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	<id>tag:old.nabble.com,2006:forum-16632</id>
	<title>Nabble - NetTime</title>
	<updated>2009-12-16T07:18:25Z</updated>
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	<subtitle type="html">&lt;a href=&quot;http://www.nettime.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;NetTime&lt;/a&gt;- mailing lists for networked cultures, politics, and tactics</subtitle>
	
<entry>
	<id>tag:old.nabble.com,2006:post-26815049</id>
	<title>Office Exhibitions la Galeria de Arta Contemporana a Muzeului National Brukenthal</title>
	<published>2009-12-16T07:18:25Z</published>
	<updated>2009-12-16T07:18:25Z</updated>
	<author>
		<name>Galeria de Arta Contemporana Muzeul National Brukenthal</name>
	</author>
	<content type="html">La sfarsitul acestui an, Galeria de Contemporana a Muzeului National
&lt;br&gt;Brukenthal lanseaza *Office Exhibitions*, un program de expozitii si *circular
&lt;br&gt;lectures* in biroul curatorilor Liviana Dan si Anca Mihulet. In 2010, seria
&lt;br&gt;de proiectii si prelegeri se va continua cu grupul SOSka (Ucraina), Gyula
&lt;br&gt;Fodor (Ungaria/Austria) si Jan Tabor (Cehia/Austria).
&lt;br&gt;&lt;br&gt;*Office Exhibitions* are ca obiectiv crearea unui spatiu de dezbateri si
&lt;br&gt;discutii libere, cu intentia de a familiariza publicul tanar cu metodele
&lt;br&gt;teoretice folosite in cultura contemporana.
&lt;br&gt;&lt;br&gt;Primul invitat in cadrul acestui proiect este Dan Coma, arhitect nascut la
&lt;br&gt;Sibiu. Dupa ce a trait timp de mai bine de 20 de ani la New York, Paris si
&lt;br&gt;Chicago, Dan Coma s-a reintors anul acesta la Sibiu. In anii ’80 a fost
&lt;br&gt;primul arhitect care a expus la Storefront Art and Architecture si la PS1,
&lt;br&gt;pentru ca in anii 2000 sa lanseze mai multe competitii internationale de
&lt;br&gt;arhitectura si pre-arhitectura - *A House for Ingmar Bergman, A House for
&lt;br&gt;Faust, * *Architecture and Alchemy* sau *Architecture and Dissent*.
&lt;br&gt;&lt;br&gt;In contextul *Office Exhibitions*, Dan Coma va sustine prelegerea *Futurism,
&lt;br&gt;Bauhaus, F.L.Wright / 100 de ani, 90 de ani, 50 de ani*, vineri, 18
&lt;br&gt;decembrie, orele 17.00.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;*Futurism, Bauhaus, F.L.Wright / 100 de ani, 90 de ani, 50 de ani*
&lt;br&gt;&lt;br&gt;*Anul acesta s-au implinit 100 de ani de la publicarea Manifestului Futurist
&lt;br&gt;al lui Marinetti, 90 de ani de la nasterea Bauhaus-ului si 50 de ani de la
&lt;br&gt;moartea marelui arhitect american, F.L.Wright. *
&lt;br&gt;&lt;br&gt;*Ii uneste oare ceva, dincolo de « accidentul » acestei coincidente
&lt;br&gt;cronologice… ? Indraznim sa spunem ca aceste trei episoade importante ale
&lt;br&gt;culturii secolului XX sa conecteaza chiar si dincolo de coordonatele unui
&lt;br&gt;dificil conjuntio oppositorum.*
&lt;br&gt;&lt;br&gt;* E interesant sa reflectam, acum, la sfarsitul anului, la doua foarte
&lt;br&gt;importante miscari artistice moderne si la creatia unui &amp;nbsp;arhitect considerat
&lt;br&gt;de multi ca fiind cel mai important din America de Nord. *
&lt;br&gt;&lt;br&gt;*Daca Europa si Statele Unite, in prima jumatate a secolului XX, au
&lt;br&gt;reprezentat forte culturale majore, atunci Futurismul, Bauhaus-ul si
&lt;br&gt;F.L.Wright pot fi considerati cu justificare, jaloane extrem de importante
&lt;br&gt;in orice analiza a culturii secolului trecut. *
&lt;br&gt;&lt;br&gt;*Sa vedem deci in ce masura fascinatia violentei, masinii si a vitezei
&lt;br&gt;(pentru Futuristi) se cupleaza, sau se contrazice cu functionalismul
&lt;br&gt;« masurat » de tip Bauhaus si « organicitatea » unei culturi de dincolo de
&lt;br&gt;Ocean. Un triunghi foarte, foarte dificil, dar fertil… &amp;nbsp; *(Dan Coma)
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Mai multe informatii despre proiectele lui Dan Coma gasiti pe site-ul:
&lt;br&gt;www.icarch.net.
&lt;br&gt;_______________________________________________
&lt;br&gt;Nettime-ro mailing list
&lt;br&gt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26815049&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;Nettime-ro@...&lt;/a&gt;
&lt;br&gt;&lt;a href=&quot;http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro&lt;/a&gt;&lt;br&gt;--&amp;gt;
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26799631</id>
	<title>RECYCLE NEST reminder</title>
	<published>2009-12-15T09:58:08Z</published>
	<updated>2009-12-15T09:58:08Z</updated>
	<author>
		<name>adriana oprea</name>
	</author>
	<content type="html">RECYCLE NEST, primul eveniment: CONSTRUCŢII AUXILIARE PROVIZORII
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;16 decembrie, ora 18
&lt;br&gt;&lt;br&gt;Noua galerie de artă contemporană Recycle Nest îşi inaugurează programul de
&lt;br&gt;evenimente prin vernisarea expoziţiei CONSTRUCŢII AUXILIARE PROVIZORII
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Deşi o expoziţie de grup a artiştilor Ion Grigorescu, Nicu Ilfoveanu &amp; Vlad
&lt;br&gt;Gherghiceanu, Sorin Neamţu, Ciprian Paleologu, Virgil Scripcariu şi Bogdan
&lt;br&gt;Vlăduţă, evenimentul Construcţii auxiliare provizorii nu este rezultatul
&lt;br&gt;unui proiect comun. Paradoxal însă, ceea ce absolvă de improvizaţie şi
&lt;br&gt;eterogenitate acest eveniment este tocmai asumarea individuală şi
&lt;br&gt;programatică a precarităţii şi nedesăvârşirii operelor expuse. Astfel,
&lt;br&gt;coerenţa proiectului este dată de opţiunea artiştilor de a expune doar
&lt;br&gt;lucrări cu o puternică marcă de “neterminat”, de “neînchegat” şi improvizat.
&lt;br&gt;Lucrări abandonate ori doar suspendate pe traseul dintre gând, proiect şi
&lt;br&gt;operă, greu definibile în absenţa unui caracter definitiv.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Pornind de la premisa că nu există operă “fără rest”, artiştii participanţi
&lt;br&gt;caută să identifice potenţialul de resursă creativă şi de semnificaţie a
&lt;br&gt;lucrurilor lăsate în urmă, oarecum stinghere, neexploatate în proiecte şi
&lt;br&gt;colaborări. Mai mult, chiar greu integrabile în ceea ce s-ar putea numi
&lt;br&gt;stilul recongnoscibil al artistului,
&lt;br&gt;&lt;br&gt;într-un &amp;nbsp;ciclu, într-o familie de lucrări. Construcţii auxiliare provizorii
&lt;br&gt;conţine piese cu potenţial scăzut de expunere, pe care un proiect curatorial
&lt;br&gt;„dezlegat” de intimitatea cu procesul creativ al artistului le-ar trece, în
&lt;br&gt;mod obişnuit, cu vederea.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Construcţii auxiliare provizorii este un eveniment de prezentare a
&lt;br&gt;artiştilor galeriei dar şi unul care rezumă profilul tematic al Recycle
&lt;br&gt;Nest. Noua galerie este interesată, în mod special, de arta care răspunde,
&lt;br&gt;într-un fel sau altul, ideii de refolosire, valorificare, recondiţionare.
&lt;br&gt;Prin această expoziție, Recycle Nest privilegiază piesele de laborator
&lt;br&gt;intim, exemplele de non-finito, „deşeul” şi restul artistic cu potenţial
&lt;br&gt;percutor.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Recycle Nest va expune artişti care pun problema resurselor - fie prea
&lt;br&gt;puţine, fie prea multe, difuze ori greu de asumat – devenind astfel o sursă
&lt;br&gt;pentru colecţionarii avizaţi şi interesaţi de arta contemporană românească.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Adriana Oprea
&lt;br&gt;&lt;br&gt;PR RECYCLE NEST
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;0720 226 682
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;RECYCLE &amp;nbsp;NEST
&lt;br&gt;&lt;br&gt;Bucureşti, Str. Icoanei 17
&lt;br&gt;&lt;br&gt;Marţi, joi, vineri 17-21
&lt;br&gt;&lt;br&gt;Sâmbătă 12-20
&lt;br&gt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26799631&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;bucuresti@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;www.recyclenest.ro
&lt;br&gt;_______________________________________________
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&lt;br&gt;&lt;a href=&quot;http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro&lt;/a&gt;&lt;br&gt;--&amp;gt;
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26820585</id>
	<title>&quot;Europese burgerrechtenorganisaties organiseren positieve privacy-prijs&quot;</title>
	<published>2009-12-15T08:12:08Z</published>
	<updated>2009-12-15T08:12:08Z</updated>
	<author>
		<name>Ot van Daalen</name>
	</author>
	<content type="html">Persbericht: &amp;quot;Europese burgerrechtenorganisaties organiseren positieve
&lt;br&gt;privacy-prijs&amp;quot;
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;https://www.bof.nl/2009/12/15/europese-burgerrechtenorganisatie-positieve-privacy-prijs/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.bof.nl/2009/12/15/europese-burgerrechtenorganisatie-positieve-privacy-prijs/&lt;/a&gt;&lt;br&gt;&lt;br&gt;Amsterdam, 15 december 2009
&lt;br&gt;&lt;br&gt;De Europese burgerrechtenorganisties AEDH (Association Européenne pour
&lt;br&gt;la défense des Droits de l’Homme) en EDRi (European Digital Rights
&lt;br&gt;initiative) lanceren de eerste editie van de European Civil Society Data
&lt;br&gt;Protection Award (ECSDPA). De prijs is bedoeld om positieve initiatieven
&lt;br&gt;die bijdragen aan de zichtbaarheid en effectiviteit van het recht op
&lt;br&gt;privacy en de bescherming van persoonsgegevens in Europa te
&lt;br&gt;onderscheiden. De prijs zal uitgereikt worden op 28 januari, op Data
&lt;br&gt;Protection Day.
&lt;br&gt;&lt;br&gt;De initiatieven moeten publieke bewustwording vergroten, creatieve en
&lt;br&gt;constructieve bijdragen stimuleren, en nuttige uitwisseling van
&lt;br&gt;informatie bevorderen. De ECSDPA-prijs staat open voor NGO’s,
&lt;br&gt;non-profits en andere &amp;nbsp;leden van civil society uit de 47 lidstaten van
&lt;br&gt;de Raad van Europa. De deadline voor het indienen van nominaties is 15
&lt;br&gt;januari 2010. Nominaties kunnen worden ingediend via:
&lt;br&gt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26820585&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;nominations@...&lt;/a&gt;.
&lt;br&gt;&lt;br&gt;De ECSDPA prijs, de eerste in zijn soort, is mogelijk gemaakt door de
&lt;br&gt;Law Science Technology &amp; Society Research Group van de Vrije
&lt;br&gt;Universiteit Brussel (LSTS/VUB) en het Vlaams-Nederlandse Huis deBuren.
&lt;br&gt;De winnaar van de ECSDPA-prijs krijgt een lobby-training van een week in
&lt;br&gt;Brussel. Meer informatie over de prijs, inclusief de selectieprocedure,
&lt;br&gt;is hier te vinden.
&lt;br&gt;&lt;br&gt;De Nederlandse digitale burgerrechtenbeweging Bits of Freedom is een van
&lt;br&gt;de oprichters en lid van EDRi. Bits of Freedom organiseert 5 februari de
&lt;br&gt;Nederlandse Big Brother Awards. Iedereen kan tot en met 12 januari
&lt;br&gt;kandidaten opgeven via &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26820585&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;kandidaten@...&lt;/a&gt;. Meer informatie
&lt;br&gt;over de Nederlandse Big Brother Awards van Bits of Freedom is te &amp;nbsp;
&lt;br&gt;vinden op:
&lt;br&gt;&lt;a href=&quot;https://www.bof.nl/2009/12/08/geef-kandidaten-op-voor-de-big-brother-awards-2010/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://www.bof.nl/2009/12/08/geef-kandidaten-op-voor-de-big-brother-awards-2010/&lt;/a&gt;&lt;br&gt;&lt;br&gt;Meer informatie, gelieve contact op te nemen met: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26820585&amp;i=2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;contact@...&lt;/a&gt;
&lt;br&gt;Over AEDH: www.aedh.eu
&lt;br&gt;Over EDRi: www.edri.org
&lt;br&gt;Over LSTS/VUB: www.vub.ac.be/LST
&lt;br&gt;Over deBuren: www.deburen.eu
&lt;br&gt;&lt;br&gt;______________________________________________________
&lt;br&gt;* Verspreid via nettime-nl. Commercieel gebruik niet
&lt;br&gt;* toegestaan zonder toestemming. &amp;lt;nettime-nl&amp;gt; is een
&lt;br&gt;* open en ongemodereerde mailinglist over net-kritiek.
&lt;br&gt;* Meer info, archief &amp; anderstalige edities:
&lt;br&gt;* &lt;a href=&quot;http://www.nettime.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/&lt;/a&gt;.
&lt;br&gt;* Contact: Menno Grootveld (&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26820585&amp;i=3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;rabotnik@...&lt;/a&gt;).
