<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
	<id>tag:old.nabble.com,2006:forum-385</id>
	<title>Nabble - IDM</title>
	<updated>2012-05-23T05:14:09Z</updated>
	<link rel="self" type="application/atom+xml" href="http://old.nabble.com/IDM-f385.xml" />
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	<subtitle type="html">The IDM list was originally created in August of 1993 for the discussion of music relating to Aphex Twin and Warp's early 'Artificial Intelligence' compilations. Since then the scope of discussion has grown.</subtitle>
	
<entry>
	<id>tag:old.nabble.com,2006:post-33895216</id>
	<title>Kenneth Goldsmith's lecture &quot;From a collector to an archivist: seven thoughts&quot;, for the MEMORABILIA. Collecting sounds with...</title>
	<published>2012-05-23T05:14:09Z</published>
	<updated>2012-05-23T05:14:09Z</updated>
	<author>
		<name>Radio Web MACBA</name>
	</author>
	<content type="html">We reproduce Kenneth Goldsmith's text for the *MEMORABILIA. Collecting
&lt;br&gt;sounds with... *lecture series, which took place on April 20th, 2012 at the
&lt;br&gt;MACBA.
&lt;br&gt;&lt;br&gt;Link: &lt;a href=&quot;http://bit.ly/MGpw8r&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/MGpw8r&lt;/a&gt;&lt;br&gt;PDF: &lt;a href=&quot;http://bit.ly/LCN1ju&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/LCN1ju&lt;/a&gt;&lt;br&gt;&lt;br&gt;*MEMORABILIA. Collecting sounds with...* at Ràdio Web MACBA
&lt;br&gt;&lt;a href=&quot;http://bit.ly/LqcIgM&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/LqcIgM&lt;/a&gt;&lt;br&gt;&lt;br&gt;Follow us at &lt;a href=&quot;http://twitter.com/Radio_Web_MACBA&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://twitter.com/Radio_Web_MACBA&lt;/a&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33893179</id>
	<title>Sacred Earth Open Air 2012 :: June 1st-3rd :: Black River Falls Wisconsin</title>
	<published>2012-05-22T19:07:55Z</published>
	<updated>2012-05-22T19:07:55Z</updated>
	<author>
		<name>Psymbolic</name>
	</author>
	<content type="html">Sacred Earth Open Air 2012
&lt;br&gt;&lt;a href=&quot;http://www.SacredEarthOpenAir.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.SacredEarthOpenAir.com&lt;/a&gt;&lt;br&gt;June 1st-3rd :: Black River Falls, WI
&lt;br&gt;&lt;br&gt;The Chilluminati &amp; Psymbolic present a multi-day camping festival
&lt;br&gt;brought to life with consciousness, harmony and mind-expanding:
&lt;br&gt;music, visuals, art, fire, workshops + more!
&lt;br&gt;&lt;br&gt;Featuring: International, Regional &amp; Local Performing Artists,
&lt;br&gt;Psychedelic Trance, Contemporary Electronica, Incredible Art &amp;
&lt;br&gt;Installations, Momentous Music, Synchronous Realtime VJing,
&lt;br&gt;Immersive Visual Environments, Projection Mapping, New Media Art,
&lt;br&gt;Environmental Decor, Circus Spectacle, Fire Dancing, Live
&lt;br&gt;Painting, Performance Art, Visionary Healing Arts ++
&lt;br&gt;Transformational Workshops focused on Social, Spiritual and
&lt;br&gt;Technological Awareness.
&lt;br&gt;&lt;br&gt;Transformational Workshop Topics: Psychedelic Potluck Picnic,
&lt;br&gt;Intentional Living in a Turbulent Time, Laughter Therapy, Vinyasa
&lt;br&gt;Flow Yoga, Beginners Pilates, Edible Medicinal Plant Walk, Fire
&lt;br&gt;Performance &amp; Safety, Flow Toy Fun, Music Production Q&amp;A + more!
&lt;br&gt;&lt;br&gt;Sacred Earth is created to be a Cosmic Condensate in which our
&lt;br&gt;Music, Motion, Light and Love form a sacred structure in Space
&lt;br&gt;and Time... a microcosmic celebration of the Infinite.
&lt;br&gt;&lt;br&gt;We invite all to come dance, relax, and explore the wonder under
&lt;br&gt;the sun, moon and stars.
&lt;br&gt;&lt;br&gt;WE PROVIDE: multiple stages of sound and light, 3 days of
&lt;br&gt;camping, dancing, swimming and hiking in a beautiful natural
&lt;br&gt;environment (rain or shine), running water, bathrooms &amp; hot
&lt;br&gt;showers, full vending (including alcohol for those 21+)
&lt;br&gt;&lt;br&gt;YOU PROVIDE: a tent, enough food and beverages for the weekend
&lt;br&gt;(or some cash for food and beverages available for sale)
&lt;br&gt;&lt;br&gt;NO GLASS / NO PETS / NO FIREWOOD
&lt;br&gt;(firewood can be purchased on-site)
&lt;br&gt;&lt;br&gt;**LEAVE NO TRACE**
&lt;br&gt;Become part of the community. Help the planet and help us. Pick
&lt;br&gt;up after yourself. Leave the site (and our reputation as a
&lt;br&gt;community) better than you found it.
&lt;br&gt;&lt;br&gt;Ticket prices will automatically increase over time.
&lt;br&gt;purchase Sacred Earth Open Air tickets sooner than later For Best
&lt;br&gt;Prices!
&lt;br&gt;&lt;a href=&quot;http://www.Psymbolic.com/boxoffice/?Event=Sacred_Earth&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.Psymbolic.com/boxoffice/?Event=Sacred_Earth&lt;/a&gt;&lt;br&gt;&lt;br&gt;$50 &amp; $55 Tickets have Sold Out
&lt;br&gt;Limited $60 Advanced Tickets are Currently Available
&lt;br&gt;then $65-$75 online / $85 gate
&lt;br&gt;&lt;br&gt;LIVE MUSIC ACTS:
&lt;br&gt;Dust - Florence, Italy - (Looney-Moon Records)
&lt;br&gt;Foam - Florence, Italy - (Looney-Moon Records)
&lt;br&gt;The Flashbulb - Chicago, IL - (Alphabasic / Psymbolic)
&lt;br&gt;Resonant Dawn - Seattle, WA - (Psymbolic)
&lt;br&gt;Gift Culture - Austin, TX - (Psymbolic)
&lt;br&gt;Artificial Life Preserver - Austin, TX - (Psymbolic)
&lt;br&gt;The Wave Farmers - Austin, TX
&lt;br&gt;Psymmetry - West Coast - (AT Records)
&lt;br&gt;Dixon's Violin - Detroit, MI
&lt;br&gt;Random - San Francisco, CA - (Full Circle)
&lt;br&gt;Kabayun - Princeton, NJ - (Pixan / 2to6 Records)
&lt;br&gt;Arahat - San Diego, CA - (Psycircle)
&lt;br&gt;Primordial Ooze - WI/IL - (Anti-Shanti)
&lt;br&gt;Shwex - Fort Collins, CO
&lt;br&gt;Alpha Transit - Milwaukee, WI
&lt;br&gt;Outersect - San Francisco, CA - (Beats &amp; Pieces)
&lt;br&gt;Aligning Minds - Asheville, NC - (Beats &amp; Piece)
&lt;br&gt;SkyTree - Everywhere, USA - (Subsynthesis)
&lt;br&gt;sm0ke - Princeton, NJ - (Flappers Records / SYNC)
&lt;br&gt;Indramit Kaur - Madison, WI
&lt;br&gt;Astrolabe - Duluth, MN - (Cosmic EGG)
&lt;br&gt;Dfectv - WI - (Audiognomes / Anomalistic)
&lt;br&gt;Spycht - IA - (Chilluminati)
&lt;br&gt;Suit &amp; Tie Guy - &amp;nbsp;Chillicothe, IL
&lt;br&gt;&lt;br&gt;DJ SETS:
&lt;br&gt;Otkun - Morocco - (Zenon Records)
&lt;br&gt;Tim McCall / Jirah - Seattle, WA - (Psymbolic / AT Records)
&lt;br&gt;ATUM - Dallas, TX - (Thump / Astral Tribe / AT Records)
&lt;br&gt;Blue Spectral Monkey - Portland, OR - (Interchill)
&lt;br&gt;DJ NOD - Brixton, UK
&lt;br&gt;Witchdokta - Mendo CA - (Full Circle)
&lt;br&gt;LeoHawk - San Francisco, CA - (MightyQuinn)
&lt;br&gt;Jeto - Los Angeles, CA
&lt;br&gt;HardkorNate - Denver, CO - (Schnerp and Derp)
&lt;br&gt;Hidroponik - San Diego, CA - (Psycircle)
&lt;br&gt;Zita Zie - Chicago, IL - (Chicago TranceFormation)
&lt;br&gt;Ekimskrid - Iowa - (Audiognomes / Anomalistic)
&lt;br&gt;Miss Briana - Portland, OR
&lt;br&gt;&lt;br&gt;LOCAL &amp; REGIONAL DJs:
&lt;br&gt;Tommy Ruffingers - (CleverPillar)
&lt;br&gt;Janna Blue - (Independent)
&lt;br&gt;Scatter - (Chilluminati)
&lt;br&gt;Machi - (Chilluminati)
&lt;br&gt;Energon - (Chilluminati)
&lt;br&gt;ProPsyLes - (Chilluminati)
&lt;br&gt;PsychoHazzard - (Chilluminati)
&lt;br&gt;Luminous Samael - (Audiognomes / Anomalistic)
&lt;br&gt;DarkVirus - (Cosmic EGG)
&lt;br&gt;Shai - (Chilluminati)
&lt;br&gt;Strooya &amp; Raja - (Independent)
&lt;br&gt;Koru - (Chilluminati)
&lt;br&gt;Toki - (Audiognomes)
&lt;br&gt;Aktif - (Chilluminati)
&lt;br&gt;Martyrs - (Cosmic EGG)
&lt;br&gt;Caro - (Chilluminati)
&lt;br&gt;Ascension - (Chilluminati)
&lt;br&gt;Jagno Gaia - (Cosmic EGG)
&lt;br&gt;&lt;br&gt;ENVIRONMENTAL DECORATIONS:
&lt;br&gt;Global Village - United Kingdom / Chicago, IL - (Psymbolic)
&lt;br&gt;Energon &amp; Koru - Chicago, IL - (Chilluminati)
&lt;br&gt;&lt;br&gt;SYNCHRONISTIC VISUAL ART:
&lt;br&gt;Integrated Visions - NYC, NY - (Psymbolic)
&lt;br&gt;PakaPaka Lightshow - Madison, WI - (Psymbolic)
&lt;br&gt;&lt;br&gt;FIRE DANCE &amp; PERFORMANCE:
&lt;br&gt;Pyrotechniq - Chicago, IL
&lt;br&gt;&lt;br&gt;++ A 3rd STAGE:
&lt;br&gt;Showcasing Music Performances, Interactive Art &amp; Workshops
&lt;br&gt;hosted by Psymbolic &amp; CleverPillar
&lt;br&gt;&lt;br&gt;Gate opens at NOON on Friday
&lt;br&gt;(no registrations can be accepted before that time)
&lt;br&gt;Ages 18+ only (no children per campground policy)
&lt;br&gt;&lt;br&gt;Advanced Tickets + Event Info:
&lt;br&gt;&lt;a href=&quot;http://www.SacredEarthOpenAir.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.SacredEarthOpenAir.com&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://www.Chilluminati.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.Chilluminati.org&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://www.Psymbolic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.Psymbolic.com&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;---------------------------------------------------------------------
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&lt;br&gt;For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33887462</id>
	<title>New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Ed Veenstra. Part II (Broken Music mix selection)</title>
	<published>2012-05-22T00:41:25Z</published>
	<updated>2012-05-22T00:41:25Z</updated>
	<author>
		<name>Radio Web MACBA</name>
	</author>
	<content type="html">*New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Ed Veenstra. Part II
&lt;br&gt;*
&lt;br&gt;A musical selection of some of the secret jewels found in Ed Veenstra's
&lt;br&gt;record collection, specialised in Broken Music: records and paramusical
&lt;br&gt;works produced by visual artists and other avant-garde creators.
