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NOMA GALLERY - Charles Anselmo - "Structure" - photographyN
O M A G A L L E R Y 80 Maiden Lane, San Francisco, CA 94108
Contemporary
photographic deconstruction tends to have a rather quick reading, based as it is
on get-it-now advertising and commercial photography style. Where Charles
Anselmo’s documentary photographs (of the “achingly beautiful and conflicted”
cities of Havana and New Orleans) differ is their sense of time’s passage and
the human presence, absorbed by and visible within these crumbling walls and
abandoned places. There is of course a tradition in modern photography of
finding beautiful texture, pattern and color in decay; often these photos are
startlingly reminiscent of abstract paintings, within a subjectivity wrought by
natural forces that is discovered by an eye attuned to beauty. Anselmo’s
work is certainly a feast for the eye, but it is deeper psychologically,
vividly conveying both mortality and transcendence. He describes his perambulations
around Havana as “like walking inside a living thing.” His ruined buildings
exude quiet tragic dignity and humanity. Like Walker Evans’ photos of
Depression sharecroppers’ shacks, they are both documentary and humanistic in
the broadest sense. The feeling pulsing within these works is the same we
receive contemplating Rembrandt’s depictions of age-ravaged or otherwise
unglamorous models, or Rouault’s errant sinning flock, something lost to most
contemporary art: an almost religious compassion and humanism; a moral sense
and a philosophical dimension. Evans’ stated goal was images that would be
“literate, authoritative and transcendent.”
Anselmo’s photographs restore a larger sense of humanity to a
contemporary art esthetic that has become quick and trivial under the onslaught
of consumerism and its sometimes theoretically blinkered adversaries. About NOMA GALLERY
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