&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-nl-f16549.html&quot; embed=&quot;fixTarget[16549]&quot; target=&quot;_top&quot; &gt;NetTime-nl&lt;/a&gt;&lt;/p&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26803445</id>
	<title>ce soir &quot;Chambre à Air&quot; spéciale en direct d'un &quot;lieu secret&quot;</title>
	<published>2009-12-15T02:06:48Z</published>
	<updated>2009-12-15T02:06:48Z</updated>
	<author>
		<name>MOULES MYSTERY TOUR</name>
	</author>
	<content type="html">&lt;!DOCTYPE html PUBLIC &quot;-//W3C//DTD HTML 4.01 Transitional//EN&quot;&gt;
&lt;html&gt;
&lt;head&gt;
&lt;/head&gt;
&lt;body bgcolor=&quot;#ffffff&quot; text=&quot;#000000&quot;&gt;
&lt;br&gt;
&lt;img alt=&quot;&quot; src=&quot;http://profile.ak.fbcdn.net/object2/1984/24/n204814732009_6594.jpg&quot; moz-do-not-send=&quot;true&quot;&gt;&lt;br&gt;
&lt;br&gt;
17h30 / Minuit &lt;br&gt;
Radio Campus Paris 93.9 Fm&lt;br&gt;
&lt;br&gt;
voir le teaser sur&lt;br&gt;
&lt;a class=&quot;moz-txt-link-freetext&quot; href=&quot;http://syndicatduhype.ning.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://syndicatduhype.ning.com&lt;/a&gt;&lt;br&gt;
&lt;br&gt;
&quot;Chambre &amp;agrave; Air&quot; sp&amp;eacute;ciale en direct d'un lieu secret&lt;br&gt;
&lt;br&gt;
Anim&amp;eacute; par Christophe Vix &amp;amp; Xavier Faltot&lt;br&gt;
&lt;br&gt;
D&amp;eacute;bat, Live, DJ Sets&lt;br&gt;
&lt;br&gt;
Un m&amp;eacute;lange autour des voisins du XIX&amp;egrave;me arrondissement&lt;br&gt;
pour changer la Nuit &amp;agrave; Paris&lt;br&gt;
&lt;br&gt;
en &amp;eacute;cho &amp;agrave; la p&amp;eacute;tition&lt;br&gt;
&lt;a href=&quot;http://www.quandlanuitmeurtensilence.com&quot; target=&quot;_blank&quot; rel=&quot;nofollow&quot;&gt;http://www.quandlanuitmeurtensilence.com&lt;/a&gt;&lt;br&gt;
&lt;br&gt;
Beaucoup d'invit&amp;eacute;s passionn&amp;eacute;s par la nuit&lt;br&gt;
et d'artistes :&lt;br&gt;
&lt;br&gt;
- Human Koala&lt;br&gt;
- Scotchman&lt;br&gt;
- Sarah Olivier&lt;br&gt;
- W&amp;uuml;rste Br&amp;uuml;cke&lt;br&gt;
- Koudlam&lt;br&gt;
- Maud / Scratch Massive&lt;br&gt;
- Emotion La Folie&lt;br&gt;
- C&amp;eacute;sar Pallace &lt;br&gt;
- Anne Horel&lt;br&gt;
- Systaime&lt;br&gt;
- Twin Twin&lt;br&gt;
- Marijane Miracle&lt;br&gt;
- Kevin Sherschel&lt;br&gt;
- Thierry Th&amp;eacute;olier / SDH&lt;br&gt;
- Jeremy Feinblatt / Die Nacht&lt;br&gt;
- Mika / GAG&lt;br&gt;
- Yoan Bazin&lt;br&gt;
- Damien Raclot-Dauliac&lt;br&gt;
- Mathieu &amp;amp; Eric de la p&amp;eacute;tition quandlanuitmeurtensilence.com&lt;br&gt;
- julie Navarro / Mairie du XIX&amp;egrave;me&lt;br&gt;
- Marc Collin&lt;br&gt;
- Eric Boulot&lt;br&gt;
- Le Party Clubber Fran&amp;ccedil;ais&lt;br&gt;
And More...&lt;br&gt;
&lt;br&gt;
En direct sur le 93.9 Fm et sur &lt;br&gt;
&lt;a href=&quot;http://www.livestream.com/lachambreaair&quot; target=&quot;_blank&quot; rel=&quot;nofollow&quot;&gt;http://www.livestream.com/lachambreaair&lt;/a&gt;&lt;br&gt;
&lt;br&gt;
Flux Twitter Live &lt;br&gt;
&lt;a href=&quot;http://twitter.com/lc2a&quot; target=&quot;_blank&quot; rel=&quot;nofollow&quot;&gt;http://twitter.com/lc2a&lt;/a&gt;&lt;br&gt;
&lt;br&gt;
&lt;a class=&quot;moz-txt-link-freetext&quot; href=&quot;http://www.facebook.com/event.php?eid=204814732009&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.facebook.com/event.php?eid=204814732009&lt;/a&gt;
&lt;/body&gt;
&lt;/html&gt;
&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-fr-f16634.html&quot; embed=&quot;fixTarget[16634]&quot; target=&quot;_top&quot; &gt;NetTime-fr&lt;/a&gt;&lt;/p&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26791459</id>
	<title>Reminder: GETA BRATESCU, Spaces, Galeria Ivan, miercuri 16.12.09</title>
	<published>2009-12-15T00:42:09Z</published>
	<updated>2009-12-15T00:42:09Z</updated>
	<author>
		<name>info-1529</name>
	</author>
	<content type="html">&lt;br&gt;&lt;br&gt;Va asteptam miercuri, 16.12.09, dupa ora 13, in noul spatiu al galeriei,
&lt;br&gt;la deschiderea expozitiei:
&lt;br&gt;&lt;br&gt;GETA BRATESCU
&lt;br&gt;// Spatii //
&lt;br&gt;16.12.09-12.02.10
&lt;br&gt;&lt;br&gt;&lt;br&gt;Noua adresa a galeriei: str. Dr. Dimitrie Grecescu nr.13 (Cotroceni,
&lt;br&gt;statia de metrou Eroilor).
&lt;br&gt;&lt;br&gt;&lt;br&gt;Galeria Ivan
&lt;br&gt;+40721261242
&lt;br&gt;www.ivangallery.com
&lt;br&gt;&lt;br&gt;&lt;br&gt;_______________________________________________
&lt;br&gt;Nettime-ro mailing list
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26794578</id>
	<title>Office Exhibitions la Galeria de Arta Contemporana a Muzeului National Brukenthal</title>
	<published>2009-12-14T10:16:18Z</published>
	<updated>2009-12-14T10:16:18Z</updated>
	<author>
		<name>Galeria de Arta Contemporana Muzeul National Brukenthal</name>
	</author>
	<content type="html">La sfarsitul acestui an, Galeria de Contemporana a Muzeului National
&lt;br&gt;Brukenthal lanseaza *Office Exhibitions*, un program de expozitii si *circular
&lt;br&gt;lectures* in biroul curatorilor Liviana Dan si Anca Mihulet. In 2010, seria
&lt;br&gt;de proiectii si prelegeri se va continua cu grupul SOSka (Ucraina), Gyula
&lt;br&gt;Fodor (Ungaria/Austria) si Jan Tabor (Cehia/Austria).
&lt;br&gt;&lt;br&gt;*Office Exhibitions* are ca obiectiv crearea unui spatiu de dezbateri si
&lt;br&gt;discutii libere, cu intentia de a familiariza publicul tanar cu metodele
&lt;br&gt;teoretice folosite in cultura contemporana.
&lt;br&gt;&lt;br&gt;Primul invitat in cadrul acestui proiect este Dan Coma, arhitect nascut la
&lt;br&gt;Sibiu. Dupa ce a trait timp de mai bine de 20 de ani la New York, Paris si
&lt;br&gt;Chicago, Dan Coma s-a reintors anul acesta la Sibiu. In anii ’80 a fost
&lt;br&gt;primul arhitect care a expus la Storefront Art and Architecture si la PS1,
&lt;br&gt;pentru ca in anii 2000 sa lanseze mai multe competitii internationale de
&lt;br&gt;arhitectura si pre-arhitectura - *A House for Ingmar Bergman, A House for
&lt;br&gt;Faust, * *Architecture and Alchemy* sau *Architecture and Dissent*. In
&lt;br&gt;contextul *Office Exhibitions*, Dan Coma va sustine doua prelegeri - &amp;nbsp;*COLI
&lt;br&gt;BABA si UNCHIUL TZE*, in data de 15 septembrie, orele 17.00 si *Futurism,
&lt;br&gt;Bauhaus, F.L.Wright / 100 de ani, 90 de ani, 50 de ani*, in data de 18
&lt;br&gt;septembrie, orele 17.00.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;*COLI &amp;nbsp;BABA si UNCHIUL TZE**
&lt;br&gt;**Titlul acesta e un joc de cuvinte. Dar nu e un joc ne-serios. Din contra,
&lt;br&gt;e atat de serios incat trebuie sa glumim un pic, ca sa nu riscam sa devenim
&lt;br&gt;acei pedanti ai seriozitatii care nu reusesc decat sa plictiseasca. *
&lt;br&gt;&lt;br&gt;*E un joc de cuvinte derivat din titlurile a doua carti pe care multi copii
&lt;br&gt;(si nu numai) le cunosc, cuvantul « coliba » si numele marelui intelept
&lt;br&gt;mistic Chinez, Lao Tze. *
&lt;br&gt;&lt;br&gt;*Pe de alta parte, aceasta prezentare a fost &amp;nbsp;provocata de expozitia ’’The
&lt;br&gt;Strife of Love in a Dream’’ a artistului Miron Schmückle deschisa recent la
&lt;br&gt;Galeria de Arta Contemporana din Sibiu, parte din ea fiind nimic altceva
&lt;br&gt;decat o coliba « primitiva » construita intr-una din salile galeriei. *
&lt;br&gt;&lt;br&gt;*Ce a putut aduce o « simpla » coliba in interiorul unui spatiu
&lt;br&gt;expozitional… ? *
&lt;br&gt;&lt;br&gt;*Aceasta simpla intrebare ar fi putut genera un alt posibil titlu al
&lt;br&gt;prezentarii de fata : Actualitatea Colibei. *
&lt;br&gt;&lt;br&gt;*In numele acestei eterne actualitati vom face o prezentare care va ilustra
&lt;br&gt;prezenta colibei in cele mai variate ipostaze, toate ilustrand modernitatea,
&lt;br&gt;chiar « avantgardismul » colibei, intr-o lume obsedata de crestere continua,
&lt;br&gt;la toate nivelurile. *
&lt;br&gt;&lt;br&gt;*Da, coliba este o provocare. La fel cum si infinit de modesta inteleptciune
&lt;br&gt;a lui Lao Tze este o provocare. Ne va face placere sa aratam ca aceasta
&lt;br&gt;modesta constructie are mai multa acuitate decat multe din « vilele »
&lt;br&gt;opulentei. *
&lt;br&gt;&lt;br&gt;*Consideram coliba o veritabila contributie la o posibila, si foarte
&lt;br&gt;necesara, domus erata. *
&lt;br&gt;&lt;br&gt;*Prezentarea se va face cu diapozitize, proiectii simultane si filme. Se va
&lt;br&gt;transforma intr-o « instalatie, » care ar trebui sa provoace vizual,
&lt;br&gt;emotional si conceptual.* (Dan Coma)
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Mai multe informatii despre proiectele lui Dan Coma gasiti pe site-ul:
&lt;br&gt;www.icarch.net.
&lt;br&gt;_______________________________________________
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26794567</id>
	<title>reminder_CHANGING CLIMATE at KUNSTHALLE EXNERGASSE</title>
	<published>2009-12-14T08:33:47Z</published>
	<updated>2009-12-14T08:33:47Z</updated>
	<author>
		<name>stefan rusu</name>
	</author>
	<content type="html">*KUNSTHALLE EXNERGASSE*
&lt;br&gt;------------------------------
&lt;br&gt;*
&lt;br&gt;Changing Climate
&lt;br&gt;New Media and Video Art from Central Asia
&lt;br&gt;Exhibition: November 26 – December 19, 2009
&lt;br&gt;&lt;br&gt;&lt;br&gt;Exhibition participants: Mumtoz Kamolzoda (Tajikistan), Abilsaid &amp;nbsp;Atabekov,
&lt;br&gt;Rustam Khalfin, Erbolsyn Meldibekov, Alexandr Ugay (Kazakhstan), Veaceslav
&lt;br&gt;Ahunov (Uzbekistan), Shaarbek Amankul, Ulan Djaparov (Kyrgyzstan)
&lt;br&gt;&lt;br&gt;Curated by Stefan Rusu
&lt;br&gt;&lt;br&gt;The exhibition introduce particular artists’ strategies and contemporary art
&lt;br&gt;practices that serve as an effective tool in exploring the contradictions
&lt;br&gt;and confusion of contemporary Islamic states/societies several decades after
&lt;br&gt;the dissolution of the Soviet Block. We invite you to dive into these
&lt;br&gt;artists’ laboratory, in which the reuse of spiritual techniques and
&lt;br&gt;practices becomes an effective model in articulating critical attitudes
&lt;br&gt;toward inertia, rampant globalization, and neo-liberal anarchy. The artists’
&lt;br&gt;obsession with ecstatic vocabulary comes from a range of nomadic rituals,
&lt;br&gt;pre-Islamic and syncretic practices that define their lives and cultural
&lt;br&gt;environment. The work urges the viewer to gain an overview of the present
&lt;br&gt;situation in Central Asia. Compiled by a guest curator, this visual material
&lt;br&gt;offers a retrospective look at the internal processes of the region’s
&lt;br&gt;social-political evolution and its underlying cultural background.
&lt;br&gt;The exhibition is also an attempt to question former and ongoing EU policy
&lt;br&gt;developments in the context of emerging black markets and the migration of
&lt;br&gt;labour forces from the Eastern countries—and also the effects of EU
&lt;br&gt;enlargement and politics on neighbouring countries to the East. In this
&lt;br&gt;context the artists exploring the values of nomadic culture offer valuable
&lt;br&gt;contributions to the current changes in cultural and political climate of
&lt;br&gt;their countries of origin. With this action we intend to broaden and deepen
&lt;br&gt;the process of cultural exchange between Europe and Central Asia with a
&lt;br&gt;selection of artist positions with a special focus on new media and video
&lt;br&gt;art from Tajikistan, Uzbekistan, Kazakhstan and Kyrgyzstan.
&lt;br&gt;&lt;br&gt;--------------------------------------------------------------------
&lt;br&gt;*
&lt;br&gt;*Changing Climate*
&lt;br&gt;*Neue Medien und Videokunst aus Zentralasien *
&lt;br&gt;Ausstellung: 26.11. - 19.12. 2009
&lt;br&gt;&lt;br&gt;&lt;br&gt;Ausstellungsteilnehmer/innen: Mumtoz Kamolzoda (Tadschikistan), Abilsaid
&lt;br&gt;Atabekov, Rustam Khalfin, Erbolsyn Meldibekov, Alexandr Ugay (Kasachstan),
&lt;br&gt;Veaceslav Ahunov (Usbekistan), Shaarbek Amankul und Ulan Djaparov
&lt;br&gt;(Kirgisistan)
&lt;br&gt;&lt;br&gt;Kuratiert von Stefan Rusu
&lt;br&gt;&lt;br&gt;Das Projekt untersucht spezielle Strategien und zeitgenössische Praxen von
&lt;br&gt;KünstlerInnen die in der Auseinandersetzung mit den Wirren und
&lt;br&gt;Widersprüchlichkeiten in den islamischen Staaten/Gesellschaften - Jahrzehnte
&lt;br&gt;nach dem Zerfall der Sowjetunion - einen effektiven Beitrag leisten. Wir
&lt;br&gt;laden Sie ein, in dieses KünstlerInnen- Laboratorium, wo sich die
&lt;br&gt;Wiederverwendung spiritueller Techniken und Praktiken als wirkungsvolles
&lt;br&gt;Modell zur Artikulation einer kritischen Position gegenüber
&lt;br&gt;Gleichgültigkeit, zügelloser Globalisierung und neo-liberalem Anarchismus
&lt;br&gt;erweist, einzutauchen. Die Obsession der KünstlerInnen für ekstatisches
&lt;br&gt;Vokabular stammt aus der Vielfalt nomadischer Rituale, vor-islamischer und
&lt;br&gt;synkretistischer Praxen, die ihr Leben und das kulturelle Umfeld definieren.
&lt;br&gt;Die Arbeiten drängen die BetrachterInnen sich einen Überblick über die
&lt;br&gt;gegenwärtige Situation in Zentralasien zu verschaffen. Das von einem
&lt;br&gt;Gastkurator zusammengestellte visuelle Material bietet einen retrospektiven
&lt;br&gt;Blick auf die internen Prozesse der sozial-politischen Evolution und des
&lt;br&gt;kulturellen Hintergrunds der Region.
&lt;br&gt;Die Ausstellung versucht auch, vergangene und aktuelle EU-politischen
&lt;br&gt;Maßnahmen hinsichtlich der Entwicklung des Schwarzmarkts und der
&lt;br&gt;Arbeitsmigration aus den östlichen Ländern, sowie die der Auswirkungen einer
&lt;br&gt;erweiterten EU und ihrer Politik auf die östlichen Nachbarstaaten, zu
&lt;br&gt;hinterfragen. Unter diesen Umständen tragen KünstlerInnen, die sich mit den
&lt;br&gt;Werten von nomadischer Kultur beschäftigen, wesentlich dazu bei, das reale
&lt;br&gt;kulturelle und politische Klima zu verändern. Durch eine Auswahl
&lt;br&gt;künstlerischer Positionen mit besonderem Fokus auf Neue Medien und
&lt;br&gt;Videokunst aus Tadschikistan, Usbekistan, Kasachstan und Kirgisistan wird
&lt;br&gt;beabsichtigt, den Prozess des kulturellen Austausches zwischen Europa und
&lt;br&gt;Zentralasien zu öffnen und zu vertiefen.
&lt;br&gt;&lt;br&gt;______________________________________
&lt;br&gt;*
&lt;br&gt;*
&lt;br&gt;&lt;br&gt;*CHANGING CLIMATE*
&lt;br&gt;&lt;br&gt;Kunsthalle Exnergasse
&lt;br&gt;&lt;br&gt;--------------------------------------------------------------------
&lt;br&gt;KUNSTHALLE EXNERGASSE, WUK, Währinger Straße 59, 1090 Wien
&lt;br&gt;tel. 0043-1-40121-42, e-mail: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26794567&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;kunsthalle.exnergasse@...&lt;/a&gt;
&lt;br&gt;_______________________________________________
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26780228</id>
	<title>Voorstel kerstactie Nettime: kamp Ashraf</title>
	<published>2009-12-14T08:02:11Z</published>
	<updated>2009-12-14T08:02:11Z</updated>
	<author>
		<name>Ron Peperkamp</name>
	</author>
	<content type="html">In het kader van de vele goede doelen die dezer dagen aan uw goedgeefsheid
&lt;br&gt;appelleren, wil ik graag voorstellen de redding van het kamp Ashraf tot
&lt;br&gt;officiële kerstactie van Nettime te bombarderen.