&lt;br&gt;&lt;br&gt;Link: &lt;a href=&quot;http://bit.ly/JkfdCi&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/JkfdCi&lt;/a&gt;&lt;br&gt;MP3: &lt;a href=&quot;http://bit.ly/JNcQuI&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/JNcQuI&lt;/a&gt;&lt;br&gt;Related info: &lt;a href=&quot;http://bit.ly/K5aG9q&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/K5aG9q&lt;/a&gt;&lt;br&gt;&lt;br&gt;*Music selected by Ed Veenstra. Mix produced by Genís Segarra
&lt;br&gt;*
&lt;br&gt;In the early sixties Milan Knížák began experimenting with vinyl records by
&lt;br&gt;scratching, painting, burning or even breaking them. These fierce
&lt;br&gt;treatments affected not only radically the original compositions but also
&lt;br&gt;expanded the function of the records themselves. Because it was almost
&lt;br&gt;impossible to transfer the distorted sounds to standard sheet music, Knížák
&lt;br&gt;considered the records with all their cuts, paint, punched holes, glue and
&lt;br&gt;scratches a new form of musical notation. Additionally the records became
&lt;br&gt;art objects.
&lt;br&gt;&lt;br&gt;On February 18, 1988, Daadgalerie in Berlin opened its doors for Broken
&lt;br&gt;Music. The exhibition, curated by Ursula Block and Michael Glasmeier,
&lt;br&gt;featured objects, sleeves, and installations by visual artists with records
&lt;br&gt;as main source. Many of the exhibited works featured sound by visual
&lt;br&gt;artists. The exhibition catalogue containing theory, a historical overview
&lt;br&gt;and an extensive and illustrated discography is still influential and an
&lt;br&gt;asset for anyone interested in visual artists working with records as
&lt;br&gt;medium and/or sound.
&lt;br&gt;&lt;br&gt;More than twenty years after the exhibition and the never reprinted
&lt;br&gt;catalogue the term Broken Music managed to survive as a genre although its
&lt;br&gt;definition seems to have narrowed down to just sound by visual artists.
&lt;br&gt;This audio-selection is mainly focused on visual artists for whom sound is
&lt;br&gt;an extension or component of their visual work. Some of the records you are
&lt;br&gt;about to hear were chosen because they are extraordinary rare. Some are
&lt;br&gt;here because they are. Ed Veenstra, 2011
&lt;br&gt;&lt;br&gt;*This show is a follow-up of the monograph on Ed Veenstra's sound
&lt;br&gt;collection. You can find the previous episode here: MEMORABILIA. COLLECTING
&lt;br&gt;SOUNDS WITH... Ed Veenstra. Part I *&lt;a href=&quot;http://bit.ly/A7u1SG&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/A7u1SG&lt;/a&gt;&lt;br&gt;&lt;br&gt;Follow us at &lt;a href=&quot;http://twitter.com/Radio_Web_MACBA&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://twitter.com/Radio_Web_MACBA&lt;/a&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33887415</id>
	<title>Re: Compilation of the six COMPOSING WITH PROCESS intros available so far</title>
	<published>2012-05-22T00:26:33Z</published>
	<updated>2012-05-22T00:26:33Z</updated>
	<author>
		<name>Radio Web MACBA</name>
	</author>
	<content type="html">There were some problems with the previous link.
&lt;br&gt;&lt;br&gt;This one should work:
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://rwm.macba.cat/uploads/twitter/cwpintros.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/uploads/twitter/cwpintros.zip&lt;/a&gt;&lt;br&gt;&lt;br&gt;ps- We compiled the six COMPOSING WITH PROCESS intros in a zip file for
&lt;br&gt;DJing or whatever!
&lt;br&gt;&lt;br&gt;&lt;br&gt;On Tue, May 15, 2012 at 6:18 PM, Radio Web MACBA &amp;lt;&lt;a&gt;rwm2008@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC is a
&lt;br&gt;&amp;gt; podcast series, curated by Mark Fell and Joe Gilmore, exploring generative
&lt;br&gt;&amp;gt; approaches (including algorithmic, system-based, formalised and procedural)
&lt;br&gt;&amp;gt; to composition and performance primarily in the context of experimental
&lt;br&gt;&amp;gt; technologies and music practices of the latter part of the twentieth
&lt;br&gt;&amp;gt; century and examines the use of determinacy and indeterminacy in music and
&lt;br&gt;&amp;gt; how these relate to issues around control, automation and artistic
&lt;br&gt;&amp;gt; intention. You can find the six episodes available so far here:
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://rwm.macba.cat/en/composingwithprocess_tag&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/en/composingwithprocess_tag&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing
&lt;br&gt;&amp;gt; or whatever! &lt;a href=&quot;http://rwm.macba.cat/uploads/twitter/cwp_intro.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/uploads/twitter/cwp_intro.zip&lt;/a&gt;&lt;br&gt;&lt;/div&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33884044</id>
	<title>Re: Sufi Plug Ins</title>
	<published>2012-05-21T10:03:36Z</published>
	<updated>2012-05-21T10:03:36Z</updated>
	<author>
		<name>Joe Bentley-3</name>
	</author>
	<content type="html">Oh man that looks nice, just wish they chose a more common platform
&lt;br&gt;than max4live though...especially considering the extremely slow rate
&lt;br&gt;of Ableton Live's development (yes I do use Live as my DAW)
&lt;br&gt;&lt;br&gt;- Joe Bentley
&lt;br&gt;&lt;br&gt;&lt;br&gt;On 21 May 2012 15:30, Basma O &amp;lt;&lt;a&gt;basma.o@...&lt;/a&gt;&amp;gt; wrote:
&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; I haven't really read too much about it, but the idea thought would
&lt;br&gt;&amp;gt; interest some!
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On 21 May 2012 16:28, Basma O &amp;lt;&lt;a&gt;basma.o@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &lt;a href=&quot;http://www.beyond-digital.org/sufiplugins/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.beyond-digital.org/sufiplugins/&lt;/a&gt;&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; The first *SUFI PLUG INS *were released on May 14, 2012. *SUFI PLUG INS
&lt;br&gt;&amp;gt;&amp;gt; v.1* are a free suite of seven audio software tools for Ableton Live
&lt;br&gt;&amp;gt;&amp;gt; (Max4Live). They include four software synthesizers hardwired to North
&lt;br&gt;&amp;gt;&amp;gt; African maqam scales with quartertone tuning built-in, a device called
&lt;br&gt;&amp;gt;&amp;gt; DEVOTION which lowers your computer’s volume 5 times a day during call to
&lt;br&gt;&amp;gt;&amp;gt; prayer (presets include Agnostic, Fervent, Devout), and a drone machine.
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
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&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33883912</id>
	<title>Re: Squarepusher UFabulum &amp; Rich Devine Resp</title>
	<published>2012-05-21T09:37:52Z</published>
	<updated>2012-05-21T09:37:52Z</updated>
	<author>
		<name>Clint Anderson</name>
	</author>
	<content type="html">ma ma ma my my my yeah
&lt;br&gt;&lt;br&gt;checked out the gareth clarke stuff, eh... its okish... it sounds like a
&lt;br&gt;bunch of old aphex twin tracks that didn't make the cut :)
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Fri, May 18, 2012 at 4:29 PM, Justin &amp;lt;&lt;a&gt;ytbmusic@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; Anyone notice that Panic Massive on the Enstrobia EP sounds like a My
&lt;br&gt;&amp;gt; Sharona? &amp;nbsp;Maybe it's just me?
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Fri, May 18, 2012 at 1:01 PM, kent williams &amp;lt;&lt;a&gt;chaircrusher@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; You can go on his Vimeo channel if you want to know where he gets his
&lt;br&gt;&amp;gt; &amp;gt; sounds. &amp;nbsp;Most of Risp sounds like it was created by sequencing in his
&lt;br&gt;&amp;gt; &amp;gt; modular, where there are many signal sources feeding into the
&lt;br&gt;&amp;gt; &amp;gt; sequencing. &amp;nbsp;Rich is friends with the Autechre guys but I don't think
&lt;br&gt;&amp;gt; &amp;gt; they sit around swapping sequencing tips. &amp;nbsp;They both are big fans of
&lt;br&gt;&amp;gt; &amp;gt; the Nord Modulars and patching up chaotic self-modulating sequencers.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Varseop and the Drumcell remix of it are the most accessible. The
&lt;br&gt;&amp;gt; &amp;gt; Drumcell remix is badass techno, and the original mix is a lot
&lt;br&gt;&amp;gt; &amp;gt; groovier than Oxin2lin and Plonked Spectral.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; On Fri, May 18, 2012 at 2:55 PM, Clint Anderson &amp;lt;&lt;a&gt;clinta@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; in fact just to be that way, based on the name 'plonk spectral' it
&lt;br&gt;&amp;gt; almost
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; sounds like he is using the resulting points of a spectral analysis of
&lt;br&gt;&amp;gt; a
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; sound to trigger percussion, which in fact is a bit like what gantz
&lt;br&gt;&amp;gt; graf
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; sounds like
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; On Fri, May 18, 2012 at 2:53 PM, Clint Anderson &amp;lt;&lt;a&gt;clinta@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; wrote:
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt; heh, it DOES sound like late 90s autechre
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt; in fact it sounds like something from gantz-graf confield period
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt; same samples anyways, sounds like the same msp patches...
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt; still, i like it
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt; On Fri, May 18, 2012 at 3:46 AM, CRAIG SIMPSON &amp;lt;
&lt;br&gt;&amp;gt; &lt;a&gt;craignorms@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; new SP is mind blowing, love how it radically changes tone from red
&lt;br&gt;&amp;gt; and
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; blue onwards...
