyes and mutter "@#$%ing amateurs...." ---and I acknowledge that my questions were based on a far more simplistic base of understanding than the subject required---there is still the tendency of much of the non-specialist literature, including many field guides, to encourage what Ted Floyd cited as 'adaptationist thinking.', that the Alternate plumage is there for a reason, sexual selection, and it gets worn and useless after the breeding season and replaced with a Basic plumage which has nothing to do with anything but the dreary survival of the intervening winter, and any variation is anomalous and inexplicable, period. Any of the above discussion is almost completely absent from most non-specialist birding literature.
I realise there's only so much you can cram into a field guide---maybe excepting Lars Jonsson's terrific introduction to his Birds of Europe field guide, which is actually a small book-within-a-book---or ancillary non-specialist literature, but it does rather lead the non-specialist into conceptual error if this is presented as the paradigm with few to no alternatives. Perhaps future non-specialist literature and revisions to existing works can address this in some way that adaptionist thinking doesn't lead us into such conceptual temptation into which I have clearly fallen.
My thanks, again. Best wishes Michael Price Vancouver BC Canada
"I feel like a fugitive from th' law of averages!" -- GI Willie Join or Leave BIRDWG01: http://listserv.arizona.edu/cgi-bin/wa?SUBED1=birdwg01 Archives: http://listserv.arizona.edu/archives/birdwg01.html
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Re: Bright Winter Plumage (was: ID tip: Le Conte's Sparrow)Michael,
No need to ask forgiveness, the topic of adaptation
or survival advantage of plumage color or condition is an interesting one too.
But it is apparent that not much consideration has
been given to the issue of separating Le Conte's and Nelson's (especially inland
subspecies) based on the character that Ted proposed in his initial e-mail. Ted
did remind me privately that it was not the dull orange rump alone that was the
character, but the strong contrast with the rest of the upperparts. Since
Nelson's Sparrow and Le Conte's Sparrow both have a lot of black on the back,
the potential for confusion would seem to remain.
I have received two private replies, which I didn't
get permission to share, that suggest separating these two forms using dull
orange/buffy rump contrasting with dark back is impossible. Perhaps it would be
most useful in areas where only one or the other species occurs? Where might
that be?
Allen T.
Chartier
amazilia1(at)comcast.net Inkster, Michigan, USA
Join or Leave BIRDWG01: http://listserv.arizona.edu/cgi-bin/wa?SUBED1=birdwg01 Archives: http://listserv.arizona.edu/archives/birdwg01.html
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Re: Bright Winter Plumage (was: ID tip: Le Conte's Sparrow)Hello All-
Not to belabor the subject, but we do know a lot about characteristics that sexual selection operates on in different species. I would argue that sparrows haven't needed to "solve" the problem of molt precisely because sparrows don't care about flashy colors - they care about songs. A few use badges of status on the non-breeding grounds (Harris's Sparrows, for instance), but by and large plumage seems to be less important in securing a good breeding territory and/or a mate than song performance. It doesn't matter to the other Le Conte's Sparrows if a dude looks crappy in spring if he can still sing his butt off. (Tslzz) Anyway, whether the "adaptationist" program is correct or not, it's worth considering the life history trade offs and other selective factors when considering how adaptations work. Jesse Ellis Madison, WI On Fri, Oct 16, 2009 at 2:19 AM, Michael Price <loblollyboy@...> wrote:
-- Jesse Ellis Madison, Dane Co, WI Join or Leave BIRDWG01: http://listserv.arizona.edu/cgi-bin/wa?SUBED1=birdwg01 Archives: http://listserv.arizona.edu/archives/birdwg01.html
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