&lt;br&gt;&lt;br&gt;In het kort: 
&lt;br&gt;&lt;br&gt;Kamp Ashraf is een Iraans vluchtelingenkamp dat zich net over de grens in
&lt;br&gt;Irak bevindt. Officieel heet het nog steeds een kamp, maar sinds 1990 hebben
&lt;br&gt;de goedopgeleide en democratisch gezinde Iraniërs daar geleidelijk een
&lt;br&gt;goedgeorganiseerde en redelijk welvarende gemeenschap opgebouwd. Als zodanig
&lt;br&gt;dient het ook als lichtend voorbeeld van alle democratische bewegingen in
&lt;br&gt;het hele Midden Oosten.
&lt;br&gt;&lt;br&gt;Gedurende de massale protesten in Iran deze zomer functioneerden de
&lt;br&gt;webservers en het radio- en tv-station van Ashraf als doorgeefluik van alle
&lt;br&gt;berichten van en naar Iran. Met name deze functie als informatiecentrum voor
&lt;br&gt;de interne oppositie in Iran is deze zomer heel belangrijk gebleken. Zo kon
&lt;br&gt;men, ondanks de door het bewind opgelegde mediarestricties, toch op de
&lt;br&gt;hoogte blijven van de protesten in de verschillende steden. De opmerkelijke
&lt;br&gt;functie van o.a. tweeters en blogs tijdens de protesten is uitgebreid in het
&lt;br&gt;nieuws geweest.
&lt;br&gt;&lt;br&gt;Dat is vermoedelijk ook de reden waarom het Iraanse regime haar sjiïtische
&lt;br&gt;geestverwanten in Bagdad heeft verzocht het kamp te ontbinden. Hetgeen
&lt;br&gt;vervolgens voortvarend is uitgevoerd want op 28 en 29 juli j.l. zijn Iraakse
&lt;br&gt;veiligheidstroepen de 3.500 bewoners van het kamp met bulldozers en extreem
&lt;br&gt;geweld te lijf gegaan. 9 doden en ruim 400 gewonden later lagen alle
&lt;br&gt;voorzieningen in het kamp in puin. Tijdens de actie zijn 36 vluchtelingen
&lt;br&gt;gevangen genomen en die dreigden ook uitgeleverd te worden aan Iran. Een
&lt;br&gt;hongerstaking en hevige internationale protesten hebben dit gelukkig weten
&lt;br&gt;te voorkomen.
&lt;br&gt;&lt;br&gt;De huidige status van het kamp is uiterst penibel. Door de recente
&lt;br&gt;overdracht van bevoegdheden van de VS aan de Iraakse regering (SOFA) bieden
&lt;br&gt;de VS geen bescherming meer. De Iraakse regering dreigt nu alle bewoners
&lt;br&gt;elders onder te brengen. In de praktijk betekent dit dat deze (buiten het
&lt;br&gt;zicht van de internationale media) stuk voor stuk als illegale strijders
&lt;br&gt;zullen worden uitgeleverd aan Iran. Effectief dreigt hier dus de enige goed
&lt;br&gt;georganiseerde, democratisch gezinde oppositiebeweging ontbonden te worden. 
&lt;br&gt;&lt;br&gt;De aanval van het kamp is vanzelfsprekend tegen alle regels van het Geneefse
&lt;br&gt;recht. De zaak is inmiddels opgepakt door de befaamde Spaanse
&lt;br&gt;onderzoeksrechter Juan Garces (u weet wel van de zaak tegen Pinochet). In
&lt;br&gt;een proces zou de Iraakse regering gedwongen kunnen worden zich te
&lt;br&gt;conformeren met de (erkende vluchtelingen-) status van het kamp. Uitspraken
&lt;br&gt;en mogelijke veroordelingen van Irak wegens schendingen van het
&lt;br&gt;internationaal- en vluchtelingenrecht kunnen echter nog wel even duren.
&lt;br&gt;Ondertussen staat het de Iraakse regering vrij om naar eigen goeddunken het
&lt;br&gt;probleem Ashraf voor eens en altijd op te lossen. Bagdad blijkt zich
&lt;br&gt;namelijk weinig tot niets aan te trekken van internationale protesten en
&lt;br&gt;zelfs ook niet van politieke veroordelingen (o.a. door het Europese
&lt;br&gt;Parlement). Het beschouwt het als een intern veiligheidsprobleem en voelt
&lt;br&gt;zich gerechtigd daar volkomen autonoom over te beslissen.
&lt;br&gt;&lt;br&gt;En dat is precies wat deze zaak zo urgent maakt. Het plan is nu om honderden
&lt;br&gt;juristen en mediavertegenwoordigers uit verschillende landen in het kamp
&lt;br&gt;onder te brengen. Met het opwerpen van deze mediale en juridische buffer kan
&lt;br&gt;wellicht worden voorkomen dat dit belangrijke centrum van democratische
&lt;br&gt;krachten uiteen valt  en mogelijk totaal wordt vernietigd. Vanzelfsprekend
&lt;br&gt;kost de organisatie van dit alles veel geld.
&lt;br&gt;&lt;br&gt;Ethisch gezien is het onmogelijk om een rangorde in goede doelen aan te
&lt;br&gt;brengen. Maar juist omdat het hier de mogelijke vernietiging van een kern
&lt;br&gt;betreft, lijkt deze zaak mij toch net iets belangrijker dan vele andere
&lt;br&gt;ellendigheden in wereld. In ieder geval wil ik alle nettimers oproepen de
&lt;br&gt;kwestie Ashraf financieel te ondersteunen. Dat kan door te storten op de
&lt;br&gt;rekening van de Iraanse oppositie in Nederland:
&lt;br&gt;&lt;br&gt;Stichting Mensenrechten Vrienden
&lt;br&gt;ING 49084249
&lt;br&gt;SNS 937569720
&lt;br&gt;o.v.v. Ashraf
&lt;br&gt;&lt;br&gt;Google Ashraf levert volop informatie over deze kwestie. Hier enkele
&lt;br&gt;relevante links:
&lt;br&gt;&lt;a href=&quot;http://www.amnesty.nl/voor_de_pers_artikel/52270&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.amnesty.nl/voor_de_pers_artikel/52270&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://ncr-iran.org/content/view/7517/1/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://ncr-iran.org/content/view/7517/1/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://www.smvi.nl/node/81&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.smvi.nl/node/81&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Ron Peperkamp
&lt;br&gt;E: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26780228&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;ron@...&lt;/a&gt;
&lt;br&gt;T: +31 (0)20 - 412 5237
&lt;br&gt;M: +31 (0)6 - 1226 3331
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;______________________________________________________
&lt;br&gt;* Verspreid via nettime-nl. Commercieel gebruik niet
&lt;br&gt;* toegestaan zonder toestemming. &amp;lt;nettime-nl&amp;gt; is een
&lt;br&gt;* open en ongemodereerde mailinglist over net-kritiek.
&lt;br&gt;* Meer info, archief &amp; anderstalige edities:
&lt;br&gt;* &lt;a href=&quot;http://www.nettime.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/&lt;/a&gt;.
&lt;br&gt;* Contact: Menno Grootveld (&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26780228&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;rabotnik@...&lt;/a&gt;).
&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-nl-f16549.html&quot; embed=&quot;fixTarget[16549]&quot; target=&quot;_top&quot; &gt;NetTime-nl&lt;/a&gt;&lt;/p&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26778804</id>
	<title>Privacy- Tweegesprek tussen Connie Palmen en Beate Roessler</title>
	<published>2009-12-14T06:32:53Z</published>
	<updated>2009-12-14T06:32:53Z</updated>
	<author>
		<name>asca-fgw</name>
	</author>
	<content type="html">Privacy- Tweegesprek tussen Connie Palmen en Beate Roessler
&lt;br&gt;&lt;br&gt;In samenwerking met de Koninklijke Nederlandse Akademie van &amp;nbsp;
&lt;br&gt;Wetenschappen op woensdag 16 december 2009, 17:00 - 19:00 uur in Spui &amp;nbsp;
&lt;br&gt;25.
&lt;br&gt;&lt;br&gt;Waar liggen de grenzen van de privacy? En gelden er andere regels voor &amp;nbsp;
&lt;br&gt;kunstenaars dan voor andere mensen, of voor de overheid? Door &amp;nbsp;
&lt;br&gt;veranderingen in technologie en samenleving worden wij, als burger, &amp;nbsp;
&lt;br&gt;steeds meer gedwongen om na te denken over privacy. In de tweede van &amp;nbsp;
&lt;br&gt;een reeks gesprekken tussen een wetenschapper en een kunstenaar gaan &amp;nbsp;
&lt;br&gt;schrijfster Connie Palmen en ethica Beate Roessler, onder leiding van &amp;nbsp;
&lt;br&gt;journalist Wim Brands in gesprek over privacy. Zij praten over de &amp;nbsp;
&lt;br&gt;wijze waarop zij in en door hun werk het fenomeen problematiseren en &amp;nbsp;
&lt;br&gt;hoe het komt dat privacy als ethische kwestie weer hoog op de agenda &amp;nbsp;
&lt;br&gt;staat.
&lt;br&gt;&lt;br&gt;Moderator: Wim Brands
&lt;br&gt;&lt;br&gt;Connie Palmen
&lt;br&gt;&lt;br&gt;In romans als De wetten, I.M en Lucifer gebruikt schrijfster Connie &amp;nbsp;
&lt;br&gt;Palmen feiten uit haar eigen leven of uit dat van anderen. In haar &amp;nbsp;
&lt;br&gt;boeken gaat het over haar intellectuele zoektocht tijdens haar &amp;nbsp;
&lt;br&gt;studentenjaren of over haar relatie met Ischa Meijer. Veel opzien &amp;nbsp;
&lt;br&gt;baarde de roman Lucifer, die is geïnspireerd op de ‘moord' van de &amp;nbsp;
&lt;br&gt;Amsterdamse componist Peter Schat op zijn echtgenote.
&lt;br&gt;&lt;br&gt;Met name haar ‘aanpak' van Lucifer heeft geleid tot kritische &amp;nbsp;
&lt;br&gt;commentaren: Mag Connie Palmen fictie maken van een drama waarvan de &amp;nbsp;
&lt;br&gt;nabestaanden nog onder ons zijn? Met andere woorden: schendt Connie &amp;nbsp;
&lt;br&gt;Palmen niet de privacy van deze mensen? Connie Palmen zelf spreekt in &amp;nbsp;
&lt;br&gt;dit verband liever over haar werk als ‘autobiofictie' en volgens haar &amp;nbsp;
&lt;br&gt;is er van schending van privacy geen sprake: het zijn slechts ideeën &amp;nbsp;
&lt;br&gt;die het uitgangspunt vormen voor het schrijven van een roman en dat &amp;nbsp;
&lt;br&gt;die ideeën voorkomen uit het leven dat zij leidt is een andere zaak.
&lt;br&gt;&lt;br&gt;Beate Roessler
&lt;br&gt;&lt;br&gt;Privacy is geen waarde op zich, maar het is van cruciaal belang voor &amp;nbsp;
&lt;br&gt;het leiden van een autonoom leven, stelt Beate Roessler, hoogleraar &amp;nbsp;
&lt;br&gt;Ethiek aan de Universiteit van Amsterdam. Zij deed onderzoek naar de &amp;nbsp;
&lt;br&gt;waarde van privacy en waarom wij die als burgers nodig hebben. De &amp;nbsp;
&lt;br&gt;laatste jaren is Roesslers aandacht als onderzoeker verschoven naar &amp;nbsp;
&lt;br&gt;van het belang van privacy voor de samenleving. De staat is steeds &amp;nbsp;
&lt;br&gt;meer in staat informatie over personen uit verschillende databases te &amp;nbsp;
&lt;br&gt;combineren en weet daardoor steeds meer over haar onderdanen. Een &amp;nbsp;
&lt;br&gt;voorbeeld is volgens Roessler het elektronisch patiëntendossier. Zij &amp;nbsp;
&lt;br&gt;vindt dit een gevaarlijke ontwikkeling, en staat daarin niet alleen. &amp;nbsp;
&lt;br&gt;‘Er zijn niet veel mensen meer die het standpunt huldigen dat de &amp;nbsp;
&lt;br&gt;overheid in principe alles mag weten, omdat zij niets te verbergen &amp;nbsp;
&lt;br&gt;hebben', stelde zij onlangs.
&lt;br&gt;&lt;br&gt;Aanmelden
&lt;br&gt;&lt;br&gt;Toegang tot deze activiteit is gratis. U dient zich wel van tevoren &amp;nbsp;
&lt;br&gt;aan te melden via onderstaande link AANMELDEN.
&lt;br&gt;&lt;br&gt;Als u meerdere plaatsen wilt reserveren dient u het formulier nogmaals &amp;nbsp;
&lt;br&gt;in te vullen.
&lt;br&gt;&lt;br&gt;Verwijzingen
&lt;br&gt;&lt;br&gt;AANMELDEN
&lt;br&gt;&lt;br&gt;www.spui25.nl
&lt;br&gt;&lt;br&gt;Locatie
&lt;br&gt;&lt;br&gt;Spui 25-27
&lt;br&gt;&lt;br&gt;1012 WX Amsterdam
&lt;br&gt;&lt;br&gt;Bron: Organisatie SPUI25
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26778804&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;spui25@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;&lt;br&gt;______________________________________________________
&lt;br&gt;* Verspreid via nettime-nl. Commercieel gebruik niet
&lt;br&gt;* toegestaan zonder toestemming. &amp;lt;nettime-nl&amp;gt; is een
&lt;br&gt;* open en ongemodereerde mailinglist over net-kritiek.
&lt;br&gt;* Meer info, archief &amp; anderstalige edities:
&lt;br&gt;* &lt;a href=&quot;http://www.nettime.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/&lt;/a&gt;.
&lt;br&gt;* Contact: Menno Grootveld (&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26778804&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;rabotnik@...&lt;/a&gt;).
&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-nl-f16549.html&quot; embed=&quot;fixTarget[16549]&quot; target=&quot;_top&quot; &gt;NetTime-nl&lt;/a&gt;&lt;/p&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/Privacy--Tweegesprek-tussen-Connie-Palmen-en-Beate-Roessler-tp26778804p26778804.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26794542</id>
	<title>Fwd: DAI-bulletin: December 2009</title>
	<published>2009-12-14T06:24:01Z</published>
	<updated>2009-12-14T06:24:01Z</updated>
	<author>
		<name>stefan rusu</name>
	</author>
	<content type="html">---------- Forwarded message ----------
&lt;br&gt;From: Gabriëlle Schleijpen &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26794542&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;G.Schleijpen@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Date: 2009/12/14
&lt;br&gt;Subject: DAI-bulletin: December 2009
&lt;br&gt;To: Gabriëlle Schleijpen &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26794542&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;gabrielleschleijpen@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Dear friends and relations of the Dutch Art Institute (DAI),
&lt;br&gt;&lt;br&gt;I hereby like to inform you about our activities in December 2009 when our
&lt;br&gt;ongoing projects 'Affectionately Yours' ( If I Can't Dance I Don't Want To
&lt;br&gt;Be Part Of Your Revolution),'GoodTripBadTrip reloaded'(Mark
&lt;br&gt;Kremer),'Platform for (Un)Solicited Research and Advice' (
&lt;br&gt;Manifesta),'User's Manual: The Grand Domestic Revolution'( Binna Choi,
&lt;br&gt;Casco), 'Negotiating Equity'( Renee Ridgway in collaboration with
&lt;br&gt;n.e.w.s)and the 'Publications Project'(Delphine Bedel)will enter a next
&lt;br&gt;phase.