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; devine's stuff for me, &amp;nbsp;being totally honest, sounds like late 90s
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; autechre that didnt make the cut
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; (3rd track on that ep especially)
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; From: &lt;a&gt;chaircrusher@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; Date: Thu, 17 May 2012 16:43:01 -0500
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; To: &lt;a&gt;idm@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; Subject: [idm] Squarepusher UFabulum &amp; Rich Devine Resp
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; The new Squarepusher is the most melodically accessible thing he's
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; ever done, though it's still chock full of his mental
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; chop-it-uppiness. &amp;nbsp;The level of detail in his tracks is
&lt;br&gt;&amp;gt; &amp;gt; mind-boggling.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; Rich Devine's 'Resp' just came out today digital
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;https://www.beatport.com/release/risp-ep/915684&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.beatport.com/release/risp-ep/915684&lt;/a&gt;&amp;nbsp; -- I'd love to
&lt;br&gt;&amp;gt; have
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; the vinyl, but I need to get rid of a thousand or so records to
&lt;br&gt;&amp;gt; make
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; room for new ones before I buy it.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; What distinguishes the music of both of these guys is utterly
&lt;br&gt;&amp;gt; &amp;gt; original
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; sound design. &amp;nbsp;Squarepusher is the master of the Eventide -- a lot
&lt;br&gt;&amp;gt; of
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; those crazy sounds are his custom programs he uses to play bass
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; through. &amp;nbsp;Rich &amp;quot;One Of Everything&amp;quot; Devine spends all day, every day
&lt;br&gt;&amp;gt; &amp;gt; in
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; his studio patching together modular synths and all sorts of
&lt;br&gt;&amp;gt; digital
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; toys, and his songs are assembled from literally hundreds of custom
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; sound events.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33883065</id>
	<title>Re: Sufi Plug Ins</title>
	<published>2012-05-21T07:30:05Z</published>
	<updated>2012-05-21T07:30:05Z</updated>
	<author>
		<name>Basma O</name>
	</author>
	<content type="html">I haven't really read too much about it, but the idea thought would
&lt;br&gt;interest some!
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On 21 May 2012 16:28, Basma O &amp;lt;&lt;a&gt;basma.o@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.beyond-digital.org/sufiplugins/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.beyond-digital.org/sufiplugins/&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; The first *SUFI PLUG INS *were released on May 14, 2012. *SUFI PLUG INS
&lt;br&gt;&amp;gt; v.1* are a free suite of seven audio software tools for Ableton Live
&lt;br&gt;&amp;gt; (Max4Live). They include four software synthesizers hardwired to North
&lt;br&gt;&amp;gt; African maqam scales with quartertone tuning built-in, a device called
&lt;br&gt;&amp;gt; DEVOTION which lowers your computer’s volume 5 times a day during call to
&lt;br&gt;&amp;gt; prayer (presets include Agnostic, Fervent, Devout), and a drone machine.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;/div&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/Sufi-Plug-Ins-tp33883058p33883065.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33883058</id>
	<title>Sufi Plug Ins</title>
	<published>2012-05-21T07:28:32Z</published>
	<updated>2012-05-21T07:28:32Z</updated>
	<author>
		<name>Basma O</name>
	</author>
	<content type="html">&lt;a href=&quot;http://www.beyond-digital.org/sufiplugins/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.beyond-digital.org/sufiplugins/&lt;/a&gt;&lt;br&gt;&lt;br&gt;The first *SUFI PLUG INS *were released on May 14, 2012. *SUFI PLUG
&lt;br&gt;INS v.1* are
&lt;br&gt;a free suite of seven audio software tools for Ableton Live (Max4Live).
&lt;br&gt;They include four software synthesizers hardwired to North African maqam
&lt;br&gt;scales with quartertone tuning built-in, a device called DEVOTION which
&lt;br&gt;lowers your computer’s volume 5 times a day during call to prayer (presets
&lt;br&gt;include Agnostic, Fervent, Devout), and a drone machine.
&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/Sufi-Plug-Ins-tp33883058p33883058.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33879259</id>
	<title>Feature on William Basinski Disintegration Loops on Radiolab</title>
	<published>2012-05-20T12:24:04Z</published>
	<updated>2012-05-20T12:24:04Z</updated>
	<author>
		<name>Kent Williams</name>
	</author>
	<content type="html">&lt;a href=&quot;http://www.radiolab.org/2011/oct/04/everythingnothing/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.radiolab.org/2011/oct/04/everythingnothing/&lt;/a&gt;&lt;br&gt;&lt;br&gt;---------------------------------------------------------------------
&lt;br&gt;To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;</content>
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<entry>
	<id>tag:old.nabble.com,2006:post-33872744</id>
	<title>Re: Squarepusher UFabulum &amp; Rich Devine Resp</title>
	<published>2012-05-18T14:29:43Z</published>
	<updated>2012-05-18T14:29:43Z</updated>
	<author>
		<name>Justin-132</name>
	</author>
	<content type="html">Anyone notice that Panic Massive on the Enstrobia EP sounds like a My
&lt;br&gt;Sharona? &amp;nbsp;Maybe it's just me?
&lt;br&gt;&lt;br&gt;&lt;br&gt;On Fri, May 18, 2012 at 1:01 PM, kent williams &amp;lt;&lt;a&gt;chaircrusher@...&lt;/a&gt;&amp;gt;wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; You can go on his Vimeo channel if you want to know where he gets his
&lt;br&gt;&amp;gt; sounds. &amp;nbsp;Most of Risp sounds like it was created by sequencing in his
&lt;br&gt;&amp;gt; modular, where there are many signal sources feeding into the
&lt;br&gt;&amp;gt; sequencing. &amp;nbsp;Rich is friends with the Autechre guys but I don't think
&lt;br&gt;&amp;gt; they sit around swapping sequencing tips. &amp;nbsp;They both are big fans of
&lt;br&gt;&amp;gt; the Nord Modulars and patching up chaotic self-modulating sequencers.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Varseop and the Drumcell remix of it are the most accessible. The
&lt;br&gt;&amp;gt; Drumcell remix is badass techno, and the original mix is a lot
&lt;br&gt;&amp;gt; groovier than Oxin2lin and Plonked Spectral.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Fri, May 18, 2012 at 2:55 PM, Clint Anderson &amp;lt;&lt;a&gt;clinta@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt; &amp;gt; in fact just to be that way, based on the name 'plonk spectral' it almost
&lt;br&gt;&amp;gt; &amp;gt; sounds like he is using the resulting points of a spectral analysis of a
&lt;br&gt;&amp;gt; &amp;gt; sound to trigger percussion, which in fact is a bit like what gantz graf
&lt;br&gt;&amp;gt; &amp;gt; sounds like
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; On Fri, May 18, 2012 at 2:53 PM, Clint Anderson &amp;lt;&lt;a&gt;clinta@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; heh, it DOES sound like late 90s autechre
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; in fact it sounds like something from gantz-graf confield period
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; same samples anyways, sounds like the same msp patches...
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; still, i like it
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; On Fri, May 18, 2012 at 3:46 AM, CRAIG SIMPSON &amp;lt;&lt;a&gt;craignorms@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; new SP is mind blowing, love how it radically changes tone from red and
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; blue onwards...
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; devine's stuff for me, &amp;nbsp;being totally honest, sounds like late 90s
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; autechre that didnt make the cut
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; (3rd track on that ep especially)
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; From: &lt;a&gt;chaircrusher@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; Date: Thu, 17 May 2012 16:43:01 -0500
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; To: &lt;a&gt;idm@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; Subject: [idm] Squarepusher UFabulum &amp; Rich Devine Resp
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; The new Squarepusher is the most melodically accessible thing he's
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; ever done, though it's still chock full of his mental
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; chop-it-uppiness. &amp;nbsp;The level of detail in his tracks is
&lt;br&gt;&amp;gt; mind-boggling.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; Rich Devine's 'Resp' just came out today digital
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;https://www.beatport.com/release/risp-ep/915684&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.beatport.com/release/risp-ep/915684&lt;/a&gt;&amp;nbsp; -- I'd love to have
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; the vinyl, but I need to get rid of a thousand or so records to make
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; room for new ones before I buy it.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; What distinguishes the music of both of these guys is utterly
&lt;br&gt;&amp;gt; original
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; sound design. &amp;nbsp;Squarepusher is the master of the Eventide -- a lot of
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; those crazy sounds are his custom programs he uses to play bass
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; through. &amp;nbsp;Rich &amp;quot;One Of Everything&amp;quot; Devine spends all day, every day
&lt;br&gt;&amp;gt; in
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; his studio patching together modular synths and all sorts of digital
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; toys, and his songs are assembled from literally hundreds of custom
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; sound events.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; ---------------------------------------------------------------------
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33872316</id>
	<title>Re: Squarepusher UFabulum &amp; Rich Devine Resp</title>
	<published>2012-05-18T13:01:37Z</published>
	<updated>2012-05-18T13:01:37Z</updated>
	<author>
		<name>Kent Williams</name>
	</author>
	<content type="html">You can go on his Vimeo channel if you want to know where he gets his
&lt;br&gt;sounds. &amp;nbsp;Most of Risp sounds like it was created by sequencing in his
&lt;br&gt;modular, where there are many signal sources feeding into the
&lt;br&gt;sequencing. &amp;nbsp;Rich is friends with the Autechre guys but I don't think
&lt;br&gt;they sit around swapping sequencing tips. &amp;nbsp;They both are big fans of
&lt;br&gt;the Nord Modulars and patching up chaotic self-modulating sequencers.
&lt;br&gt;&lt;br&gt;Varseop and the Drumcell remix of it are the most accessible. The
&lt;br&gt;Drumcell remix is badass techno, and the original mix is a lot
&lt;br&gt;groovier than Oxin2lin and Plonked Spectral.
&lt;br&gt;&lt;br&gt;On Fri, May 18, 2012 at 2:55 PM, Clint Anderson &amp;lt;&lt;a&gt;clinta@...&lt;/a&gt;&amp;gt; wrote:
&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; in fact just to be that way, based on the name 'plonk spectral' it almost
&lt;br&gt;&amp;gt; sounds like he is using the resulting points of a spectral analysis of a
&lt;br&gt;&amp;gt; sound to trigger percussion, which in fact is a bit like what gantz graf
&lt;br&gt;&amp;gt; sounds like
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Fri, May 18, 2012 at 2:53 PM, Clint Anderson &amp;lt;&lt;a&gt;clinta@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; heh, it DOES sound like late 90s autechre
&lt;br&gt;&amp;gt;&amp;gt; in fact it sounds like something from gantz-graf confield period
&lt;br&gt;&amp;gt;&amp;gt; same samples anyways, sounds like the same msp patches...
&lt;br&gt;&amp;gt;&amp;gt; still, i like it
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; On Fri, May 18, 2012 at 3:46 AM, CRAIG SIMPSON &amp;lt;&lt;a&gt;craignorms@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; new SP is mind blowing, love how it radically changes tone from red and
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; blue onwards...
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; devine's stuff for me,  being totally honest, sounds like late 90s
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; autechre that didnt make the cut
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; (3rd track on that ep especially)
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; From: &lt;a&gt;chaircrusher@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; Date: Thu, 17 May 2012 16:43:01 -0500
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; To: &lt;a&gt;idm@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; Subject: [idm] Squarepusher UFabulum &amp; Rich Devine Resp
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; The new Squarepusher is the most melodically accessible thing he's
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; ever done, though it's still chock full of his mental
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; chop-it-uppiness.  The level of detail in his tracks is mind-boggling.