&lt;br&gt;&lt;br&gt;This month we are delighted to welcome the following guests; Alena
&lt;br&gt;Alexandrova, Tanja Baudoin, Delphine Bedel, Binna Choi, Phil Collins,
&lt;br&gt;Frans-Willem Korsten, Annette Krauss, Mark Kremer, Yoeri Meessen, Wendelien
&lt;br&gt;van Oldenborg, the Otolith group ( Kodwo Eshun, Anjalika Sagar), Renée
&lt;br&gt;Ridgway, Stefan Rusu, Michael Uwemedimo, Barbara Visser, Margret Wibmer,
&lt;br&gt;Stephen Wright, Marta Zarzycka and Curation (Beyond) Exhibitions(a master
&lt;br&gt;course jointly run by Utrecht University and Bak, also in Utrecht). Read
&lt;br&gt;more about their presentations and activities in the attached bulletin or on
&lt;br&gt;our website (www.dutchartinstitute.nl).
&lt;br&gt;&lt;br&gt;If you happen to be in or around Enschede you are most welcome to attend
&lt;br&gt;(one of) our evening presentations. Please contact our office manager Mrs.
&lt;br&gt;Hilly Podde (&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26794542&amp;i=2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;h.podde@...&lt;/a&gt;) in advance.
&lt;br&gt;&lt;br&gt;Greetings and warm wishes for an inspired new year, also on behalf of the
&lt;br&gt;DAI-crew,
&lt;br&gt;&lt;br&gt;&lt;br&gt;Gabriëlle Schleijpen
&lt;br&gt;&lt;br&gt;********************************************
&lt;br&gt;&lt;br&gt;Course director DAI
&lt;br&gt;&lt;br&gt;MFA / ArtEZ Institute of the Arts
&lt;br&gt;&lt;br&gt;*********************************************
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Here as the Centre of the World
&lt;br&gt;A new release from Archis Publishers
&lt;br&gt;&lt;br&gt;‘Here as the Centre of the World ’ documents a transnational artistic
&lt;br&gt;research project that took place in six cities worldwide: Beirut, Damascus,
&lt;br&gt;Diyarbakir, Enschede, Khartoum and Taipei. It reports and reflects on the
&lt;br&gt;real conditions in which cultural differences were articulated in the day-to
&lt;br&gt;day activities of the 75 participant artists. The book takes the project as
&lt;br&gt;a departure point for further reflection by artists, writers, theorists and
&lt;br&gt;cultural producers.
&lt;br&gt;&lt;br&gt;With contributions by
&lt;br&gt;Lilet Breddels, Lucy Cotter, Tony Chakar, Pascale Feghali, Rana Hamadeh,
&lt;br&gt;Ozkan Gölpinar, John Heymans, Erwin Jans, Khaled Khalifa, Bechara Malkoun,
&lt;br&gt;Rania Mamoun, Susannah Mira, Kawa Nemir, Alite Thijsen, Jerlian Tsao, Emily
&lt;br&gt;Williams, and Rajagopalan Radhakrishnan.
&lt;br&gt;&lt;br&gt;Initiated by The DAI /ArtEZ Institute of the Arts and edited by Lucy Cotter,
&lt;br&gt;Gabriëlle Schleijpen and Alite Thijsen.
&lt;br&gt;&lt;br&gt;General distribution: Idea Books
&lt;br&gt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26794542&amp;i=3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;idea@...&lt;/a&gt;
&lt;br&gt;http: // ideabooks.nl
&lt;br&gt;&lt;br&gt;ISBN:
&lt;br&gt;978-90-77966-53-2
&lt;br&gt;&lt;br /&gt;_______________________________________________
&lt;br&gt;Nettime-ro mailing list
&lt;br&gt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26794542&amp;i=4&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;Nettime-ro@...&lt;/a&gt;
&lt;br&gt;&lt;a href=&quot;http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro&lt;/a&gt;&lt;br&gt;--&amp;gt;
&lt;br&gt;arhiva: &lt;a href=&quot;http://amsterdam.nettime.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://amsterdam.nettime.org/&lt;/a&gt;&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-ro-f16636.html&quot; embed=&quot;fixTarget[16636]&quot; target=&quot;_top&quot; &gt;NetTime-ro&lt;/a&gt;&lt;/p&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/Fwd%3A-DAI-bulletin%3A-December-2009-tp26794542p26794542.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26777303</id>
	<title>Cea mai tradusa carte romaneasca a anului</title>
	<published>2009-12-14T04:56:02Z</published>
	<updated>2009-12-14T04:56:02Z</updated>
	<author>
		<name>andrei alexandrescu-2</name>
	</author>
	<content type="html">&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.psychologies.ro/Cultura/Carte/Sint-o-baba-comunista-de-Dan-Lungu-cea-mai-tradusa-carte-a-anului-2009.html?a=5499/1149431&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.psychologies.ro/Cultura/Carte/Sint-o-baba-comunista-de-Dan-Lungu-cea-mai-tradusa-carte-a-anului-2009.html?a=5499/1149431&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; 
&lt;br&gt;_______________________________________________
&lt;br&gt;Nettime-ro mailing list
&lt;br&gt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26777303&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;Nettime-ro@...&lt;/a&gt;
&lt;br&gt;&lt;a href=&quot;http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro&lt;/a&gt;&lt;br&gt;--&amp;gt;
&lt;br&gt;arhiva: &lt;a href=&quot;http://amsterdam.nettime.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://amsterdam.nettime.org/&lt;/a&gt;&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-ro-f16636.html&quot; embed=&quot;fixTarget[16636]&quot; target=&quot;_top&quot; &gt;NetTime-ro&lt;/a&gt;&lt;/p&gt;</content>
	<link rel="alternate" type="text/html" href="http://old.nabble.com/POLITIST%2C-ADJECTIV-in-Artforum-Top-10-tp26756619p26777303.html" />
</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26777140</id>
	<title>[extra informatie] Me You And Everyone We Know Is A Curator</title>
	<published>2009-12-14T04:38:58Z</published>
	<updated>2009-12-14T04:38:58Z</updated>
	<author>
		<name>Mieke Gerritzen</name>
	</author>
	<content type="html">ME YOU AND EVERYONE WE KNOW IS A CURATOR
&lt;br&gt;Zaterdag 19•12•2009 paradiso
&lt;br&gt;Een symposium over kwaliteit in een tijdperk van visuele overvloed
&lt;br&gt;&lt;br&gt;Extra persinformatie:
&lt;br&gt;De publicatie ME YOU AND EVERYONE WE KNOW IS A CURATOR verschijnt op &amp;nbsp;
&lt;br&gt;19 december en wordt uitgedeeld aan de bezoekers van het symposium.
&lt;br&gt;&lt;br&gt;De deelnemers aan het debat o.l.v. Henk Oosterling zijn bekend:
&lt;br&gt;Jorinde Seijdel (hoofdredacteur OPEN), Bart Rutten (Stedelijk Museum &amp;nbsp;
&lt;br&gt;Amsterdam), Gitta Luiten (directeur Mondriaan Stichting), Johan Oomen &amp;nbsp;
&lt;br&gt;(Instituut voor Beeld en Geluid)
&lt;br&gt;&lt;br&gt;---------------
&lt;br&gt;Zaterdag 19•12•2009 paradiso
&lt;br&gt;&lt;br&gt;Een symposium over kwaliteit in een tijdperk van visuele overvloed
&lt;br&gt;&lt;br&gt;Hoe ontdekken we in de enorme berg culturele producties op het &amp;nbsp;
&lt;br&gt;internet wat de moeite waard is?
&lt;br&gt;Wie maakt de selectie? Op zaterdag 19 december organiseert het Graphic &amp;nbsp;
&lt;br&gt;Design Museum in Paradiso
&lt;br&gt;een symposium over kwaliteit in een tijdperk van visuele overvloed. &amp;nbsp;
&lt;br&gt;Met onder andere Bruce Sterling,
&lt;br&gt;Andrew Keen, Rick Poynor en Henk Oosterling.
&lt;br&gt;&lt;br&gt;Op het internet is iedereen een ontwerper, een schrijver, een artiest. &amp;nbsp;
&lt;br&gt;Elke dag komen er honderdduizenden
&lt;br&gt;beelden bij, die de fysieke wereld vaak niet eens bereiken. Hoe worden &amp;nbsp;
&lt;br&gt;we wijs uit die enorme visuele
&lt;br&gt;overvloed? Wie bepaalt welke werken de moeite waard zijn? Ondertussen &amp;nbsp;
&lt;br&gt;zoeken musea naarstig
&lt;br&gt;naar manieren om hun collecties online toegankelijk maken. Kunnen zij &amp;nbsp;
&lt;br&gt;daarbij hun traditionele rol
&lt;br&gt;als poortwachters van kwaliteit handhaven?
&lt;br&gt;&lt;br&gt;Musea, maar ook bemiddelaars, beleidsmakers, kunstenaars en ontwerpers &amp;nbsp;
&lt;br&gt;zullen hun positie
&lt;br&gt;moeten herzien. Het zoeken is naar nieuwe denkkaders en &amp;nbsp;
&lt;br&gt;kwaliteitscriteria die van toepassing zijn op
&lt;br&gt;de online culturele wereld. Sprekers als Bruce Sterling, Andrew Keen, &amp;nbsp;
&lt;br&gt;Sarah Cook en Aram Bartholl delen
&lt;br&gt;hun visie op dit vraagstuk tijdens het symposium ‘Me you and everyone &amp;nbsp;
&lt;br&gt;we know is a curator’,
&lt;br&gt;dat het Graphic Design Museum, met steun van stichting Dioraphte, op &amp;nbsp;
&lt;br&gt;19 december organiseert in Paradiso.
&lt;br&gt;&lt;br&gt;Praktische informatie
&lt;br&gt;Symposium Me you and everyone we know is a curator
&lt;br&gt;Zaterdag 19 december 2009, 10:00 – 16:30 uur
&lt;br&gt;Paradiso (Weteringschans 6, Amsterdam)
&lt;br&gt;&lt;br&gt;Entree €25, €10 (studenten)
&lt;br&gt;Reserveren: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26777140&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;symposium@...&lt;/a&gt;
&lt;br&gt;Voorverkoop: AUB Ticketshop Amsterdam, Ticket Service Nederland
&lt;br&gt;&lt;br&gt;Contactinformatie:
&lt;br&gt;Graphic Design Museum
&lt;br&gt;T +31 (0)76 529 99 00
&lt;br&gt;www.graphicdesignmuseum.com
&lt;br&gt;&lt;br&gt;Noot voor de redactie
&lt;br&gt;Zie hieronder het volledige programma en biografieën van de sprekers.
&lt;br&gt;Wil je het symposium bijwonen, een interview aanvragen of zoek je meer &amp;nbsp;
&lt;br&gt;informatie, neem dan contact op met
&lt;br&gt;het Graphic Design Museum via &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26777140&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;fran@...&lt;/a&gt; of &amp;nbsp;
&lt;br&gt;076-5299909.
&lt;br&gt;&lt;br&gt;&lt;br&gt;Programma zaterdag 19 december 2009
&lt;br&gt;&lt;br&gt;10.00 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Inloop, koffie &amp; thee
&lt;br&gt;10.25 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Welkom door Mieke Gerritzen
&lt;br&gt;&lt;br&gt;10.30 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Bruce Sterling - revisions of digital culture
&lt;br&gt;11.20 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Julia Noordegraaf - performing archival material online
&lt;br&gt;11.40 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Sarah Cook - curatorial strategies for online &amp;nbsp;
&lt;br&gt;artistic production
&lt;br&gt;&lt;br&gt;12.00 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Koffie pauze
&lt;br&gt;&lt;br&gt;12.15 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Rick Poynor - design criticism in the blogosphere
&lt;br&gt;12.45 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Sophie Krier - me, you and everyone we know is a &amp;nbsp;
&lt;br&gt;curator
&lt;br&gt;12.50 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Metahaven - visual identity and network standards
&lt;br&gt;&lt;br&gt;13.00 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Lunch pauze
&lt;br&gt;&lt;br&gt;14.00 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Andrew Keen - digital vertigo: selecting talent in &amp;nbsp;
&lt;br&gt;the age of social media
&lt;br&gt;14.50 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Aram Bartholl - online visual culture in physical space
&lt;br&gt;15.10 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Dagan Cohen (Upload Cinema) - bringing web films to &amp;nbsp;
&lt;br&gt;the big screen
&lt;br&gt;15.20 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Willem Velthoven (Mediamatic) - please try a new &amp;nbsp;
&lt;br&gt;search to find more results
&lt;br&gt;&lt;br&gt;15.30 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Koffie pauze
&lt;br&gt;&lt;br&gt;15.40 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Inleiding debat door Henk Oosterling
&lt;br&gt;15.50 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;debat met experts en vertegenwoordigers van &amp;nbsp;
&lt;br&gt;nederlandse fondsen en
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; musea over de rol van de digitale wereld in het nederlandse &amp;nbsp;
&lt;br&gt;cultuurbeleid
&lt;br&gt;&lt;br&gt;16.40 &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Borrel
&lt;br&gt;&lt;br&gt;Moderator: Koert van Mensvoort
&lt;br&gt;Visuele interventies: Sander van der Pavert (Lucky.tv)
&lt;br&gt;Organisatie: Graphic Design Museum
&lt;br&gt;Concept: Sophie Krier, Mieke Gerritzen
&lt;br&gt;Ontwerp drukwerk: Metahaven
&lt;br&gt;Dit symposium wordt mogelijk gemaakt door: Stichting Dioraphte
&lt;br&gt;&lt;br&gt;------
&lt;br&gt;&lt;br&gt;bruce sterling (us)
&lt;br&gt;As one of the main voices of the cyberpunk movement in 1980s, SF
&lt;br&gt;writer Bruce Sterling promoted a worldview and aesthetic that strongly
&lt;br&gt;influenced the generation that came of age with the computer revolution.
&lt;br&gt;In his popular books and articles, Sterling chronicles the social and
&lt;br&gt;technological developments of our over mediatised world.
&lt;br&gt;www.wired.com/beyond_the_beyond/
&lt;br&gt;&lt;br&gt;andrew keen (uk)
&lt;br&gt;Author of bestseller “Cult of the Amateur: How the Internet is killing &amp;nbsp;
&lt;br&gt;our
&lt;br&gt;culture” (2007). Keen is currently writing a second book entitled &amp;nbsp;
&lt;br&gt;“Digital
&lt;br&gt;Vertigo: Anxiety, Loneliness and Inequality in the Social Media Age”,
&lt;br&gt;which will be published by St Martins Press. Keen starred in the Dutch
&lt;br&gt;VPRO television documentary, “Wiki the Truth” and was the subject of the
&lt;br&gt;November 2008 BBC Radio 4 show “Iconoclasts.”
&lt;br&gt;andrewkeen.typepad.com
&lt;br&gt;&lt;br&gt;rick poynor (uk)
&lt;br&gt;Design critic and writer, Poynor is the co-founder of Eye, The &amp;nbsp;
&lt;br&gt;international
&lt;br&gt;Review of Graphic Design. He has written about design, media and visual
&lt;br&gt;culture for Blueprint, Icon, Creative Review, Frieze, Domus, I.D., &amp;nbsp;
&lt;br&gt;Metropolis,
&lt;br&gt;Harvard Design Magazine, Adbusters, The Guardian, Financial Times,
&lt;br&gt;and many others. In 2003, he co-founded the weblog Design Observer,
&lt;br&gt;which became a leading international forum for design discussion.
&lt;br&gt;www.designobserver.com
&lt;br&gt;www.eyemagazine.com/critiques.php
&lt;br&gt;&lt;br&gt;julia noordegraaf (nl)
&lt;br&gt;Programme director of the Master Preservation and Presentation of the
&lt;br&gt;Moving Image, department of Media Studies, University of Amsterdam
&lt;br&gt;(from September 2003) and author of a.o. Strategies of Display: Museum
&lt;br&gt;Presentation in Nineteenth- and Twentieth-Century Visual Culture
&lt;br&gt;(Boijmans van Beuningen / Nai Uitgevers 2004). Noordegraaf is currently
&lt;br&gt;researching a book entitled “The Performing Archive”, due to come out
&lt;br&gt;in Fall 2010.
&lt;br&gt;home.medewerker.uva.nl/j.j.noordegraaf/
&lt;br&gt;&lt;br&gt;sarah cook (uk)
&lt;br&gt;Co-editor of CRUMB (the Curatorial Resource for Upstart Media Bliss
&lt;br&gt;www.crumbweb.org) and research fellow at the University of Sunderland.
&lt;br&gt;Her forthcoming book on curating, co-authored with Beryl Graham, will
&lt;br&gt;be published by MIT Press in 2009. Sarah’s most recent curatorial &amp;nbsp;
&lt;br&gt;project
&lt;br&gt;is a series of online commissions about outer space for Xcult.org.
&lt;br&gt;www.beam-me.net
&lt;br&gt;&lt;br&gt;aram bartholl (de)
&lt;br&gt;Aram Bartholl lives and works in Berlin. In his art work he thematizes
&lt;br&gt;the relationship of net data space and every day life. In which form &amp;nbsp;
&lt;br&gt;does
&lt;br&gt;this network-data-world manifest itself in our physical everyday- 
&lt;br&gt;lifespace?
&lt;br&gt;What is being fed back into physical space from the ‘cyberspace’ into
&lt;br&gt;which data has been fed for so long now? How do these digital &amp;nbsp;
&lt;br&gt;innovations
&lt;br&gt;influence our actions in everyday life?
&lt;br&gt;www.datenform.de
&lt;br&gt;&lt;br&gt;upload cinema (nl)
&lt;br&gt;Upload Cinema is a film club that takes the best web films to the big
&lt;br&gt;screen. The audience can submit films; an editorial team selects the &amp;nbsp;
&lt;br&gt;best
&lt;br&gt;and compiles a ninety minutes program, which is screened at movie &amp;nbsp;
&lt;br&gt;theatres
&lt;br&gt;and special venues.
&lt;br&gt;www.uploadcinema.nl
&lt;br&gt;&lt;br&gt;mediamatic (nl)
&lt;br&gt;Mediamatic is interested in the cultural developments that go hand in
&lt;br&gt;hand with new technologies and in new technologies that cause cultural
&lt;br&gt;development. They organize exhibitions, salons, lectures, workshops,
&lt;br&gt;screenings in public space and develop software and art projects, and
&lt;br&gt;they used to publish the magazine Mediamatic Off-Line.
&lt;br&gt;www.mediamatic.net
&lt;br&gt;&lt;br&gt;henk oosterling (nl)
&lt;br&gt;Henk Oosterling is senior lecturer of the Faculty of Philosophy at the &amp;nbsp;
&lt;br&gt;Erasmus
&lt;br&gt;University Rotterdam. He lectures on dialectic methods, French
&lt;br&gt;philosophy and differential thinking, inter-cultural philosophy and &amp;nbsp;
&lt;br&gt;aesthetics.
&lt;br&gt;As director of the Centre for Philosophy and Art he initiated and
&lt;br&gt;led the Intermediality research programme.
&lt;br&gt;www.henkoosterling.nl
&lt;br&gt;&lt;br&gt;metahaven (nl)
&lt;br&gt;A studio for design and research, Metahaven is based in Amsterdam and
&lt;br&gt;Brussels. Metahaven works in visual identity and architecture, both with
&lt;br&gt;clients and independently.
&lt;br&gt;www.metahaven.net
&lt;br&gt;&lt;br&gt;koert van mensvoort (nl)
&lt;br&gt;Koert van Mensvoort is an artist/scientist. He holds a PhD in industrial
&lt;br&gt;design from Eindhoven University of Technology. His most profound
&lt;br&gt;experience in life, so far, has been the discovery of next nature. Which
&lt;br&gt;revolves around the idea that our technological world is so complex, &amp;nbsp;
&lt;br&gt;that
&lt;br&gt;it has become a nature of its own.
&lt;br&gt;www.nextnature.net
&lt;br&gt;&lt;br&gt;sander van der pavert (lucky tv) (nl)
&lt;br&gt;Sander van de Pavert makes LuckyTV, a concept he created himself. In
&lt;br&gt;short films, Lucky reacts in a light-hearted way to current affairs. &amp;nbsp;
&lt;br&gt;Generally
&lt;br&gt;use is made of existing images that are cut, edited and mutilated in
&lt;br&gt;an indecent way. LuckyTV is currently shown on weekdays at the end of
&lt;br&gt;the Dutch television programme “De Wereld Draait Door” (The World
&lt;br&gt;Keeps Turning).
&lt;br&gt;www.luckytv.nl
&lt;br&gt;&lt;br&gt;sophie krier (lux)
&lt;br&gt;With her studio Sophie Krier explores the peripheries of the design &amp;nbsp;
&lt;br&gt;field,
&lt;br&gt;with a focus on film, writing and temporary, social interventions. She &amp;nbsp;
&lt;br&gt;is
&lt;br&gt;currently developing scenarios for public space in Houten and Hoeksche
&lt;br&gt;Waard, editing a new design journal entitled Field Essays, and doing &amp;nbsp;
&lt;br&gt;research
&lt;br&gt;for a documentary project. Between 2005 and 2009, Sophie Krier
&lt;br&gt;was head of designLAB at Rietveld Academie, Amsterdam.
&lt;br&gt;www.sophiekrier.com
&lt;br&gt;&lt;br&gt;mieke gerritzen (nl)
&lt;br&gt;Mieke Gerritzen is director of the Graphic Design Museum in Breda. &amp;nbsp;
&lt;br&gt;Besides
&lt;br&gt;she makes films, books and organizes public events. Gerritzen creates
&lt;br&gt;networks with many different designers, writers and artists. In 2001
&lt;br&gt;she started the All Media Foundation for the organization and production
&lt;br&gt;of movies, publications and events like “The International Browserday”
&lt;br&gt;in New York, Berlin and Amsterdam and more recently “The Biggest
&lt;br&gt;Visual Power Shows.”
&lt;br&gt;www.graphicdesignmuseum.com
&lt;br&gt;&lt;br&gt;&lt;br&gt;______________________________________________________
&lt;br&gt;* Verspreid via nettime-nl. Commercieel gebruik niet
&lt;br&gt;* toegestaan zonder toestemming. &amp;lt;nettime-nl&amp;gt; is een
&lt;br&gt;* open en ongemodereerde mailinglist over net-kritiek.
&lt;br&gt;* Meer info, archief &amp; anderstalige edities:
&lt;br&gt;* &lt;a href=&quot;http://www.nettime.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/&lt;/a&gt;.
&lt;br&gt;* Contact: Menno Grootveld (&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26777140&amp;i=2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;rabotnik@...&lt;/a&gt;).
&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-nl-f16549.html&quot; embed=&quot;fixTarget[16549]&quot; target=&quot;_top&quot; &gt;NetTime-nl&lt;/a&gt;&lt;/p&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26778146</id>
	<title>Promoveren in de Kunsten</title>
	<published>2009-12-14T01:20:20Z</published>
	<updated>2009-12-14T01:20:20Z</updated>
	<author>
		<name>Knaap, E. van der [Eveline]</name>
	</author>
	<content type="html">Geachte heer/mevrouw,
&lt;br&gt;&lt;br&gt;Graag breng ik de programmanotitie Promoveren in de kunsten onder uw &amp;nbsp;
&lt;br&gt;aandacht.
&lt;br&gt;&lt;br&gt;NWO Geesteswetenschappen en het Fonds voor beeldende kunsten, &amp;nbsp;
&lt;br&gt;vormgeving en bouwkunst stellen twee promotieplaatsen ter beschikking &amp;nbsp;
&lt;br&gt;die kunstenaars de gelegenheid bieden te promoveren.
&lt;br&gt;&lt;br&gt;Voor meer informatie over de procedure en de call for proposals, &amp;nbsp;
&lt;br&gt;verwijs ik u naar: &lt;a href=&quot;http://www.nwo.nl/nwohome.nsf/pages/NWOP_7XWF89&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nwo.nl/nwohome.nsf/pages/NWOP_7XWF89&lt;/a&gt;&lt;br&gt;&lt;br&gt;Met vriendelijke groet,
&lt;br&gt;&lt;br&gt;Elske Gerritsen
&lt;br&gt;&lt;br&gt;--
&lt;br&gt;Dr. Elske Gerritsen | Nederlandse Organisatie voor Wetenschappelijk &amp;nbsp;
&lt;br&gt;Onderzoek | Gebied Geesteswetenschappen | Senior Beleidsmedewerker | &amp;nbsp;
&lt;br&gt;Telefoon: 070 344 08 21 | Fax: 070 347 16 23 | &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26778146&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;e.gerritsen@...&lt;/a&gt; | &amp;nbsp;
&lt;br&gt;Postbus 93425, 2509 AK Den Haag | Bezoekadres: Laan van Nieuw Oost &amp;nbsp;
&lt;br&gt;Indië 300, 2593 CE Den Haag
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;______________________________________________________
&lt;br&gt;* Verspreid via nettime-nl. Commercieel gebruik niet
&lt;br&gt;* toegestaan zonder toestemming. &amp;lt;nettime-nl&amp;gt; is een
&lt;br&gt;* open en ongemodereerde mailinglist over net-kritiek.
&lt;br&gt;* Meer info, archief &amp; anderstalige edities:
&lt;br&gt;* &lt;a href=&quot;http://www.nettime.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/&lt;/a&gt;.
&lt;br&gt;* Contact: Menno Grootveld (&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26778146&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;rabotnik@...&lt;/a&gt;).
&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-nl-f16549.html&quot; embed=&quot;fixTarget[16549]&quot; target=&quot;_top&quot; &gt;NetTime-nl&lt;/a&gt;&lt;/p&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26773991</id>
	<title>Digitale Pioniers zoekt projectvoorstellen voor achttiende en laatste ronde!</title>
	<published>2009-12-13T23:35:05Z</published>
	<updated>2009-12-13T23:35:05Z</updated>
	<author>
		<name>Nikki Timmermans</name>
	</author>
	<content type="html">Digitale Pioniers zoekt projectvoorstellen voor achttiende en laatste &amp;nbsp;
&lt;br&gt;ronde!
&lt;br&gt;&lt;br&gt;Digitale Pioniers, de stimuleringsregeling voor maatschappelijke &amp;nbsp;
&lt;br&gt;internetinitiatieven, opent vandaag de achttiende en laatste ronde. &amp;nbsp;
&lt;br&gt;Het thema van deze ronde is &amp;quot;Vrijstaat&amp;quot;. Er wordt gezocht naar &amp;nbsp;
&lt;br&gt;projectvoorstellen waardoor burgers de vrijstaat van het internet &amp;nbsp;
&lt;br&gt;gebruiken om zich op nieuwe manieren te kunnen organiseren. Projecten &amp;nbsp;
&lt;br&gt;kunnen een bijdrage van maximaal 32.000 euro ontvangen.
&lt;br&gt;&lt;br&gt;Ronde 18: Vrijstaat
&lt;br&gt;Het thema voor de achttiende ronde Digitale Pioniers is &amp;quot;Vrijstaat&amp;quot;. &amp;nbsp;
&lt;br&gt;De relatie tussen burger en samenleving is aan het transformeren. Oude &amp;nbsp;
&lt;br&gt;organisatiestructuren op het gebied van economie, politiek en &amp;nbsp;
&lt;br&gt;ontwikkelingssamenwerking voldoen niet meer. In onze genetwerkte &amp;nbsp;
&lt;br&gt;samenleving organiseren wereldburgers zich steeds meer van onderop &amp;nbsp;
&lt;br&gt;rond gedeelde issues. Internet is bij uitstek de plek, de Vrijstaat, &amp;nbsp;
&lt;br&gt;waar nieuwe vormen van actief burgerschap tot stand komen en burgers &amp;nbsp;
&lt;br&gt;hun vrije mening kunnen uiten.
&lt;br&gt;&lt;br&gt;Digitale Pioniers zoekt projectvoorstellen waardoor burgers de &amp;nbsp;
&lt;br&gt;vrijstaat van het internet gebruiken om zich op nieuwe manieren te &amp;nbsp;
&lt;br&gt;kunnen organiseren. Projecten die bijdragen aan maatschappelijke &amp;nbsp;
&lt;br&gt;participatie en een democratische samenleving. Voor de achttiende &amp;nbsp;
&lt;br&gt;ronde is in totaal 140.000 euro beschikbaar Projecten die zelf &amp;nbsp;
&lt;br&gt;software ontwikkelen, kunnen met maximaal 32.000 euro ondersteund &amp;nbsp;
&lt;br&gt;worden. Projecten die zich op het ontsluiten van informatie of het &amp;nbsp;
&lt;br&gt;aanbieden van een publieke dienst richten met maximaal 17.000 euro. &amp;nbsp;
&lt;br&gt;Aanvragen kan van 14 december 2009 tot en met 24 januari 2010 via de &amp;nbsp;
&lt;br&gt;website www.digitalepioniers.nl.
&lt;br&gt;&lt;br&gt;Feedbackbijeenkomst
&lt;br&gt;Speciaal voor deze ronde is het op 8 januari vanaf 16.00 uur mogelijk &amp;nbsp;
&lt;br&gt;om persoonlijk feedback op projectideeën te krijgen op het gebied van &amp;nbsp;
&lt;br&gt;technologie &amp; open source, auteursrecht &amp; Creative Commons en &amp;nbsp;
&lt;br&gt;publieksbereik (The Hub, Amsterdam). Aanvragers kunnen zich laten &amp;nbsp;
&lt;br&gt;informeren over de regeling en op zoek gaan naar nieuwe projectpartners.
&lt;br&gt;&lt;br&gt;Over Digitale Pioniers
&lt;br&gt;De Digitale Pioniersregeling ondersteunt als enige regeling in &amp;nbsp;
&lt;br&gt;Nederland innovatieve nieuwe mediaprojecten en is bedoeld voor kleine &amp;nbsp;
&lt;br&gt;maatschappelijke organisaties zonder winstoogmerk. Vaak kunnen zij met &amp;nbsp;
&lt;br&gt;hun ideeën niet bij reguliere fondsen terecht. De regeling wordt sinds &amp;nbsp;
&lt;br&gt;2002 met steun van het Ministerie van OCW uitgevoerd door Stichting &amp;nbsp;
&lt;br&gt;Nederland Kennisland. In zestien rondes zijn inmiddels meer dan 160 &amp;nbsp;
&lt;br&gt;projecten ondersteund. Gezamenlijk weten Digitale Pioniers projecten &amp;nbsp;
&lt;br&gt;een breed publiek te bereiken.
&lt;br&gt;&lt;br&gt;Kijk voor meer informatie over aanvragen, het thema en de Leidraad op &amp;nbsp;
&lt;br&gt;de website van Digitale Pioniers www.digitalepioniers.nl/aanvraag en &amp;nbsp;
&lt;br&gt;het online Aanvraagformulier op &lt;a href=&quot;https://aanvraag.digitalepioniers.nl&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;https://aanvraag.digitalepioniers.nl&lt;/a&gt;.
&lt;br&gt;&lt;br&gt;----------------------------------------------------
&lt;br&gt;&lt;br&gt;Noot voor de redactie, niet ter publicatie:
&lt;br&gt;Voor meer informatie en/of fotomateriaal kunt u contact opnemen met:
&lt;br&gt;Nikki Timmermans via nt[at]kl.nl of telefoon 020-5756720 of 06-24361054
&lt;br&gt;______________________________________________________
&lt;br&gt;* Verspreid via nettime-nl. Commercieel gebruik niet
&lt;br&gt;* toegestaan zonder toestemming. &amp;lt;nettime-nl&amp;gt; is een
&lt;br&gt;* open en ongemodereerde mailinglist over net-kritiek.
&lt;br&gt;* Meer info, archief &amp; anderstalige edities:
&lt;br&gt;* &lt;a href=&quot;http://www.nettime.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org/&lt;/a&gt;.
&lt;br&gt;* Contact: Menno Grootveld (&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26773991&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;rabotnik@...&lt;/a&gt;).
&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-nl-f16549.html&quot; embed=&quot;fixTarget[16549]&quot; target=&quot;_top&quot; &gt;NetTime-nl&lt;/a&gt;&lt;/p&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26772712</id>
	<title>Kerkelijk KLIMAATALARM op koopzondag</title>
	<published>2009-12-13T19:57:38Z</published>
	<updated>2009-12-13T19:57:38Z</updated>
	<author>
		<name>Tjebbe van Tijen via Chello</name>
	</author>
	<content type="html">Hieronder drie fragmenten uit een langere overdenking naar aanleiding &amp;nbsp;
&lt;br&gt;van het in het nieuws aangekondigde en uiteindelijk uitblijvende het &amp;nbsp;
&lt;br&gt;beieren van honderden kerkenklokken als onderdeel van een wereldwijd &amp;nbsp;
&lt;br&gt;KLIMAATALARM van de kerken (hun inbreng bij de Wereld Klimaattop in &amp;nbsp;
&lt;br&gt;Kopenhagen.