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; Rich Devine's 'Resp' just came out today digital
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;https://www.beatport.com/release/risp-ep/915684&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.beatport.com/release/risp-ep/915684&lt;/a&gt;&amp;nbsp; -- I'd love to have
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; the vinyl, but I need to get rid of a thousand or so records to make
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; room for new ones before I buy it.
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; What distinguishes the music of both of these guys is utterly original
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; sound design.  Squarepusher is the master of the Eventide -- a lot of
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; those crazy sounds are his custom programs he uses to play bass
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; through.  Rich &amp;quot;One Of Everything&amp;quot; Devine spends all day, every day in
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; his studio patching together modular synths and all sorts of digital
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; toys, and his songs are assembled from literally hundreds of custom
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; sound events.
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;/div&gt;&lt;br&gt;---------------------------------------------------------------------
&lt;br&gt;To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33872283</id>
	<title>Re: Squarepusher UFabulum &amp; Rich Devine Resp</title>
	<published>2012-05-18T12:55:06Z</published>
	<updated>2012-05-18T12:55:06Z</updated>
	<author>
		<name>Clint Anderson</name>
	</author>
	<content type="html">in fact just to be that way, based on the name 'plonk spectral' it almost
&lt;br&gt;sounds like he is using the resulting points of a spectral analysis of a
&lt;br&gt;sound to trigger percussion, which in fact is a bit like what gantz graf
&lt;br&gt;sounds like
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Fri, May 18, 2012 at 2:53 PM, Clint Anderson &amp;lt;&lt;a&gt;clinta@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; heh, it DOES sound like late 90s autechre
&lt;br&gt;&amp;gt; in fact it sounds like something from gantz-graf confield period
&lt;br&gt;&amp;gt; same samples anyways, sounds like the same msp patches...
&lt;br&gt;&amp;gt; still, i like it
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Fri, May 18, 2012 at 3:46 AM, CRAIG SIMPSON &amp;lt;&lt;a&gt;craignorms@...&lt;/a&gt;&amp;gt;wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; new SP is mind blowing, love how it radically changes tone from red and
&lt;br&gt;&amp;gt;&amp;gt; blue onwards...
&lt;br&gt;&amp;gt;&amp;gt; devine's stuff for me, &amp;nbsp;being totally honest, sounds like late 90s
&lt;br&gt;&amp;gt;&amp;gt; autechre that didnt make the cut
&lt;br&gt;&amp;gt;&amp;gt; (3rd track on that ep especially)
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; From: &lt;a&gt;chaircrusher@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; Date: Thu, 17 May 2012 16:43:01 -0500
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; To: &lt;a&gt;idm@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; Subject: [idm] Squarepusher UFabulum &amp; Rich Devine Resp
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; The new Squarepusher is the most melodically accessible thing he's
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; ever done, though it's still chock full of his mental
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; chop-it-uppiness. &amp;nbsp;The level of detail in his tracks is mind-boggling.
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; Rich Devine's 'Resp' just came out today digital
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;https://www.beatport.com/release/risp-ep/915684&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.beatport.com/release/risp-ep/915684&lt;/a&gt;&amp;nbsp; -- I'd love to have
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; the vinyl, but I need to get rid of a thousand or so records to make
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; room for new ones before I buy it.
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; What distinguishes the music of both of these guys is utterly original
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; sound design. &amp;nbsp;Squarepusher is the master of the Eventide -- a lot of
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; those crazy sounds are his custom programs he uses to play bass
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; through. &amp;nbsp;Rich &amp;quot;One Of Everything&amp;quot; Devine spends all day, every day in
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; his studio patching together modular synths and all sorts of digital
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; toys, and his songs are assembled from literally hundreds of custom
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; sound events.
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;/div&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33872277</id>
	<title>Re: Squarepusher UFabulum &amp; Rich Devine Resp</title>
	<published>2012-05-18T12:53:40Z</published>
	<updated>2012-05-18T12:53:40Z</updated>
	<author>
		<name>Clint Anderson</name>
	</author>
	<content type="html">heh, it DOES sound like late 90s autechre
&lt;br&gt;in fact it sounds like something from gantz-graf confield period
&lt;br&gt;same samples anyways, sounds like the same msp patches...
&lt;br&gt;still, i like it
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Fri, May 18, 2012 at 3:46 AM, CRAIG SIMPSON &amp;lt;&lt;a&gt;craignorms@...&lt;/a&gt;&amp;gt;wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; new SP is mind blowing, love how it radically changes tone from red and
&lt;br&gt;&amp;gt; blue onwards...
&lt;br&gt;&amp;gt; devine's stuff for me, &amp;nbsp;being totally honest, sounds like late 90s
&lt;br&gt;&amp;gt; autechre that didnt make the cut
&lt;br&gt;&amp;gt; (3rd track on that ep especially)
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; From: &lt;a&gt;chaircrusher@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; Date: Thu, 17 May 2012 16:43:01 -0500
&lt;br&gt;&amp;gt; &amp;gt; To: &lt;a&gt;idm@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; Subject: [idm] Squarepusher UFabulum &amp; Rich Devine Resp
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; The new Squarepusher is the most melodically accessible thing he's
&lt;br&gt;&amp;gt; &amp;gt; ever done, though it's still chock full of his mental
&lt;br&gt;&amp;gt; &amp;gt; chop-it-uppiness. &amp;nbsp;The level of detail in his tracks is mind-boggling.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Rich Devine's 'Resp' just came out today digital
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;https://www.beatport.com/release/risp-ep/915684&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.beatport.com/release/risp-ep/915684&lt;/a&gt;&amp;nbsp; -- I'd love to have
&lt;br&gt;&amp;gt; &amp;gt; the vinyl, but I need to get rid of a thousand or so records to make
&lt;br&gt;&amp;gt; &amp;gt; room for new ones before I buy it.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; What distinguishes the music of both of these guys is utterly original
&lt;br&gt;&amp;gt; &amp;gt; sound design. &amp;nbsp;Squarepusher is the master of the Eventide -- a lot of
&lt;br&gt;&amp;gt; &amp;gt; those crazy sounds are his custom programs he uses to play bass
&lt;br&gt;&amp;gt; &amp;gt; through. &amp;nbsp;Rich &amp;quot;One Of Everything&amp;quot; Devine spends all day, every day in
&lt;br&gt;&amp;gt; &amp;gt; his studio patching together modular synths and all sorts of digital
&lt;br&gt;&amp;gt; &amp;gt; toys, and his songs are assembled from literally hundreds of custom
&lt;br&gt;&amp;gt; &amp;gt; sound events.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;/div&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33871515</id>
	<title>pertin-nce blog update, free net releases &amp; dj mixes</title>
	<published>2012-05-18T10:28:40Z</published>
	<updated>2012-05-18T10:28:40Z</updated>
	<author>
		<name>max tanguay</name>
	</author>
	<content type="html">hi!
&lt;br&gt;&lt;br&gt;i just updated the pertin-nce blog..
&lt;br&gt;(many free net releases and dub techno stuff)
&lt;br&gt;&lt;br&gt;featuring releases and dj mixes by:
&lt;br&gt; 
&lt;br&gt;dubloop (lp)
&lt;br&gt;michel plamondon (ep)
&lt;br&gt;miniatura (v/a compilation)
&lt;br&gt;bleep sequence (v/a compilation)
&lt;br&gt;deep in dub (v/a compilation)
&lt;br&gt;cyan (dj mix)
&lt;br&gt;hemiptera (live pa)
&lt;br&gt;bleupulp (live pa &amp; dj mix)
&lt;br&gt;phonaut (dj mix)
&lt;br&gt;spag (dj mix)
&lt;br&gt;laminat (dj mix)
&lt;br&gt;dj x612 (dj mix)
&lt;br&gt;CLMNTL (dj mix)
&lt;br&gt;mon0 (ep)
&lt;br&gt; 
&lt;br&gt;check out, stream &amp; download :
&lt;br&gt; 
&lt;br&gt;&lt;a href=&quot;http://pertin-nce.blogspot.ca&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://pertin-nce.blogspot.ca&lt;/a&gt;&lt;br&gt; 
&lt;br&gt;peace out! - max
&lt;br&gt; 
&lt;br&gt;net label : pertin-nce.ca
&lt;br&gt;me : soundcloud.com/bleupulp</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33871455</id>
	<title> radio.usine.netlabel.review.NOW!</title>
	<published>2012-05-18T10:16:43Z</published>
	<updated>2012-05-18T10:16:43Z</updated>
	<author>
		<name>nosteps</name>
	</author>
	<content type="html">netlabel.review.from.now.to.09pm.gmt+1
&lt;br&gt;only.free.music
&lt;br&gt;&lt;br&gt;on.radio-usine.net
&lt;br&gt;&lt;br&gt;with the visit of the Mapping Festival team, which starts its last weekend (&lt;a href=&quot;http://mappingfestival.ch&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://mappingfestival.ch&lt;/a&gt;)
&lt;br&gt;they will be tuned @8pm approximately, with Rombeads et Mika Ventura.
&lt;br&gt;&lt;a href=&quot;http://bit.ly/MrZF43&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/MrZF43&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://bit.ly/LeqK4S&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/LeqK4S&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;welcome!