&lt;br&gt;&lt;br&gt;Voorde volledige, geillustreerde en van refrenties voorziene versie &amp;nbsp;
&lt;br&gt;ga naar dit webadres van de Hinkende Bode:
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://limpingmessenger.wordpress.com/2009/12/14/klimaatalarm-op-&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://limpingmessenger.wordpress.com/2009/12/14/klimaatalarm-op-&lt;/a&gt;&amp;nbsp;
&lt;br&gt;koopzondag/
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;“Het is net een minaret” zei mijn oom – die decennia lang &amp;nbsp;
&lt;br&gt;kunstgeschiedenis studeerde – op één van onze zondagmiddagwandelingen &amp;nbsp;
&lt;br&gt;door het volstrekt stille Haarlem &amp;nbsp;en hij wees omhoog naar de ranke &amp;nbsp;
&lt;br&gt;toren van de Bakernesserkerk. Ik keek langs zijn vinger &amp;nbsp;naar het &amp;nbsp;
&lt;br&gt;suikerwitte torentje dat fel afstak tegen de blauwe lucht. “Aha… dat &amp;nbsp;
&lt;br&gt;is nou een minaret”, dacht ik, een woord dat ik als jongetje – nu &amp;nbsp;
&lt;br&gt;meer dan een halve eeuw geleden – enkel kende als een vreemd woord &amp;nbsp;
&lt;br&gt;uit de sprookjesverhalen van duizend-en-één-nacht zonder mij daarbij &amp;nbsp;
&lt;br&gt;een beeld te kunnen vormen. Of &amp;nbsp;ik ook uitgelegd kreeg dat de &amp;nbsp;
&lt;br&gt;christelijke kerktoren galmgaten had waarachter beierende klokken tot &amp;nbsp;
&lt;br&gt;gebed opriepen en dat het de stem van de priester was die van de &amp;nbsp;
&lt;br&gt;bovenste trans van de minaret naarbeneden riep om hetzelfde te &amp;nbsp;
&lt;br&gt;bereiken, weet ik me niet meer te herinneren. Die klokken kende ik &amp;nbsp;
&lt;br&gt;wel uit het aan Haarlem vastgegroeide villadorp Heemstede waar ik een &amp;nbsp;
&lt;br&gt;deel van mijn jeugd doorbracht. Zondagen waren galmdagen en dat &amp;nbsp;
&lt;br&gt;geluid kwam van twee of drie kanten. De katholieke klokken, de &amp;nbsp;
&lt;br&gt;protestante klokken en van de laatste zijn er dan meestal meerdere &amp;nbsp;
&lt;br&gt;exemplaren in toendertijd Nederland. Wij waren niet kerkelijk en &amp;nbsp;
&lt;br&gt;beschouwden de in twee richtingen voorbijtrekkende gelovigen als een &amp;nbsp;
&lt;br&gt;vermakelijk schouwspel. “Kijk daar gaan de papen”, zei mijn &amp;nbsp;
&lt;br&gt;stiefvader dan, als weer een kinderrijke stoet – onder wegstervend &amp;nbsp;
&lt;br&gt;gebeier – voor het venster van onze twee-onder-één-kap-villa &amp;nbsp;
&lt;br&gt;voorbijkwam.
&lt;br&gt;&lt;br&gt;[...]
&lt;br&gt;&lt;br&gt;“Honderden kerken luiden klokken voor klimaat” &amp;nbsp;kopt het NRC/ 
&lt;br&gt;Handelsblad van 13 december 2009 en dit bericht bracht mij het beeld &amp;nbsp;
&lt;br&gt;van die ranke Bakernessertoren uit mijn jeugd in herinnering. Zouden &amp;nbsp;
&lt;br&gt;de moskeeën ook meedoen was mijn eerste gedachte, met dit wereldwijd &amp;nbsp;
&lt;br&gt;beieren voor een beter klimaat en het ceremonieel ondertekenen van &amp;nbsp;
&lt;br&gt;matigingsbeloften van kerkeraden en gelovigen? Een wat ongemakkelijke &amp;nbsp;
&lt;br&gt;internet-zoektocht leverde uiteindelijk een helder antwoord: ook de &amp;nbsp;
&lt;br&gt;Islam roept op tot een beter klimaat, waarbij ik in het midden laat &amp;nbsp;
&lt;br&gt;of dit vanaf de trans van een minaret gebeurd. De groot-moefti &amp;nbsp;van &amp;nbsp;
&lt;br&gt;Egypte Sheikh Ali Goma onthulde zelfs een zevenjarig Moslim actieplan &amp;nbsp;
&lt;br&gt;op een voorbereidende bijeenkomst &amp;nbsp;op de Klimaattop in Kopenhagen – &amp;nbsp;
&lt;br&gt;afgelopen november – van de Alliance of Religions and Conservation, &amp;nbsp;
&lt;br&gt;met tweehonderd vertegenwoordigers van negen religies. Een &amp;nbsp;
&lt;br&gt;prestigieuse bijeenkomst in het Britse Windsor Castle geopend door &amp;nbsp;
&lt;br&gt;Prins Philip en de Secretarias Generaal van de Verenigde Naties Ban &amp;nbsp;
&lt;br&gt;Ki-moon. De moefti schilderde zijn gehoor een verbazingwekkend &amp;nbsp;
&lt;br&gt;voortvarend plan, waarbij als de traditionele wetten op het gebied &amp;nbsp;
&lt;br&gt;van voedsel weer nageleefd zouden worden, dit een terugkeer tot &amp;nbsp; 
&lt;br&gt;organisch en lokaal voedsel &amp;nbsp;voor miljoenen mensen zou betekenen. &amp;nbsp;
&lt;br&gt;Tien van de meest heilige steden van de Islam gaan hun energiegebruik &amp;nbsp;
&lt;br&gt;dusdanig aanpassen in de komende vijf jaar &amp;nbsp;dat zij ook in milieuzin &amp;nbsp;
&lt;br&gt;‘groene steden’ genoemd kunnen worden (ik neem aan dat Dubai niet in &amp;nbsp;
&lt;br&gt;dit plangebied opgenomen is, of is de recente beursval van dit &amp;nbsp;
&lt;br&gt;superverkwistende toeristenparadijs een teken Gods?). Om alle &amp;nbsp;
&lt;br&gt;misverstanden te vermijden herinnerde de moefti zijn gehoor eraan dat &amp;nbsp;
&lt;br&gt;het beschermen van het klimaat &amp;nbsp;als zodanig tot “religieuse plicht” &amp;nbsp; 
&lt;br&gt;van iedere rechtgeaarde moslim beschouwd dient te worden, wat naar &amp;nbsp;
&lt;br&gt;zijn zeggen een kwart van de wereldbevolking tot voorvechters van het &amp;nbsp;
&lt;br&gt;milieu zal maken.
&lt;br&gt;&lt;br&gt;[...]
&lt;br&gt;&lt;br&gt;Ook de andere kerkleiders die &amp;nbsp;aan de oecemenische milieutop &amp;nbsp;
&lt;br&gt;deelnamen gebruiken hun traditioneel arsenaal, waarbij de christenen &amp;nbsp;
&lt;br&gt;als van ouds hun gereedschap van schuld en boete aangrepen. De &amp;nbsp;
&lt;br&gt;eerwaarden spraken van de noodzaak van het brengen van een &amp;nbsp;
&lt;br&gt;“klimaatoffer” , waarbij gelovigen een document tekenen om in hun &amp;nbsp;
&lt;br&gt;dagelijks leven meer aandacht te geven aan de gevolgen voor het &amp;nbsp;
&lt;br&gt;milieu van hun dagelijkse handel en wandel. De driehonderddduizend &amp;nbsp;
&lt;br&gt;handtekeningen die uiteindelijk in Kopenhagen aan de &amp;nbsp;
&lt;br&gt;klimaatsecretaris van de Verenigde Naties overhandigd werden zijn wel &amp;nbsp;
&lt;br&gt;een schamele oogst van de zieleherders van zoveel wereldreligies, &amp;nbsp;
&lt;br&gt;maar het is duidelijk, het gaat niet om een formulier met een &amp;nbsp;
&lt;br&gt;handtekening, maar om de geestesgesteldheid en de daaruit volgende &amp;nbsp;
&lt;br&gt;levenswijze.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Tjebbe van Tijen
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Imaginary Museum Projects
&lt;br&gt;Dramatizing Historical Information
&lt;br&gt;&lt;a href=&quot;http://imaginarymuseum.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://imaginarymuseum.org&lt;/a&gt;&lt;br&gt;web-blog: The Limping Messenger
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&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-nl-f16549.html&quot; embed=&quot;fixTarget[16549]&quot; target=&quot;_top&quot; &gt;NetTime-nl&lt;/a&gt;&lt;/p&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26772419</id>
	<title>Re: Carry On (was: Paul Krugman etc)</title>
	<published>2009-12-13T08:16:01Z</published>
	<updated>2009-12-13T08:16:01Z</updated>
	<author>
		<name>Lennaart van Oldenborgh-2</name>
	</author>
	<content type="html">&amp;gt;You might want to consult Herr Doktor Google to find out a bit about Cato
&lt;br&gt;&amp;gt;and the Washington Times. A quick perusal of the &amp;quot;Renew America&amp;quot; site puts
&lt;br&gt;&amp;gt;them squarely in the paleo-conservative racial apocalypse fantasy camp:
&lt;br&gt;&lt;br&gt;not only that, but the cited EUtimes.net is a new wordpress blog 
&lt;br&gt;(started in october 2009, although they don't say where they're 
&lt;br&gt;based) that has a section for &amp;quot;European Pride&amp;quot; and a sub-section 
&lt;br&gt;&amp;quot;Race&amp;quot; in their &amp;quot;sceince&amp;quot; section, which contains gems like
&lt;br&gt;&lt;br&gt;Enoch Powell was right: Ethnic cleansing of Native White British and 
&lt;br&gt;Colonization by non-whites in London
&lt;br&gt;&lt;br&gt;and
&lt;br&gt;&lt;br&gt;Before criticizing the Japanese for not being white, I urge you to 
&lt;br&gt;remember that Japan was a main member of the Axis Powers who signed 
&lt;br&gt;the Tripartite Pact. Hitler called the Japanese &amp;quot;Aryans of the East&amp;quot; 
&lt;br&gt;which is 100% true
&lt;br&gt;&lt;br&gt;and that's just the headlines. Urgencies? I'm not exactly up to speed 
&lt;br&gt;on the euro-fascist lunatic fringe (if indeed they are european) but 
&lt;br&gt;within my context they just sound like a couple of disgruntled aging 
&lt;br&gt;BNP goons.
&lt;br&gt;&lt;br&gt;cheers!
&lt;br&gt;Len
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;&lt;br&gt;&lt;br&gt;# &amp;nbsp;distributed via &amp;lt;nettime&amp;gt;: no commercial use without permission
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&lt;br&gt;&lt;p&gt;From forum: &lt;a href=&quot;http://old.nabble.com/NetTime-l-f16633.html&quot; embed=&quot;fixTarget[16633]&quot; target=&quot;_top&quot; &gt;NetTime-l&lt;/a&gt;&lt;/p&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26767409</id>
	<title>Fwd: [artelefocului] (unknown)</title>
	<published>2009-12-13T07:56:46Z</published>
	<updated>2009-12-13T07:56:46Z</updated>
	<author>
		<name>cranta crina</name>
	</author>
	<content type="html">$100,000 Prize, Mentorship by Renowned Artists and Exhibition at
&lt;br&gt;PinchukArtCentre are Among the Benefits of Major New Award
&lt;br&gt;KIEV, UKRAINE
&lt;br&gt;On 8 December the Victor Pinchuk Foundation announced that it inaugurated
&lt;br&gt;the Future Generation Art Prize &amp;lt;&lt;a href=&quot;http://futuregenerationartprize.org/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://futuregenerationartprize.org/&lt;/a&gt;&amp;gt;, a
&lt;br&gt;major new international competition for artists up to 35. Established to
&lt;br&gt;discover and provide long-term support for a generation of emerging artists,
&lt;br&gt;wherever they may live and work, this unique artist-focused prize aims to
&lt;br&gt;make a major contribution toward the production of new work by young
&lt;br&gt;artists.
&lt;br&gt;The biennial Prize is distinguished by:
&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp;- its global dimension;
&lt;br&gt;&amp;nbsp; &amp;nbsp;- its focus on a young generation of artists;
&lt;br&gt;&amp;nbsp; &amp;nbsp;- its open and democratic Internet application process;
&lt;br&gt;&amp;nbsp; &amp;nbsp;- the long-term commitment of leading artists of our time;
&lt;br&gt;&amp;nbsp; &amp;nbsp;- a distinguished Board, Jury and Selection Committee;
&lt;br&gt;&amp;nbsp; &amp;nbsp;- an exhibition of shortlisted artists at the PinchukArtCentre in Kiev,
&lt;br&gt;&amp;nbsp; &amp;nbsp;one of the largest and most active new contemporary art institutions in
&lt;br&gt;&amp;nbsp; &amp;nbsp;Europe;
&lt;br&gt;&amp;nbsp; &amp;nbsp;- and an award of $100,000, to be conferred by a respected international
&lt;br&gt;&amp;nbsp; &amp;nbsp;jury.
&lt;br&gt;&lt;br&gt;Applications for the Prize will become available online on January 18, 2010,
&lt;br&gt;at the competition’s website, www.futuregenerationartprize.org. The
&lt;br&gt;exhibition of shortlisted artists will open at the PinchukArtCentre (PAC) in
&lt;br&gt;October 2010. The jury will announce the winner of the main prize in
&lt;br&gt;December 2010, and up to five special prizes for artists who will be
&lt;br&gt;provided with various forms of support.
&lt;br&gt;To encourage the assistance of one generation of artists to the next, a
&lt;br&gt;group of renowned Mentor Artists has committed its long-term participation
&lt;br&gt;in the Prize and will provide in-person counsel and support to the Prize
&lt;br&gt;winners, and one of the Mentor artists will have a parallel show at the same
&lt;br&gt;time as each shortlist exhibition. The Mentor Artists are Andreas Gursky,
&lt;br&gt;Damien Hirst, Jeff Koons and Takashi Murakami.
&lt;br&gt;A distinguished international Board oversees the Future Generation Art
&lt;br&gt;Prize. In addition to chairman Victor Pinchuk and the four Mentor Artists,
&lt;br&gt;the Board’s membership includes Eli Broad, Dakis Joannou, Elton John,
&lt;br&gt;Miuccia Prada and art museum directors Richard Armstrong
&lt;br&gt;(Solomon R. Guggenheim Foundation and Museum), Glenn D. Lowry (The Museum of
&lt;br&gt;Modern Art), Alfred Pacquement (Musée nationale d’art moderne, Centre
&lt;br&gt;Georges Pompidou) and Sir Nicholas Serota (Tate).
&lt;br&gt;Extending the reach of the Future Generation Art Prize, an invited group of
&lt;br&gt;approximately one hundred arts professionals from around the world will
&lt;br&gt;nominate artists for consideration. By combining the open application
&lt;br&gt;process with these nominations, PAC aspires to achieve the participation of
&lt;br&gt;a true global cross-section of the up-to 35 generation.
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<entry>
	<id>tag:old.nabble.com,2006:post-26772457</id>
	<title>[[[news-Struggles]]] .:: edu-factory.org ::.</title>
	<published>2009-12-13T07:15:34Z</published>
	<updated>2009-12-13T07:15:34Z</updated>
	<author>
		<name>isabella pinto</name>
	</author>
	<content type="html">www.edu-factory.org
&lt;br&gt;&lt;br&gt;*Action in Solidarity with German students *
&lt;br&gt;On 11th december, national strike of education, thousands of students
&lt;br&gt;demonstrated in several italian cities against cuts funding and claiming
&lt;br&gt;basic income and autonomy of research.[...]
&lt;br&gt;&lt;br&gt;*Unrest in the Edu-Factory *
&lt;br&gt;Unrest in the edu-factory,translocal protests, occupations, and strikes at
&lt;br&gt;the universities and art schools, Meeting in Zurich.[...]
&lt;br&gt;&lt;br&gt;*UC Berkeley 'Open University' Raided by Police, 65 Arrested *
&lt;br&gt;This morning, on the fifth and final day of a weeklong ?Open University?
&lt;br&gt;held at UC Berkeley?s Wheeler Hall, University of California Police stormed
&lt;br&gt;into the building around 5am, arresting 65 people without provocation,
&lt;br&gt;witnesses said.[...]
&lt;br&gt;&lt;br&gt;*Towards the general strike on 11th December in Italy *
&lt;br&gt;On November 20th, a great assembly of precarious and students from all over
&lt;br&gt;Italy, met at Sapienza University to relaunch - starting from the many
&lt;br&gt;struggle initiatives organized in recent months in various universities and
&lt;br&gt;schools - a broad mobilization path identifying as central the struggle
&lt;br&gt;against planned castingoff of the university and claiming a new welfare
&lt;br&gt;system up to the task of dealing with the challenges posed by the actual
&lt;br&gt;world of work.[...]
&lt;br&gt;&lt;br&gt;*Riots and police brutality on first day of Alexandros Grigoropoulos murder
&lt;br&gt;anniversary*
&lt;br&gt;Riots have broken out in Athens and Salonica during the first day of A.
&lt;br&gt;Grigoropoulos murder anniversary with police demonstrating extreme brutality
&lt;br&gt;leaving two people seriously wounded by a motorised charge on the Athens
&lt;br&gt;march.[...]
&lt;br&gt;&lt;br&gt;*Solidarity University in Vienna, Austria open now *
&lt;br&gt;A few minutes ago, the Solidarity University (kritische und
&lt;br&gt;solidarischeUniversit?t = KriSU) was founded in Vienna, Austria.
&lt;br&gt;KriSU-activistsrevitalized rooms which are vacant since 2 years for the
&lt;br&gt;public. KriSUreacts on the fundamental social, ecological and economic
&lt;br&gt;crisis ofcapitalist society. It sees itself as a part of the global
&lt;br&gt;universityprotests. Elfriede Jelinek, famous Austrian writer, declared
&lt;br&gt;hersolidarity: &amp;quot;I am glad to support this action, since I would support
&lt;br&gt;anycritical initiative weakening those encrusted university
&lt;br&gt;structures.&amp;quot;[...]
&lt;br&gt;&lt;br&gt;*Their Privatization, Our Exploitation*
&lt;br&gt;A response to UW President Mark Emmert?s.?Addressing the Latest State
&lt;br&gt;Revenue Shortfall?[...]
&lt;br&gt;&lt;br&gt;*Day of actions- Towards the general strike of 11th December*
&lt;br&gt;In the last two days several actions and demonstration took place in
&lt;br&gt;different cities all over Italy during the national day of action organized
&lt;br&gt;during the assembly &amp;nbsp;at LaSapienza University- Rome on 20th november,
&lt;br&gt;towards the general strike of 11th december.[...]
&lt;br&gt;&lt;br&gt;*Network of Resistance to the &amp;quot;Structural Adjustment&amp;quot; of US Universities*
&lt;br&gt;We write first to express our recognition of the important role that the
&lt;br&gt;edu-factory net has played in recent weeks circulating the information about
&lt;br&gt;the growing students and faculty struggles internationally and providing a
&lt;br&gt;space, for discussion, translation, strategizing.[...]
&lt;br&gt;&lt;br&gt;--
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<entry>
	<id>tag:old.nabble.com,2006:post-26766578</id>
	<title>GETA BRATESCU / Spatii/ Galeria Ivan, 16.12.09-12.02.10</title>
	<published>2009-12-13T06:29:54Z</published>
	<updated>2009-12-13T06:29:54Z</updated>
	<author>
		<name>info-1529</name>
	</author>
	<content type="html">&lt;br&gt;Dragi prieteni,
&lt;br&gt;&lt;br&gt;Va asteptam miercuri, 16.12.09, orele 13-16, in noul spatiu al galeriei,
&lt;br&gt;la deschiderea expozitiei:
&lt;br&gt;&lt;br&gt;GETA BRATESCU
&lt;br&gt;// Spatii //
&lt;br&gt;16.12.09-12.02.10
&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;nbsp;Noua adresa a galeriei: str. Dr. Dimitire Grecescu nr.13 (Cotroceni,
&lt;br&gt;statia de metrou Eroilor).
&lt;br&gt;&lt;br&gt;&lt;br&gt;Spatiul din Maria Rosetti 53 va functiona in continuare si expozitia lui
&lt;br&gt;Bartah Sandor ramane deschisa pana al sfarsitul lunii decembrie.
&lt;br&gt;&lt;br&gt;Pentru mai multe informatii: Marian Ivan / 0721261242
&lt;br&gt;&lt;br&gt;&lt;br&gt;Galeria Ivan
&lt;br&gt;&lt;br&gt;www.ivangallery.com
&lt;br&gt;&lt;br&gt;&lt;br&gt;_______________________________________________
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26766274</id>
	<title>Re: to TEd: II International Conference ARTECHMEDIA Barcelona 2009</title>
	<published>2009-12-13T01:18:43Z</published>
	<updated>2009-12-13T01:18:43Z</updated>
	<author>
		<name>artechmedia</name>
	</author>
	<content type="html">A R T E C H M E D I A www.artechmedia.net
&lt;br&gt;&lt;br&gt;ll Internacional Conference ART TECH MEDIA 09 &amp;quot;Innovation, Networks &amp;
&lt;br&gt;New Media at Digital Culture and Social Development&amp;quot;
&lt;br&gt;&lt;br&gt;Barcelona, 18th to 21th december 2009
&lt;br&gt;&lt;br&gt;&lt;br&gt;The conference will serve as a meeting point for art, creativity,
&lt;br&gt;and innovation. It will also raise institutional, entrerprise and
&lt;br&gt;social awareness, nationally and internationally, of the challenges
&lt;br&gt;and threats that new information and communication technologies bring
&lt;br&gt;for the construction of a Knowledge Society that will define the
&lt;br&gt;future of Spain and the whole world. It is directed to institutional
&lt;br&gt;representatives within the art world, technology enterprise,
&lt;br&gt;university, research centres, communication media, foundations and
&lt;br&gt;other social organisations.
&lt;br&gt;&lt;br&gt;The main objective of the call for the II International Conference
&lt;br&gt;is to debate and articúlate proposals that will instigate the
&lt;br&gt;implementation and awareness of new media and the development
&lt;br&gt;of networks that will drive the alliance between Art, Science,
&lt;br&gt;Innovation, Technology and Institutions as a vehicle for integration
&lt;br&gt;and social development.
&lt;br&gt;&lt;br&gt;This call responds to the support demonstrated by institutions,
&lt;br&gt;organisations and artists who participated in the debates that tool
&lt;br&gt;place in the ARTECHMEDIA activities.
&lt;br&gt;&lt;br&gt;Proposals will be presented and debated that show the most innovative
&lt;br&gt;ideas and creations from the national and international area.
&lt;br&gt;&lt;br&gt;----------------------------------------------------------------------
&lt;br&gt;----------------------------------------------------------------------
&lt;br&gt;----------------------------
&lt;br&gt;&lt;br&gt;Speakers: &amp;nbsp;Laura M. Lechuga Nanobiosensors and Bioanalytic Applications 
&lt;br&gt;Group Leader at CIN2 (CSIC-ICN)Research Center in Nanoscience and 
&lt;br&gt;Nanotechnology &amp;nbsp;Esteve Almirall Expert on Open Innovation, User Driven 
&lt;br&gt;Innovation y Living Labs. UPC, Esade and proyects i2Cat and in Living Labs 
&lt;br&gt;(ENoLL - CatLab) &amp;nbsp;Montse Basora Director Enterprise Area of Barcelona 
&lt;br&gt;Activa. Programa CreaMedia &amp;nbsp;Josep Font Anella Cultural Departament de 
&lt;br&gt;Cultura i Mitjans de Comunicació. Generalitat Cataluña &amp;nbsp;Claudia Giannetti 
&lt;br&gt;University of &amp;nbsp;Évora (Visual Arts). Resercher &amp; curator of media art &amp;nbsp;Josep 
&lt;br&gt;Perelló &amp;nbsp;Director Science´s Area. Arts Santa Monica &amp;nbsp;Carme Farràs Director 
&lt;br&gt;Mediateca CaixaForum Fundació &amp;quot;la Caixa&amp;quot; &amp;nbsp;Beatriz Martínez &amp; Dolors Boatella 
&lt;br&gt;DivuCIENCIA &amp;nbsp;Lluciá Homs Codirector LOOP Fair &amp;nbsp;Oscar García Director MCDEM 
&lt;br&gt;Ricard Gras Director INTER - Activa. London &amp;nbsp;Pau Alsina Profesor Art &amp; 
&lt;br&gt;Humanities UOC &amp; Director ARTNODES &amp;nbsp;Roger Pujol, Dani Armengol &amp; Xavier 
&lt;br&gt;Vilar. Multitouch Barcelona &amp;nbsp; Regine Debatty Director of &amp;nbsp;we make money not 
&lt;br&gt;art. Italia &amp;nbsp;Marcel.lí Antúnez Artist, researcher on Sistematurgia &amp;nbsp;Fernando 
&lt;br&gt;Piquer Director Bitoon. Development on line videogames &amp;nbsp;Hector Milla Balzac 
&lt;br&gt;tv &amp;nbsp;Montxo Algora Director of ART FUTURA &amp;nbsp;José Manuel Berenguer Artist &amp; 
&lt;br&gt;director Orquesta del Caos &amp;nbsp;Pedro Soler &amp;nbsp;Director Hangar &amp;nbsp;Alex Borrás 
&lt;br&gt;Director DiBa &amp;nbsp;Ulla Taipale &amp;nbsp;Capsula project &amp;nbsp;Natalia Rojas Directora 
&lt;br&gt;Cuatic - Interactive Experiences &amp;nbsp;Emiliano Labrador Artist, &amp;nbsp;ANIMA project 
&lt;br&gt;Anne Roquigny WJ-S Paris &amp;nbsp;Simona Levi Member of EXGAE and director of OXCARS 
&lt;br&gt;Bani Brusadin Co-director The Influencers &amp;nbsp;Marc Sempere Compartir Dóna 
&lt;br&gt;Gustet (CDG) &amp;nbsp;Pedro Soler Director Hangar &amp;nbsp;Menene Gras Director Culture &amp; 
&lt;br&gt;Exhibitions CASA ASIA &amp;nbsp;Montse Arbelo &amp; Joseba Franco Directors ARTECHMEDIA
&lt;br&gt;&lt;br&gt;&lt;br&gt;Sponsors: Institute of Culture of Barcelona. ICUB, Council of Barcelona, 
&lt;br&gt;Barcelona Activa Council of Barcelona and &amp;nbsp;Casa Asia Collaborator: FECYT of 
&lt;br&gt;Ministery of Science and Innovation Spanish Goverment
&lt;br&gt;&lt;br&gt;&lt;br&gt;------------------------------------------------------------------------------------------------------------------------------------------------------------------------
&lt;br&gt;Free inscription. www.artechmedia.net
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26761704</id>
	<title>Re: Carry On (was: Paul Krugman etc)</title>
	<published>2009-12-12T14:05:10Z</published>
	<updated>2009-12-12T14:05:10Z</updated>
	<author>
		<name>kranenbu</name>
	</author>
	<content type="html">hi Ted,
&lt;br&gt;&lt;br&gt;sorry it was out before i could stop it! Yes, I just wanted to say I
&lt;br&gt;realize how tainted these sources are, the second one is even worse.
&lt;br&gt;You're very right on that.
&lt;br&gt;&lt;br&gt;It is just that I keep seeing these urgencies. A friend of mine just came
&lt;br&gt;back from Detroit with pictures of an abandoned police station with
&lt;br&gt;fingerprints, mugshots, 'evidence' all over the floor. Not even the
&lt;br&gt;decency the police has these days to burn the the place down before
&lt;br&gt;leaving it. &amp;nbsp;That is what you get when the traces of people become more
&lt;br&gt;important for the people working in the system then the people themselves,
&lt;br&gt;in the end the become the objective allies of those wanting to change it,
&lt;br&gt;as we all get fed up by the blatant injustices and the rhetoric of a man
&lt;br&gt;who talks about just wars when accepting a prize for peace,
&lt;br&gt;&lt;br&gt;greetings from chilly Ghent, Rob
&lt;br&gt;&lt;br&gt;On Sat, 12 Dec 2009 &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26761704&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;kranenbu@...&lt;/a&gt; wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; so?
&lt;br&gt;&amp;gt; i was born paranoid.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; You might want to consult Herr Doktor Google to find out a bit about Cato
&lt;br&gt;&amp;gt; &amp;gt; and the Washington Times. A quick perusal of the &amp;quot;Renew America&amp;quot; site puts
&lt;br&gt;&amp;gt; &amp;gt; them squarely in the paleo-conservative racial apocalypse fantasy camp:
&lt;br&gt;&amp;nbsp;&amp;lt;...&amp;gt;
&lt;br&gt;&lt;br&gt;&lt;br&gt;# &amp;nbsp;distributed via &amp;lt;nettime&amp;gt;: no commercial use without permission
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26761274</id>
	<title>Re: Carry On (was: Paul Krugman etc)</title>
	<published>2009-12-12T13:26:56Z</published>
	<updated>2009-12-12T13:26:56Z</updated>
	<author>
		<name>t byfield</name>
	</author>
	<content type="html">&amp;quot;Over 220 million American people armed to the teeth and ready to explode&amp;quot; 
&lt;br&gt;would be about 2/3 of the population. That would mean that every citizen 
&lt;br&gt;15-64 years old is armed to the teeth and ready to explode -- which seems 
&lt;br&gt;a bit daft. Let's be conservative and assume that only 50% of Americans 
&lt;br&gt;aged 15-64 are armed to the teeth and ready to explode, so we'd need to 
&lt;br&gt;make up the difference from the x&amp;lt;15 or x&amp;gt;65 YO contingents. I'm seeing 
&lt;br&gt;a sort of Khmer Rouge-like reign of terror waged by a popular front made up
&lt;br&gt;of heavily armed 7YOs and, I guess, the newly radicalized Grey Panthers -- 
&lt;br&gt;who of course have a lot in common with youngsters, as we can see from the 
&lt;br&gt;current healthcare debate, which boils down to old people stealing medicine 
&lt;br&gt;from babies. 
&lt;br&gt;&lt;br&gt;You might want to consult Herr Doktor Google to find out a bit about Cato 
&lt;br&gt;and the Washington Times. A quick perusal of the &amp;quot;Renew America&amp;quot; site puts
&lt;br&gt;them squarely in the paleo-conservative racial apocalypse fantasy camp:
&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Palin op-ed bashing Copenhagen summit has critics steaming
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Marxists, socialists launched Obama?
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Obama's risky-sex czar
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Sean Hannity: 'Where's the birth certificate?'
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Defenseless enviro-thugs go on offense
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Yes, the red menace is still a threat -- or 
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; where is Joe McCarthy when we need him?
&lt;br&gt;&lt;br&gt;Good times.
&lt;br&gt;&lt;br&gt;Cheers,
&lt;br&gt;T
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26761274&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;kranenbu@...&lt;/a&gt; (Sat 12/12/09 at 09:22 PM +0100):
&lt;br&gt;&lt;br&gt;&amp;gt; not only a treasure buble i think:
&lt;br&gt;&amp;nbsp;&amp;lt;...&amp;gt;
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26761133</id>
	<title>Re: Carry On (was: Paul Krugman etc)</title>
	<published>2009-12-12T12:22:16Z</published>
	<updated>2009-12-12T12:22:16Z</updated>
	<author>
		<name>kranenbu</name>
	</author>
	<content type="html">not only a treasure buble i think:
&lt;br&gt;&lt;br&gt;New underground economy
&lt;br&gt;&lt;a href=&quot;http://www.washingtontimes.com/news/2009/dec/09/new-underground-economy/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.washingtontimes.com/news/2009/dec/09/new-underground-economy/&lt;/a&gt;&lt;br&gt;&lt;br&gt;Richard W. Rahn is a senior fellow at the Cato Institute and chairman of
&lt;br&gt;the Institute for Global Economic Growth.
&lt;br&gt;&lt;br&gt;&amp;quot;The underground or &amp;quot;black&amp;quot; economy is rapidly rising, and the fault is
&lt;br&gt;mainly due to government policies.