&lt;br&gt;&lt;br&gt;lalex
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://twitter.com/radiousine&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://twitter.com/radiousine&lt;/a&gt;&lt;br&gt;chat:
&lt;br&gt;&lt;a href=&quot;http://www.radio-usine.net/siteweb/chat/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.radio-usine.net/siteweb/chat/&lt;/a&gt;&lt;br&gt;netlabels review:
&lt;br&gt;&lt;a href=&quot;http://review.audioactivity.net&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://review.audioactivity.net&lt;/a&gt;&lt;br&gt;radio archives:
&lt;br&gt;&lt;a href=&quot;http://www.radio-usine.net/siteweb/emissions/audioactivity-crew-nosteps/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.radio-usine.net/siteweb/emissions/audioactivity-crew-nosteps/&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;playlist:
&lt;br&gt;Num.	Artist	Title	Time
&lt;br&gt;1	[mikra]	 13.	01:01
&lt;br&gt;2	Flavien Gillié	La Pelouse Devient Jardin	11:05
&lt;br&gt;3	LOWdown	Cop A Feel	03:00
&lt;br&gt;4	Fanta Stika	Nii Ma Teen (Bigtime edit)	03:10
&lt;br&gt;5	Xherón	Pa´siempre (Con Filósofos de sofá)	04:08
&lt;br&gt;6	Pompier	Photographie de l'instant	03:32
&lt;br&gt;7	Charlestan &amp; Mono Shao	Outro/bonus	12:21
&lt;br&gt;8	Tab	Calm Before The Storm (Featuring Elle Rose)	02:46
&lt;br&gt;9	Monokle &amp; Galun	Happy Sun	03:02
&lt;br&gt;10	Shan-A-Shan	Melodica Time (Cut Session)	05:12
&lt;br&gt;11	Jideh High	Melodica Time (Sound System Style)	04:44
&lt;br&gt;12		02_UZUL feat BEN SHARPA_FIIYAWORKS_IOTv2_01_Bside	05:00
&lt;br&gt;13	Underiu$	Corestep	02:50
&lt;br&gt;14	Kodek	Phatty Grandma Smokin Rubber	04:01
&lt;br&gt;15	Symbol Of Subversion	Manifeste	03:36
&lt;br&gt;16	Dissolved	Go Fuck Yourself	02:31
&lt;br&gt;17	Collapse	Roma a Mano Armata	03:46
&lt;br&gt;18	SxFxTxC	USUFTUTZU	02:02
&lt;br&gt;19	Louis Lingg and The Bombs	School Bell	02:31
&lt;br&gt;20	Psilodump	Psilodumputer (Dorothy's Magic Bag Rock Me-Mix)	02:24
&lt;br&gt;21		3. Marie-douleur	03:38
&lt;br&gt;22	Wood Spider	Shifting Gears	04:50
&lt;br&gt;23	Alphabet	 Toxic wave	04:39
&lt;br&gt;24	Antioche Kirm	Makz zilem kadozzz	03:33
&lt;br&gt;25	AFX	Knievel	00:27
&lt;br&gt;26		collage	01:19
&lt;br&gt;27	Anklepants-Reecard Farché	icky Wicky lollie pop (new fan dangle)	04:20
&lt;br&gt;28	The O.P.	Ydfuhgel (ver.1.02)	01:53
&lt;br&gt;29	2methylbulbe1ol	Random Access	04:41
&lt;br&gt;30	Qebrus	ArgQ	02:42
&lt;br&gt;31	Metalloid Solo Runner	Tellurium ants night attack	04:16
&lt;br&gt;32	AFX	Elephant Song	06:21
&lt;br&gt;33	Blutspan	Kryptophagia (LOTHUS Remix)	03:09
&lt;br&gt;34	Forelle für submarine Aktivitäten	Teufelszeug	09:58
&lt;br&gt;35	The Ghost Of 3.13	Serotonin	04:01
&lt;br&gt;36	Gestalt OrchestrA	Eclat de Roboam	00:04
&lt;br&gt;37	Chromatic	L'amour dans le coeur	01:50
&lt;br&gt;38	Cactus On Fire feat. Baba Brinkman	Pension Tension	02:34
&lt;br&gt;39	Exit!	Number One In Town (Feat. Cutkill)	01:22
&lt;br&gt;40	Nimble	Shaking Riches Out Of The Cosmos	02:21
&lt;br&gt;41	Gestalt OrchestrA	Radical Dada	05:57
&lt;br&gt;42	d'incise-ludger hennig-jonas kocher-sciss	daß die Kruste der Erde sich anschickte, ein Gemenge von disparaten Formen zu werden	17:04
&lt;br&gt;43	Belkastrelka	Nyanyian Pengantin feat. Iwan Aryanto	01:40
&lt;br&gt;44	Aidan Knight	Sorrows	00:47
&lt;br&gt;45	AFX	Untitled	00:10
&lt;br&gt;46	Materia Confusa	Strange Loop	07:34
&lt;br&gt;47	Visciera	Outline Of An Inexorable Mind	03:40
&lt;br&gt;48	Neon Zoo	The Voyeur	06:54
&lt;br&gt;49	ATros BoXon	Internement	02:10
&lt;br&gt;50	Gestalt OrchestrA	O Clair de la lune mon âme est perdue	03:07
&lt;br&gt;51	Chromatic	Des abeilles sur un visage en larmes	01:50
&lt;br&gt;52	Archive Mind	Tick To Tock	02:58
&lt;br&gt;53		15 Flavia	04:56
&lt;br&gt;54	Poodleplay Arkestra	Metal For Blue Sky Thinkers	03:05
&lt;br&gt;55	All The Lost Souls	Untitled IV	09:32
&lt;br&gt;56	Chertsey Cricket Club	Weren't They Terrorists?	00:56
&lt;br&gt;57		07 - lonesome sky	04:16
&lt;br&gt;58	Aidan Knight	Eyelid Clicks	02:00
&lt;br&gt;59	Otra Carpeta	4.6Civao	03:48
&lt;br&gt;60	Letna	Crossing the Bridge (Novisad)	05:19
&lt;br&gt;61	Meteer	Codex Tempera Magnificat	06:58
&lt;br&gt;62	Chromatic	Le calme avant la tempête	02:00
&lt;br&gt;63	Nasienie	How To Say Goodbye	16:23
&lt;br&gt;64		Chapel Song	07:03
&lt;br&gt;65	Logic Moon	Surreal Garden	04:40
&lt;br&gt;66	Ice Guild Kaiser	Weathered Dollhouse	03:44
&lt;br&gt;67	Gestalt OrchestrA	Hoax of Freedom	00:31
&lt;br&gt;68	Gestalt OrchestrA	Hoax of Freedom II	00:39
&lt;br&gt;69	Op	Track 1	01:38
&lt;br&gt;70	Op	Track 22	01:44
&lt;br&gt;71	Op	Track 23	02:30
&lt;br&gt;72	Op	Track 24	01:47
&lt;br&gt;73	Op	Track 26	03:55
&lt;br&gt;74	Op	Track 27	00:50
&lt;br&gt;75	Op	Track 36	02:02
&lt;br&gt;76	Static	Blank Paper	05:53
&lt;br&gt;&lt;br&gt;&lt;br&gt;subscribe here @ the audioactivist mailing list : &lt;a href=&quot;http://audioactivity.net&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://audioactivity.net&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33870314</id>
	<title>RE: Squarepusher UFabulum &amp; Rich Devine Resp</title>
	<published>2012-05-18T06:32:05Z</published>
	<updated>2012-05-18T06:32:05Z</updated>
	<author>
		<name>Göran Sandström</name>
	</author>
	<content type="html">I agree, the new Devine stuff is more suited as modular tech demos rather than being interesting to listen to. The new sp is awesome, best stuff since go plastic and ultravisitor. This and the new Gareth Clarke makes for a great year of drill n bass
&lt;br&gt;&lt;br&gt;-Veqtor
&lt;br&gt;&lt;br&gt;Skickat från min Sony Ericsson Xperia PLAY
&lt;br&gt;&lt;br&gt;CRAIG SIMPSON &amp;lt;&lt;a&gt;craignorms@...&lt;/a&gt;&amp;gt; skrev:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;new SP is mind blowing, love how it radically changes tone from red and blue onwards...
&lt;br&gt;&amp;gt;devine's stuff for me, &amp;nbsp;being totally honest, sounds like late 90s autechre that didnt make the cut
&lt;br&gt;&amp;gt;(3rd track on that ep especially)
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; From: &lt;a&gt;chaircrusher@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt; Date: Thu, 17 May 2012 16:43:01 -0500
&lt;br&gt;&amp;gt;&amp;gt; To: &lt;a&gt;idm@...&lt;/a&gt;
&lt;br&gt;&amp;gt;&amp;gt; Subject: [idm] Squarepusher UFabulum &amp; Rich Devine Resp
&lt;br&gt;&amp;gt;&amp;gt; 
&lt;br&gt;&amp;gt;&amp;gt; The new Squarepusher is the most melodically accessible thing he's
&lt;br&gt;&amp;gt;&amp;gt; ever done, though it's still chock full of his mental
&lt;br&gt;&amp;gt;&amp;gt; chop-it-uppiness. &amp;nbsp;The level of detail in his tracks is mind-boggling.
&lt;br&gt;&amp;gt;&amp;gt; 
&lt;br&gt;&amp;gt;&amp;gt; Rich Devine's 'Resp' just came out today digital
&lt;br&gt;&amp;gt;&amp;gt; &lt;a href=&quot;https://www.beatport.com/release/risp-ep/915684&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.beatport.com/release/risp-ep/915684&lt;/a&gt;&amp;nbsp; -- I'd love to have
&lt;br&gt;&amp;gt;&amp;gt; the vinyl, but I need to get rid of a thousand or so records to make
&lt;br&gt;&amp;gt;&amp;gt; room for new ones before I buy it.
&lt;br&gt;&amp;gt;&amp;gt; 
&lt;br&gt;&amp;gt;&amp;gt; What distinguishes the music of both of these guys is utterly original
&lt;br&gt;&amp;gt;&amp;gt; sound design. &amp;nbsp;Squarepusher is the master of the Eventide -- a lot of
&lt;br&gt;&amp;gt;&amp;gt; those crazy sounds are his custom programs he uses to play bass
&lt;br&gt;&amp;gt;&amp;gt; through. &amp;nbsp;Rich &amp;quot;One Of Everything&amp;quot; Devine spends all day, every day in
&lt;br&gt;&amp;gt;&amp;gt; his studio patching together modular synths and all sorts of digital
&lt;br&gt;&amp;gt;&amp;gt; toys, and his songs are assembled from literally hundreds of custom
&lt;br&gt;&amp;gt;&amp;gt; sound events.
&lt;br&gt;&amp;gt;&amp;gt; 
&lt;br&gt;&amp;gt;&amp;gt; ---------------------------------------------------------------------
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&lt;br&gt;&amp;gt;&amp;gt; 
&lt;br&gt;&amp;gt; 		 	 &amp;nbsp; 		 &amp;nbsp;
&lt;/div&gt;---------------------------------------------------------------------
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&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33870196</id>
	<title>Re: Squarepusher UFabulum &amp; Rich Devine Resp</title>
	<published>2012-05-18T06:09:56Z</published>
	<updated>2012-05-18T06:09:56Z</updated>
	<author>
		<name>Clint Anderson</name>
	</author>
	<content type="html">it is sort of lucky for us that someone that talented decided to make music
&lt;br&gt;that dosent suck
&lt;br&gt;&lt;br&gt;&lt;br&gt;On Fri, May 18, 2012 at 3:46 AM, CRAIG SIMPSON &amp;lt;&lt;a&gt;craignorms@...&lt;/a&gt;&amp;gt;wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; new SP is mind blowing, love how it radically changes tone from red and
&lt;br&gt;&amp;gt; blue onwards...
&lt;br&gt;&amp;gt; devine's stuff for me, &amp;nbsp;being totally honest, sounds like late 90s
&lt;br&gt;&amp;gt; autechre that didnt make the cut
&lt;br&gt;&amp;gt; (3rd track on that ep especially)
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; From: &lt;a&gt;chaircrusher@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; Date: Thu, 17 May 2012 16:43:01 -0500
&lt;br&gt;&amp;gt; &amp;gt; To: &lt;a&gt;idm@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; Subject: [idm] Squarepusher UFabulum &amp; Rich Devine Resp
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; The new Squarepusher is the most melodically accessible thing he's
&lt;br&gt;&amp;gt; &amp;gt; ever done, though it's still chock full of his mental
&lt;br&gt;&amp;gt; &amp;gt; chop-it-uppiness. &amp;nbsp;The level of detail in his tracks is mind-boggling.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Rich Devine's 'Resp' just came out today digital
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;https://www.beatport.com/release/risp-ep/915684&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.beatport.com/release/risp-ep/915684&lt;/a&gt;&amp;nbsp; -- I'd love to have
&lt;br&gt;&amp;gt; &amp;gt; the vinyl, but I need to get rid of a thousand or so records to make
&lt;br&gt;&amp;gt; &amp;gt; room for new ones before I buy it.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; What distinguishes the music of both of these guys is utterly original
&lt;br&gt;&amp;gt; &amp;gt; sound design. &amp;nbsp;Squarepusher is the master of the Eventide -- a lot of
&lt;br&gt;&amp;gt; &amp;gt; those crazy sounds are his custom programs he uses to play bass
&lt;br&gt;&amp;gt; &amp;gt; through. &amp;nbsp;Rich &amp;quot;One Of Everything&amp;quot; Devine spends all day, every day in
&lt;br&gt;&amp;gt; &amp;gt; his studio patching together modular synths and all sorts of digital
&lt;br&gt;&amp;gt; &amp;gt; toys, and his songs are assembled from literally hundreds of custom
&lt;br&gt;&amp;gt; &amp;gt; sound events.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;/div&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33869079</id>
	<title>RE: Squarepusher UFabulum &amp; Rich Devine Resp</title>
	<published>2012-05-18T01:46:59Z</published>
	<updated>2012-05-18T01:46:59Z</updated>
	<author>
		<name>CRAIG SIMPSON</name>
	</author>
	<content type="html">&lt;br&gt;new SP is mind blowing, love how it radically changes tone from red and blue onwards...
&lt;br&gt;devine's stuff for me, &amp;nbsp;being totally honest, sounds like late 90s autechre that didnt make the cut
&lt;br&gt;(3rd track on that ep especially)
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; From: &lt;a&gt;chaircrusher@...&lt;/a&gt;
&lt;br&gt;&amp;gt; Date: Thu, 17 May 2012 16:43:01 -0500
&lt;br&gt;&amp;gt; To: &lt;a&gt;idm@...&lt;/a&gt;
&lt;br&gt;&amp;gt; Subject: [idm] Squarepusher UFabulum &amp; Rich Devine Resp
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; The new Squarepusher is the most melodically accessible thing he's
&lt;br&gt;&amp;gt; ever done, though it's still chock full of his mental
&lt;br&gt;&amp;gt; chop-it-uppiness. &amp;nbsp;The level of detail in his tracks is mind-boggling.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; Rich Devine's 'Resp' just came out today digital
&lt;br&gt;&amp;gt; &lt;a href=&quot;https://www.beatport.com/release/risp-ep/915684&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.beatport.com/release/risp-ep/915684&lt;/a&gt;&amp;nbsp; -- I'd love to have
&lt;br&gt;&amp;gt; the vinyl, but I need to get rid of a thousand or so records to make
&lt;br&gt;&amp;gt; room for new ones before I buy it.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; What distinguishes the music of both of these guys is utterly original
&lt;br&gt;&amp;gt; sound design. &amp;nbsp;Squarepusher is the master of the Eventide -- a lot of
&lt;br&gt;&amp;gt; those crazy sounds are his custom programs he uses to play bass
&lt;br&gt;&amp;gt; through. &amp;nbsp;Rich &amp;quot;One Of Everything&amp;quot; Devine spends all day, every day in
&lt;br&gt;&amp;gt; his studio patching together modular synths and all sorts of digital
&lt;br&gt;&amp;gt; toys, and his songs are assembled from literally hundreds of custom
&lt;br&gt;&amp;gt; sound events.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt; 
&lt;/div&gt;&amp;nbsp;		 	 &amp;nbsp; 		 &amp;nbsp;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33867348</id>
	<title>Squarepusher UFabulum &amp; Rich Devine Resp</title>
	<published>2012-05-17T14:43:01Z</published>
	<updated>2012-05-17T14:43:01Z</updated>
	<author>
		<name>Kent Williams</name>
	</author>
	<content type="html">The new Squarepusher is the most melodically accessible thing he's
&lt;br&gt;ever done, though it's still chock full of his mental
&lt;br&gt;chop-it-uppiness. &amp;nbsp;The level of detail in his tracks is mind-boggling.
&lt;br&gt;&lt;br&gt;Rich Devine's 'Resp' just came out today digital
&lt;br&gt;&lt;a href=&quot;https://www.beatport.com/release/risp-ep/915684&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.beatport.com/release/risp-ep/915684&lt;/a&gt;&amp;nbsp; -- I'd love to have
&lt;br&gt;the vinyl, but I need to get rid of a thousand or so records to make
&lt;br&gt;room for new ones before I buy it.
&lt;br&gt;&lt;br&gt;What distinguishes the music of both of these guys is utterly original
&lt;br&gt;sound design. &amp;nbsp;Squarepusher is the master of the Eventide -- a lot of
&lt;br&gt;those crazy sounds are his custom programs he uses to play bass
&lt;br&gt;through. &amp;nbsp;Rich &amp;quot;One Of Everything&amp;quot; Devine spends all day, every day in
&lt;br&gt;his studio patching together modular synths and all sorts of digital
&lt;br&gt;toys, and his songs are assembled from literally hundreds of custom
&lt;br&gt;sound events.
&lt;br&gt;&lt;br&gt;---------------------------------------------------------------------
&lt;br&gt;To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33867262</id>
	<title>RE: squarepusher fanboyism</title>
	<published>2012-05-17T14:28:53Z</published>
	<updated>2012-05-17T14:28:53Z</updated>
	<author>
		<name>Caleb Cobell</name>
	</author>
	<content type="html">&lt;br&gt;Cheers
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; From: &lt;a&gt;mskinn03@...&lt;/a&gt;
&lt;br&gt;&amp;gt; To: &lt;a&gt;clinta@...&lt;/a&gt;
&lt;br&gt;&amp;gt; CC: &lt;a&gt;idm@...&lt;/a&gt;
&lt;br&gt;&amp;gt; Date: Thu, 17 May 2012 06:35:41 -0400
&lt;br&gt;&amp;gt; Subject: Re: [idm] squarepusher fanboyism
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; Have not gotten around to listening to her new show yet, but figured you might want to check it out sooner rather than later...squarepusher interview and mix at the top.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.mixcloud.com/MaryAnneHobbs/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.mixcloud.com/MaryAnneHobbs/&lt;/a&gt;&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; ---------------------------------------------------------------------
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&lt;br&gt;&amp;gt; 
&lt;/div&gt;&amp;nbsp;		 	 &amp;nbsp; 		 &amp;nbsp;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33863932</id>
	<title>Conversation with Jonny Trunk on his record collection (specialised on film and library music)</title>
	<published>2012-05-17T05:39:16Z</published>
	<updated>2012-05-17T05:39:16Z</updated>
	<author>
		<name>Radio Web MACBA</name>
	</author>
	<content type="html">*Conversation with Jonny Trunk on his sound collection
&lt;br&gt;*
&lt;br&gt;Link: &lt;a href=&quot;http://bit.ly/KhNsK8&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/KhNsK8&lt;/a&gt;&lt;br&gt;PDF: &lt;a href=&quot;http://bit.ly/JTjEXg&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bit.ly/JTjEXg&lt;/a&gt;&lt;br&gt;&lt;br&gt;This is a conversation by email with record collector Jonny Trunk, which
&lt;br&gt;took place on April-May 2012, to prepare a monograph on his library music
&lt;br&gt;collection.
&lt;br&gt;&lt;br&gt;Jonny Trunk founded the label Trunk Records in 1995, and it soon gained a
&lt;br&gt;cult following as a result of its specialisation in unpublished jazz
&lt;br&gt;recordings and film and television soundtracks. Trunk Records was the first
&lt;br&gt;label to feature non-commercial library music, a genre that Trunk has
&lt;br&gt;written about extensively. Trunk hosts a radio programme at London radio
&lt;br&gt;station Resonance FM, and he regularly DJs around the world. He began
&lt;br&gt;collecting records around 1982, but rather than focusing on traditional
&lt;br&gt;record stores, he chose to comb second hand outlets and street markets. It
&lt;br&gt;didn’t take long for him to realise that his obsession was not pop music or
&lt;br&gt;modern sounds, but film soundtracks and television music. His record
&lt;br&gt;collection now consists of around six thousand LPs and his library music
&lt;br&gt;collection focuses on the period from 1966 to 1978 and exhaustively
&lt;br&gt;explores british, french, italian and german productions.
&lt;br&gt;&lt;br&gt;Follow us at &lt;a href=&quot;http://twitter.com/Radio_Web_MACBA&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://twitter.com/Radio_Web_MACBA&lt;/a&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/Conversation-with-Jonny-Trunk-on-his-record-collection-%28specialised-on-film-and-library-music%29-tp33863932p33863932.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33863898</id>
	<title>Re: (fixed link) Compilation of the six COMPOSING WITH PROCESS intros available so far</title>
	<published>2012-05-17T05:35:04Z</published>
	<updated>2012-05-17T05:35:04Z</updated>
	<author>
		<name>Radio Web MACBA</name>
	</author>
	<content type="html">Oh dear! Same problem again. This link should really work!
&lt;br&gt;&lt;br&gt;We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing
&lt;br&gt;or whatever!
&lt;br&gt;&lt;a href=&quot;http://rwm.macba.cat/uploads/twitter/cwp_intros.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/uploads/twitter/cwp_intros.zip&lt;/a&gt;&lt;br&gt;&lt;br&gt;Sorry for any inconvenience caused and thanks to Guy Birkin for letting us
&lt;br&gt;know!
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Thu, May 17, 2012 at 8:43 AM, Radio Web MACBA &amp;lt;&lt;a&gt;rwm2008@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC is a
&lt;br&gt;&amp;gt; podcast series, curated by Mark Fell and Joe Gilmore, exploring generative
&lt;br&gt;&amp;gt; approaches (including algorithmic, system-based, formalised and procedural)
&lt;br&gt;&amp;gt; to composition and performance primarily in the context of experimental
&lt;br&gt;&amp;gt; technologies and music practices of the latter part of the twentieth
&lt;br&gt;&amp;gt; century and examines the use of determinacy and indeterminacy in music and
&lt;br&gt;&amp;gt; how these relate to issues around control, automation and artistic
&lt;br&gt;&amp;gt; intention. You can find the six episodes available so far here:
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://rwm.macba.cat/en/composingwithprocess_tag&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/en/composingwithprocess_tag&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing
&lt;br&gt;&amp;gt; or whatever!
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://rwm.macba.cat/uploads/twitter/cwp_intros.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/uploads/twitter/cwp_intros.zip&lt;/a&gt;&amp;lt;&lt;a href=&quot;http://rwm.macba.cat/uploads/twitter/cwp_intro.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/uploads/twitter/cwp_intro.zip&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;nbsp;(fixed link)
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; ps. Thanks to Scot Gresham-Lancaster for letting us know
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;/div&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33863374</id>
	<title>Re: squarepusher fanboyism</title>
	<published>2012-05-17T03:35:41Z</published>
	<updated>2012-05-17T03:35:41Z</updated>
	<author>
		<name>mskinn03</name>
	</author>
	<content type="html">Have not gotten around to listening to her new show yet, but figured you might want to check it out sooner rather than later...squarepusher interview and mix at the top.
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.mixcloud.com/MaryAnneHobbs/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.mixcloud.com/MaryAnneHobbs/&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;---------------------------------------------------------------------
&lt;br&gt;To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/squarepusher-fanboyism-tp33861960p33863374.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33862548</id>
	<title>(fixed link) Compilation of the six COMPOSING WITH PROCESS intros available so far</title>
	<published>2012-05-16T23:43:06Z</published>
	<updated>2012-05-16T23:43:06Z</updated>
	<author>
		<name>Radio Web MACBA</name>
	</author>
	<content type="html">COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC is a
&lt;br&gt;podcast series, curated by Mark Fell and Joe Gilmore, exploring generative
&lt;br&gt;approaches (including algorithmic, system-based, formalised and procedural)
&lt;br&gt;to composition and performance primarily in the context of experimental
&lt;br&gt;technologies and music practices of the latter part of the twentieth
&lt;br&gt;century and examines the use of determinacy and indeterminacy in music and
&lt;br&gt;how these relate to issues around control, automation and artistic
&lt;br&gt;intention. You can find the six episodes available so far here:
&lt;br&gt;&lt;a href=&quot;http://rwm.macba.cat/en/composingwithprocess_tag&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/en/composingwithprocess_tag&lt;/a&gt;&lt;br&gt;&lt;br&gt;We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing
&lt;br&gt;or whatever!
&lt;br&gt;&lt;a href=&quot;http://rwm.macba.cat/uploads/twitter/cwp_intros.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/uploads/twitter/cwp_intros.zip&lt;/a&gt;&amp;lt;&lt;a href=&quot;http://rwm.macba.cat/uploads/twitter/cwp_intro.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/uploads/twitter/cwp_intro.zip&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;nbsp;(fixed link)
&lt;br&gt;&lt;br&gt;ps. Thanks to Scot Gresham-Lancaster for letting us know
&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/%28fixed-link%29-Compilation-of-the-six-COMPOSING-WITH-PROCESS-intros-available-so-far-tp33862548p33862548.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33861960</id>
	<title>squarepusher fanboyism</title>
	<published>2012-05-16T19:08:07Z</published>
	<updated>2012-05-16T19:08:07Z</updated>
	<author>
		<name>Clint Anderson</name>
	</author>
	<content type="html">&lt;a href=&quot;http://www.xlr8r.com/features/2012/05/high-five-squarepusher&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.xlr8r.com/features/2012/05/high-five-squarepusher&lt;/a&gt;&lt;br&gt;&lt;br&gt;squarepusher asked to name his top 5 jungle tunes names 'the first that
&lt;br&gt;come to mind'
&lt;br&gt;he gives an interesting explanation of how he encountered each one and what
&lt;br&gt;he liked about it though, interesting
&lt;br&gt;good tunes too
&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/squarepusher-fanboyism-tp33861960p33861960.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33852568</id>
	<title>Compilation of the six COMPOSING WITH PROCESS intros available so far</title>
	<published>2012-05-15T09:18:11Z</published>
	<updated>2012-05-15T09:18:11Z</updated>
	<author>
		<name>Radio Web MACBA</name>
	</author>
	<content type="html">COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC is a
&lt;br&gt;podcast series, curated by Mark Fell and Joe Gilmore, exploring generative
&lt;br&gt;approaches (including algorithmic, system-based, formalised and procedural)
&lt;br&gt;to composition and performance primarily in the context of experimental
&lt;br&gt;technologies and music practices of the latter part of the twentieth
&lt;br&gt;century and examines the use of determinacy and indeterminacy in music and
&lt;br&gt;how these relate to issues around control, automation and artistic
&lt;br&gt;intention. You can find the six episodes available so far here:
&lt;br&gt;&lt;a href=&quot;http://rwm.macba.cat/en/composingwithprocess_tag&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/en/composingwithprocess_tag&lt;/a&gt;&lt;br&gt;&lt;br&gt;We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing
&lt;br&gt;or whatever! &lt;a href=&quot;http://rwm.macba.cat/uploads/twitter/cwp_intro.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/uploads/twitter/cwp_intro.zip&lt;/a&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/Compilation-of-the-six-COMPOSING-WITH-PROCESS-intros-available-so-far-tp33852568p33852568.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33850010</id>
	<title>Re: is there like an Online DJing/mixing website!?</title>
	<published>2012-05-15T00:06:49Z</published>
	<updated>2012-05-15T00:06:49Z</updated>
	<author>
		<name>Joost Molenaar-2</name>
	</author>
	<content type="html">&lt;a href=&quot;http://twoyoutubevideosandamotherfuckingcrossfader.com/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://twoyoutubevideosandamotherfuckingcrossfader.com/&lt;/a&gt;&lt;br&gt;&lt;br&gt;On 14 May 2012 17:02, Clint Anderson &amp;lt;&lt;a&gt;clinta@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; dude thats awesome
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Clint Anderson
&lt;br&gt;&amp;gt; Systems Engineer
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Sat, May 12, 2012 at 2:48 PM, A. Arentia Goofinoff &amp;lt;&lt;a&gt;meatsock@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; speaking of youtube playlists have you seen roll.io? i copypastad
&lt;br&gt;&amp;gt; &amp;gt; discogs top 100 acid tracks into this little guy who gets me through
&lt;br&gt;&amp;gt; &amp;gt; the day at work:
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://roll.io/#nrqD!0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://roll.io/#nrqD!0&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; On Sat, May 12, 2012 at 3:43 PM, Basma O &amp;lt;&lt;a&gt;basma.o@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; where you could when ever you feel inspired from any laptop mix your
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; uploaded tracklist OR even your youtube's [or any] playlist (if such
&lt;br&gt;&amp;gt; &amp;gt; thing
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; exists) !??
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; would be a good cure for random low attention species like myself who
&lt;br&gt;&amp;gt; &amp;gt; often
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; feel the desire to mix great music of timlines in random locations to
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; remind themselves of their own sensate focusing techniques! ;ppp....
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; n e waay, I hope there is, and if so pls put up the lampshade on it
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; anyone?!
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; thx.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; a little humble virtual-mix from me to you:
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; listen and start fading out at min-1 of this track, for a little mix
&lt;br&gt;&amp;gt; from
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; me to you , make sure u start it on top of any track you were already
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; playing [not alone], and jump back where ever you want after it as
&lt;br&gt;&amp;gt; slooo
&lt;br&gt;&amp;gt; &amp;gt; as
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; you want... &amp;nbsp;;p :
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; &lt;a href=&quot;http://www.youtube.com/watch?v=tIcpn_JGlqg&amp;feature=related&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.youtube.com/watch?v=tIcpn_JGlqg&amp;feature=related&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; --
&lt;br&gt;&amp;gt; &amp;gt; &amp;quot;Never Explain, Never Complain&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; &amp;nbsp; -- Cole Porter
&lt;br&gt;&amp;gt; &amp;gt; &amp;quot;If one would give me six lines written by the hand of the most honest
&lt;br&gt;&amp;gt; &amp;gt; man, I would find something in them to have him hanged.&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; &amp;nbsp; -- Cardinal Richelieu
&lt;br&gt;&amp;gt; &amp;gt; ----
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; pete lastname
&lt;br&gt;&amp;gt; &amp;gt; &lt;a&gt;meatsock@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;/div&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/is-there-like-an-Online-DJing-mixing-website%21--tp33839124p33850010.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33845811</id>
	<title>Re: is there like an Online DJing/mixing website!?</title>
	<published>2012-05-14T08:02:16Z</published>
	<updated>2012-05-14T08:02:16Z</updated>
	<author>
		<name>Clint Anderson</name>
	</author>
	<content type="html">dude thats awesome
&lt;br&gt;&lt;br&gt;Clint Anderson
&lt;br&gt;Systems Engineer
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Sat, May 12, 2012 at 2:48 PM, A. Arentia Goofinoff &amp;lt;&lt;a&gt;meatsock@...&lt;/a&gt;&amp;gt;wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; speaking of youtube playlists have you seen roll.io? i copypastad
&lt;br&gt;&amp;gt; discogs top 100 acid tracks into this little guy who gets me through
&lt;br&gt;&amp;gt; the day at work:
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://roll.io/#nrqD!0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://roll.io/#nrqD!0&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Sat, May 12, 2012 at 3:43 PM, Basma O &amp;lt;&lt;a&gt;basma.o@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt; &amp;gt; where you could when ever you feel inspired from any laptop mix your
&lt;br&gt;&amp;gt; &amp;gt; uploaded tracklist OR even your youtube's [or any] playlist (if such
&lt;br&gt;&amp;gt; thing
&lt;br&gt;&amp;gt; &amp;gt; exists) !??
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; would be a good cure for random low attention species like myself who
&lt;br&gt;&amp;gt; often
&lt;br&gt;&amp;gt; &amp;gt; feel the desire to mix great music of timlines in random locations to
&lt;br&gt;&amp;gt; &amp;gt; remind themselves of their own sensate focusing techniques! ;ppp....
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; n e waay, I hope there is, and if so pls put up the lampshade on it
&lt;br&gt;&amp;gt; &amp;gt; anyone?!
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; thx.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; a little humble virtual-mix from me to you:
&lt;br&gt;&amp;gt; &amp;gt; listen and start fading out at min-1 of this track, for a little mix from
&lt;br&gt;&amp;gt; &amp;gt; me to you , make sure u start it on top of any track you were already
&lt;br&gt;&amp;gt; &amp;gt; playing [not alone], and jump back where ever you want after it as slooo
&lt;br&gt;&amp;gt; as
&lt;br&gt;&amp;gt; &amp;gt; you want... &amp;nbsp;;p :
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://www.youtube.com/watch?v=tIcpn_JGlqg&amp;feature=related&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.youtube.com/watch?v=tIcpn_JGlqg&amp;feature=related&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; --
&lt;br&gt;&amp;gt; &amp;quot;Never Explain, Never Complain&amp;quot;
&lt;br&gt;&amp;gt; &amp;nbsp; -- Cole Porter
&lt;br&gt;&amp;gt; &amp;quot;If one would give me six lines written by the hand of the most honest
&lt;br&gt;&amp;gt; man, I would find something in them to have him hanged.&amp;quot;
&lt;br&gt;&amp;gt; &amp;nbsp; -- Cardinal Richelieu
&lt;br&gt;&amp;gt; ----
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; pete lastname
&lt;br&gt;&amp;gt; &lt;a&gt;meatsock@...&lt;/a&gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; ---------------------------------------------------------------------
&lt;br&gt;&amp;gt; To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;&amp;gt; For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;/div&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33844689</id>
	<title>Lecture on collecting library music, by Jonny Trunk: May 16, 9 pm. MACBA Auditorium. Free admission</title>
	<published>2012-05-14T04:26:28Z</published>
	<updated>2012-05-14T04:26:28Z</updated>
	<author>
		<name>Radio Web MACBA</name>
	</author>
	<content type="html">*Lecture on collecting library music, by Jonny Trunk: May 16, 9 pm. MACBA
&lt;br&gt;Auditorium. Free admission
&lt;br&gt;*
&lt;br&gt;Teaser: &lt;a href=&quot;http://rwm.macba.cat/en/extra/teaser_memorabilia_jonny_trunk/capsula&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rwm.macba.cat/en/extra/teaser_memorabilia_jonny_trunk/capsula&lt;/a&gt;&lt;br&gt;&lt;br&gt;In this hybrid lecture/audition, Jonny Trunk will be sharing his collection
&lt;br&gt;of library music records, which he started in 1982 and now contains around
&lt;br&gt;6000 LPs. Also known as *sonorizzazioni*, the term library music
&lt;br&gt;encompasses the audio productions made for professional use in the context
&lt;br&gt;of film, television and radio. This exciting musical underworld is part of
&lt;br&gt;the collective imagination, and yet it remains practically unknown to the
&lt;br&gt;general public.
&lt;br&gt;&lt;br&gt;Jonny Trunk founded the label Trunk Records in 1995, and it soon gained a
&lt;br&gt;cult following as a result of its specialisation in unpublished jazz
&lt;br&gt;recordings and film and television soundtracks. Trunk Records was the first
&lt;br&gt;label to feature non-commercial &amp;quot;library music&amp;quot;, a genre that Trunk has
&lt;br&gt;written about extensively. Trunk hosts a radio programme at London radio
&lt;br&gt;station Resonance FM, and he regularly DJs around the world. He began
&lt;br&gt;collecting records around 1982, but rather than focusing on traditional
&lt;br&gt;record stores, he chose to comb second hand outlets and street markets. It
&lt;br&gt;didn't take long for him to realise that his obsession was not pop music or
&lt;br&gt;modern sounds, but film soundtracks and television music. His record
&lt;br&gt;collection now consists of around six thousand LPs.
&lt;br&gt;&lt;br&gt;More info: &lt;a href=&quot;http://www.macba.cat/en/lecture-memorabilia&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.macba.cat/en/lecture-memorabilia&lt;/a&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/Lecture-on-collecting-library-music%2C-by-Jonny-Trunk%3A-May-16%2C-9-pm.-MACBA-Auditorium.-Free-admission-tp33844689p33844689.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33844081</id>
	<title>RE: Re: Out Of Office</title>
	<published>2012-05-14T01:55:09Z</published>
	<updated>2012-05-14T01:55:09Z</updated>
	<author>
		<name>Mascot Wouter</name>
	</author>
	<content type="html">You're totally right about that, sorry guys and girls and the occasional
&lt;br&gt;leprechaun. I'm now unsubscribed from the list.
&lt;br&gt;&lt;br&gt;Grz
&lt;br&gt;&lt;br&gt;Best Regards,
&lt;br&gt;&lt;br&gt;Wouter Wiegeraad
&lt;br&gt;Promotion
&lt;br&gt;Mascot Label Group
&lt;br&gt;Tel: +31 10 5120384
&lt;br&gt;Mob: +31 6 41515353
&lt;br&gt;PO Box 231
&lt;br&gt;2650 AV
&lt;br&gt;Berkel &amp; Rodenrijs
&lt;br&gt;&lt;br&gt;Mascot Labelgroup.com
&lt;br&gt;&lt;br&gt;&lt;br&gt;-----Original Message-----
&lt;br&gt;From: Clint Anderson [mailto:&lt;a&gt;clinta@...&lt;/a&gt;] 
&lt;br&gt;Sent: vrijdag 11 mei 2012 17:52
&lt;br&gt;To: &lt;a&gt;wouter@...&lt;/a&gt;
&lt;br&gt;Cc: IDM
&lt;br&gt;Subject: [idm] Re: Out Of Office
&lt;br&gt;&lt;br&gt;yeah, second time, for a whole week, again.... super annoying..
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Fri, May 11, 2012 at 10:46 AM, &amp;lt;&lt;a&gt;wouter@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; I'll be on holiday this week, will be back on Monday May 14th.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; I will not read and reply email between May 7 and 11th.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Evert Wubben will take care of urgent matters:
&lt;br&gt;&amp;gt; &lt;a&gt;promo@...&lt;/a&gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Thanks, talk to you soon!
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;/div&gt;&lt;br&gt;&lt;br&gt;---------------------------------------------------------------------
&lt;br&gt;To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/Re%3A-Out-Of-Office-tp33827997p33844081.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33839140</id>
	<title>Re: is there like an Online DJing/mixing website!?</title>
	<published>2012-05-12T12:48:36Z</published>
	<updated>2012-05-12T12:48:36Z</updated>
	<author>
		<name>A. Arentia Goofinoff</name>
	</author>
	<content type="html">speaking of youtube playlists have you seen roll.io? i copypastad
&lt;br&gt;discogs top 100 acid tracks into this little guy who gets me through
&lt;br&gt;the day at work:
&lt;br&gt;&lt;a href=&quot;http://roll.io/#nrqD!0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://roll.io/#nrqD!0&lt;/a&gt;&lt;br&gt;&lt;br&gt;On Sat, May 12, 2012 at 3:43 PM, Basma O &amp;lt;&lt;a&gt;basma.o@...&lt;/a&gt;&amp;gt; wrote:
&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; where you could when ever you feel inspired from any laptop mix your
&lt;br&gt;&amp;gt; uploaded tracklist OR even your youtube's [or any] playlist (if such thing
&lt;br&gt;&amp;gt; exists) !??
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; would be a good cure for random low attention species like myself who often
&lt;br&gt;&amp;gt; feel the desire to mix great music of timlines in random locations to
&lt;br&gt;&amp;gt; remind themselves of their own sensate focusing techniques! ;ppp....
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; n e waay, I hope there is, and if so pls put up the lampshade on it
&lt;br&gt;&amp;gt; anyone?!
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; thx.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; a little humble virtual-mix from me to you:
&lt;br&gt;&amp;gt; listen and start fading out at min-1 of this track, for a little mix from
&lt;br&gt;&amp;gt; me to you , make sure u start it on top of any track you were already
&lt;br&gt;&amp;gt; playing [not alone], and jump back where ever you want after it as slooo as
&lt;br&gt;&amp;gt; you want...  ;p :
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.youtube.com/watch?v=tIcpn_JGlqg&amp;feature=related&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.youtube.com/watch?v=tIcpn_JGlqg&amp;feature=related&lt;/a&gt;&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;&amp;quot;Never Explain, Never Complain&amp;quot;
&lt;br&gt;  -- Cole Porter
&lt;br&gt;&amp;quot;If one would give me six lines written by the hand of the most honest
&lt;br&gt;man, I would find something in them to have him hanged.&amp;quot;
&lt;br&gt;  -- Cardinal Richelieu
&lt;br&gt;----
&lt;br&gt;&lt;br&gt;pete lastname
&lt;br&gt;&lt;a&gt;meatsock@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;---------------------------------------------------------------------
&lt;br&gt;To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
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&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33839124</id>
	<title>is there like an Online DJing/mixing website!?</title>
	<published>2012-05-12T12:43:06Z</published>
	<updated>2012-05-12T12:43:06Z</updated>
	<author>
		<name>Basma O</name>
	</author>
	<content type="html">where you could when ever you feel inspired from any laptop mix your
&lt;br&gt;uploaded tracklist OR even your youtube's [or any] playlist (if such thing
&lt;br&gt;exists) !??
&lt;br&gt;&lt;br&gt;would be a good cure for random low attention species like myself who often
&lt;br&gt;feel the desire to mix great music of timlines in random locations to
&lt;br&gt;remind themselves of their own sensate focusing techniques! ;ppp....
&lt;br&gt;&lt;br&gt;n e waay, I hope there is, and if so pls put up the lampshade on it
&lt;br&gt;anyone?!
&lt;br&gt;&lt;br&gt;thx.
&lt;br&gt;&lt;br&gt;a little humble virtual-mix from me to you:
&lt;br&gt;listen and start fading out at min-1 of this track, for a little mix from
&lt;br&gt;me to you , make sure u start it on top of any track you were already
&lt;br&gt;playing [not alone], and jump back where ever you want after it as slooo as
&lt;br&gt;you want... &amp;nbsp;;p :
&lt;br&gt;&lt;a href=&quot;http://www.youtube.com/watch?v=tIcpn_JGlqg&amp;feature=related&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.youtube.com/watch?v=tIcpn_JGlqg&amp;feature=related&lt;/a&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33836440</id>
	<title>downliners sekt!</title>
	<published>2012-05-11T18:36:10Z</published>
	<updated>2012-05-11T18:36:10Z</updated>
	<author>
		<name>Kent Williams</name>
	</author>
	<content type="html">Creative Commons Free Downloads. Imagine the cool parts of Witch
&lt;br&gt;House, Dub, Burial, and Pansonic all rolled into one.
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://downliners-sekt.com/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://downliners-sekt.com/&lt;/a&gt;&lt;br&gt;&lt;br&gt;---------------------------------------------------------------------
&lt;br&gt;To unsubscribe, e-mail: &lt;a&gt;idm-unsubscribe@...&lt;/a&gt;
&lt;br&gt;For additional commands, e-mail: &lt;a&gt;idm-help@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33834556</id>
	<title>Re: sensate focus (mark fell)</title>
	<published>2012-05-11T10:14:01Z</published>
	<updated>2012-05-11T10:14:01Z</updated>
	<author>
		<name>Nathan Judd-2</name>
	</author>
	<content type="html">Thanks for the tip! Mark rarely disappoints.
&lt;br&gt;&lt;br&gt;On Fri, May 11, 2012 at 10:45 AM, Clint Anderson &amp;lt;&lt;a&gt;clinta@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; anyone check out these two tracks, x and y, from mark fell under his
&lt;br&gt;&amp;gt; Sensate Focus name?
&lt;br&gt;&amp;gt; great great great old school detroit style scombined with the excellent
&lt;br&gt;&amp;gt; rhythms of mark fell, 10 minutes each track, a bargain for $2
&lt;br&gt;&amp;gt; wonderful release, reminds me of some old jeff mills or something with
&lt;br&gt;&amp;gt; fresh new sounds and rhythms...
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Clint Anderson
&lt;br&gt;&amp;gt; Systems Engineer
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;/div&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-33834081</id>
	<title>Re: Out Of Office</title>
	<published>2012-05-11T08:51:46Z</published>
	<updated>2012-05-11T08:51:46Z</updated>
	<author>
		<name>Clint Anderson</name>
	</author>
	<content type="html">yeah, second time, for a whole week, again.... super annoying..
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Fri, May 11, 2012 at 10:46 AM, &amp;lt;&lt;a&gt;wouter@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; I'll be on holiday this week, will be back on Monday May 14th.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; I will not read and reply email between May 7 and 11th.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Evert Wubben will take care of urgent matters:
&lt;br&gt;&amp;gt; &lt;a&gt;promo@...&lt;/a&gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Thanks, talk to you soon!
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;/div&gt;</content>
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</entry>

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