&lt;br&gt;&lt;br&gt;Here is the evidence. The Federal Deposit Insurance Corp. (FDIC) released
&lt;br&gt;a report last week concluding that 7.7% of U.S. households, containing at
&lt;br&gt;least 17 million adults, are unbanked (i.e. those who do not have bank
&lt;br&gt;accounts), and an &amp;quot;estimated 17.9% of U.S. households, roughly 21 million,
&lt;br&gt;are underbanked&amp;quot; (i.e., those who rely heavily on nonbank institutions,
&lt;br&gt;such as check cashing and money transmitting services). As an economy
&lt;br&gt;becomes richer and incomes rise, the normal expectation is that the
&lt;br&gt;proportion of the unbanked population falls and does not rise as is now
&lt;br&gt;happening in the United States.&amp;quot;
&lt;br&gt;&lt;br&gt;and:
&lt;br&gt;&lt;br&gt;December 11, 2009 Is Obama really preparing for civil war? By Chuck
&lt;br&gt;BaldwinSource: &lt;a href=&quot;http://www.renewamerica.com/columns/baldwin/091211&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.renewamerica.com/columns/baldwin/091211&lt;/a&gt;&lt;br&gt;&lt;br&gt;According to an obscure report in the European Union Times (EUTimes.net),
&lt;br&gt;&amp;quot;Russian Military Analysts are reporting to Prime Minister Putin that US
&lt;br&gt;President Barack Obama has issued an order to his Northern Command's
&lt;br&gt;(USNORTHCOM) top leader, US Air Force General Gene Renuart, to 'begin
&lt;br&gt;immediately' increasing his military forces to 1 million troops by January
&lt;br&gt;30, 2010, in what these reports warn is an expected outbreak of civil war
&lt;br&gt;within the United States before the end of winter.
&lt;br&gt;&lt;br&gt;The EU Times article continues by saying, &amp;quot;To the fears of Obama over the
&lt;br&gt;United States erupting into civil war once the full extent of the rape and
&lt;br&gt;pillaging of these peoples by their banks and government becomes known to
&lt;br&gt;them, grim evidence now shows the likelihood of this occurring much sooner
&lt;br&gt;than later.&amp;quot;
&lt;br&gt;&lt;br&gt;The Times story goes on to say that there are &amp;quot;over 220 million American
&lt;br&gt;people armed to the teeth and ready to explode.&amp;quot;
&lt;br&gt;&lt;br&gt;Many of us would be inclined to pooh-pooh such a story, but then there is
&lt;br&gt;this column from Bloomberg.com entitled &amp;quot;Arming Goldman With Pistols
&lt;br&gt;Against Public,&amp;quot; written by Alice Schroeder. &amp;nbsp;According to Ms Schroeder:
&lt;br&gt;&lt;br&gt;&amp;quot;'I just wrote my first reference for a gun permit,' said a friend, who
&lt;br&gt;told me of swearing to the good character of a Goldman Sachs Group Inc.
&lt;br&gt;banker who applied to the local police for a permit to buy a pistol. The
&lt;br&gt;banker had told this friend of mine that senior Goldman people have loaded
&lt;br&gt;up on firearms and are now equipped to defend themselves if there is a
&lt;br&gt;populist uprising against the bank.&amp;quot;
&lt;br&gt;&lt;br&gt;There is no doubt that the American people have good reason to despise
&lt;br&gt;these international banksters epitomized by Goldman Sachs. Even one of
&lt;br&gt;Goldman's poster-boys, Henry Paulson, US Treasury secretary and former
&lt;br&gt;Goldman CEO, admitted that the American people were fed up. Schroeder
&lt;br&gt;quotes Paulson as saying, during testimony to Congress last summer,
&lt;br&gt;&amp;quot;[People] were unhappy with the big discrepancies in wealth, but they at
&lt;br&gt;least believed in the system and in some form of market-driven capitalism.
&lt;br&gt;But if we had a complete meltdown, it could lead to people questioning the
&lt;br&gt;basis of the system.&amp;quot;
&lt;br&gt;&lt;br&gt;Schroeder correctly opines, &amp;quot;There you have it. The bailout was meant to
&lt;br&gt;keep the curtain drawn on the way the rich make money, not from the free
&lt;br&gt;market, but from the lack of one. Goldman Sachs blew its cover when the
&lt;br&gt;firm's revenue from trading reached a record $27 billion in the first nine
&lt;br&gt;months of this year, and a public that was writhing in financial agony
&lt;br&gt;caught on that the profits earned on taxpayer capital were going to pay
&lt;br&gt;employee bonuses.&amp;quot;
&lt;br&gt;&lt;br&gt;.....
&lt;br&gt;I would dare say that the first State that determines to follow Vieira's
&lt;br&gt;sagacious counsel (and rumblings of this have already begun in states such
&lt;br&gt;as Alaska, Oklahoma, Texas, Montana, New Hampshire, Indiana, Tennessee,
&lt;br&gt;South Carolina, etc.) would have so many liberty-loving patriots flock
&lt;br&gt;there that its economy would explode with prosperity &amp;nbsp;resulting in a
&lt;br&gt;domino effect of many other states following suit &amp;nbsp;and the revolution that
&lt;br&gt;this country so desperately needs would indeed take place. Furthermore,
&lt;br&gt;such a revolution would be constitutional, lawful, moral, and, yes, in
&lt;br&gt;compliance with the laws of Nature and of Nature's God.&amp;quot;
&lt;br&gt;&lt;br&gt;cheers! Rob
&lt;br&gt;&lt;br&gt;&lt;br&gt;On Fri, 11 Dec 2009, Chad Scovi11e wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; There is a treasury bubble coming in USD.
&lt;br&gt;&amp;nbsp;&amp;lt;...&amp;gt;
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26758931</id>
	<title>[off topic] Campagne tegen ruiming vee</title>
	<published>2009-12-12T08:27:50Z</published>
	<updated>2009-12-12T08:27:50Z</updated>
	<author>
		<name>ravage</name>
	</author>
	<content type="html">Campagne tegen ruiming vee
&lt;br&gt;&lt;br&gt;De Partij voor de Dieren roept het kabinet op om niet over te gaan tot
&lt;br&gt;ruiming van gezonde, drachtige geiten vanwege de Q-koorts. Ruim 21.000
&lt;br&gt;personen hebben inmiddels hun handtekening geplaatst onder een petitie.
&lt;br&gt;&lt;br&gt;De Partij voor de Dieren (PvdD) verwijt het kabinet ernstige
&lt;br&gt;nalatigheid in het nemen van maatregelen om de Q-koorts te bestrijden.
&lt;br&gt;Als gevolg hiervan zijn er dit jaar 2300 mensen ziek geworden, terwijl
&lt;br&gt;er zes mensen aan zijn overleden. &amp;quot;Als gevolg van falend beleid zullen
&lt;br&gt;duizenden dieren onnodig gedood worden&amp;quot;, aldus de partij.
&lt;br&gt;&lt;br&gt;Begin volgende week moet duidelijk worden of de niet-drachtige geiten
&lt;br&gt;en schapen die wel zijn besmet met de Q-koorts toch moeten worden
&lt;br&gt;geruimd. De ministers Gerda Verburg van Landbouw en Ab Klink van
&lt;br&gt;Volksgezondheid hebben daar maandag opnieuw overleg over. De
&lt;br&gt;ruimingsoperatie kan rekenen op een kamermeerderheid
&lt;br&gt;&lt;br&gt;De PvdD steunde donderdag als enige de motie van afkeuring tegen de
&lt;br&gt;ministers Klink (Volksgezondheid) en Verburg (LNV). Kamerlid Marianne
&lt;br&gt;Thieme toonde zo haar teleurstelling over de Q-koortsaanpak van de
&lt;br&gt;twee bewindslieden die volgens haar hebben nagelaten effectief op te
&lt;br&gt;treden tegen de epidemie, die al vanaf 2007 steeds meer mensen besmette.
&lt;br&gt;&lt;br&gt;Volgens de dierenpartij is sinds 2007 is al bekend welk risico de
&lt;br&gt;intensieve veehouderij vormt voor de volksgezondheid. Desondanks zijn
&lt;br&gt;er geen harde maatregelen genomen om een uitbraak van Q-koorts te
&lt;br&gt;bestrijden, waardoor de bacterie zich over het hele land heeft kunnen
&lt;br&gt;verspreiden.
&lt;br&gt;&lt;br&gt;&amp;quot;Nergens in de wereld is het Q-koorts probleem zo groot als in
&lt;br&gt;Nederland. Het lijkt niet toevallig dat de problemen zich juist bij
&lt;br&gt;ons, het meest veedichte land ter wereld, voordoen&amp;quot;, aldus Thieme.
&lt;br&gt;&amp;quot;Economische belangen hebben veel te lang voorrang gekregen boven de
&lt;br&gt;belangen van dieren en de volksgezondheid.&amp;quot;
&lt;br&gt;&lt;br&gt;Volgens Thieme is het ruimen van gezonde dieren is niet nodig om de
&lt;br&gt;volksgezondheid te beschermen en is de maatregel ethisch
&lt;br&gt;onaanvaardbaar. Het verzamelen van protesthandtekeningen op internet
&lt;br&gt;is een groot succes. Inmiddels hebben ruim 20.000 mensen laten blijken
&lt;br&gt;tegen de ruiming van gezonde geiten te zijn.
&lt;br&gt;&lt;br&gt;De Partij voor de Dieren pleit tevens voor een algeheel fokverbod in
&lt;br&gt;de geitensector. &amp;quot;Geitenhouders mogen momenteel nog steeds doorgaan
&lt;br&gt;met het fokken van nieuwe geiten, ondanks dat het bekend was bij het
&lt;br&gt;ministerie van LNV dat drachtige geiten niet gevaccineerd kunnen
&lt;br&gt;worden. Zolang er nieuwe geiten drachtig worden terwijl de bacterie
&lt;br&gt;zich in het milieu bevindt, zal de ziekte zich verder uit blijven
&lt;br&gt;breiden en nog meer slachtoffers maken.&amp;quot;
&lt;br&gt;&lt;br&gt;De dierenpartij pleit voorts voor het sluiten van geitenbedrijven die
&lt;br&gt;zich in de directe omgeving van woonkernen bevinden. Uit onderzoek van
&lt;br&gt;het RIVM blijkt dat omwonenden van geitenbedrijven een veel hogere
&lt;br&gt;kans hebben om besmet te raken met de bacterie. Ook roept de PvdD de
&lt;br&gt;overheid op om openheid over de locaties van de besmettingen en over
&lt;br&gt;de manier waarop binnen de ministeries van LNV en VWS vanaf 2007 met
&lt;br&gt;Q-koorts is omgegaan.
&lt;br&gt;&lt;br&gt;De geitenhouderij was de afgelopen jaren een van de weinige sectoren
&lt;br&gt;in de landbouw die groeide. Nederland kent sinds twintig jaar zo'n 360
&lt;br&gt;professionele geitenbedrijven met in totaal een geschat aantal van
&lt;br&gt;250.000 melkgeiten. Een derde van de dieren wordt gehouden in
&lt;br&gt;Noord-Brabant. Daarna volgen Gelderland, Overijssel en Limburg.
&lt;br&gt;&lt;br&gt;petitie: &lt;a href=&quot;http://www.partijvoordedieren.nl/content/view/453&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.partijvoordedieren.nl/content/view/453&lt;/a&gt;&lt;br&gt;bron: &amp;nbsp;&lt;a href=&quot;http://www.ravagedigitaal.org/2009nieuws/december/14/nws.php&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.ravagedigitaal.org/2009nieuws/december/14/nws.php&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;______________________________________________________
&lt;br&gt;* Verspreid via nettime-nl. Commercieel gebruik niet
&lt;br&gt;* toegestaan zonder toestemming. &amp;lt;nettime-nl&amp;gt; is een
&lt;br&gt;* open en ongemodereerde mailinglist over net-kritiek.
&lt;br&gt;* Meer info, archief &amp; anderstalige edities:
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&lt;br&gt;* Contact: Menno Grootveld (&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26758931&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;rabotnik@...&lt;/a&gt;).
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26757091</id>
	<title>Re: POLITIST, ADJECTIV in Artforum Top 10</title>
	<published>2009-12-12T04:07:22Z</published>
	<updated>2009-12-12T04:07:22Z</updated>
	<author>
		<name>| f | | | 3</name>
	</author>
	<content type="html">&lt;br&gt;On Dec 12, 2009, at 1:06 PM, &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26757091&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;pavilion@...&lt;/a&gt; wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; &amp;nbsp;(voci importante ale artei contemporane si filmului de arta)
&lt;br&gt;&lt;br&gt;&lt;br&gt;Nu te lasa Neo-Comunistule inconstient
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;gt; unul dintre cele mai bune 10 filme ale anului.
&lt;br&gt;&lt;br&gt;&amp;gt; O asemenea mentionare de catre Artforum
&lt;br&gt;&lt;br&gt;&lt;br&gt;'Dai seama daca nu faceau o asemenea mentionare
&lt;br&gt;&lt;br&gt;&lt;br&gt;The sun rises and sets
&lt;br&gt;And it returns to where it rises from.
&lt;br&gt;&lt;br&gt;The rivers flow to the sea
&lt;br&gt;but the sea does not fill up
&lt;br&gt;and the water flows back into the rivers.
&lt;br&gt;&lt;br&gt;All disappears and remains within
&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;gt; il plaseaza pe Corneliu Porumboiu in rindul artistilor contemporani &amp;nbsp;
&lt;br&gt;&amp;gt; romani de mare anvergura.
&lt;br&gt;&lt;br&gt;&lt;br&gt;Nu te lasa
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;gt; Bravo Cornel...
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; PAVILION - Journal for politics and culture
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Journal for Prostitution, Classification and Degradation
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;_______________________________________________
&lt;br&gt;Nettime-ro mailing list
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<entry>
	<id>tag:old.nabble.com,2006:post-26756619</id>
	<title>POLITIST, ADJECTIV in Artforum Top 10</title>
	<published>2009-12-12T03:06:07Z</published>
	<updated>2009-12-12T03:06:07Z</updated>
	<author>
		<name>PAVILION [contemporary art &amp; culture magazine]-2</name>
	</author>
	<content type="html">POLITIST, ADJECTIV filmul lui Corneliu Porumboiu a fost declarat de &amp;nbsp;
&lt;br&gt;ARTFORUM prin vocea lui Amy Taubin, James Quandt si Ian Birnie (voci &amp;nbsp;
&lt;br&gt;importante ale artei contemporane si filmului de arta) unul dintre &amp;nbsp;
&lt;br&gt;cele mai bune 10 filme ale anului. O asemenea mentionare de catre &amp;nbsp;
&lt;br&gt;Artforum il plaseaza pe Corneliu Porumboiu in rindul artistilor &amp;nbsp;
&lt;br&gt;contemporani romani de mare anvergura. Bravo Cornel...
&lt;br&gt;&lt;br&gt;PAVILION - Journal for politics and culture
&lt;br&gt;_______________________________________________
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<entry>
	<id>tag:old.nabble.com,2006:post-26753644</id>
	<title>Pilgrimage to the grave of Jean-Paul Sartre by a group of Nobel Peace Prize winners</title>
	<published>2009-12-11T16:29:15Z</published>
	<updated>2009-12-11T16:29:15Z</updated>
	<author>
		<name>Tjebbe van Tijen via Chello</name>
	</author>
	<content type="html">Pilgrimage to the grave of Jean-Paul Sartre by a group of Nobel Peace &amp;nbsp;
&lt;br&gt;Prize winners
&lt;br&gt;&lt;br&gt;Een tableaau vivant
&lt;br&gt;&lt;br&gt;Posted in Memorials: Tagged Afghan War, Henri Kissinger, Jean Paul &amp;nbsp;
&lt;br&gt;Sartre, Le Doc Tho, Mikhail Gorbachev, Obama, Nobel Peace Prize, &amp;nbsp;
&lt;br&gt;Simone de Beauvoir, Vietnam War.
&lt;br&gt;&lt;br&gt;Klik onderstaande link om het tableau te bezichtigen...
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://limpingmessenger.wordpress.com/2009/12/12/pilgrimage-to-the-&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://limpingmessenger.wordpress.com/2009/12/12/pilgrimage-to-the-&lt;/a&gt;&amp;nbsp;
&lt;br&gt;grave-of-jean-paul-sartre-by-a-group-of-peace-nobel-prize-winners/
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Tjebbe van Tijen
&lt;br&gt;Imaginary Museum Projects
&lt;br&gt;Dramatizing Historical Information
&lt;br&gt;&lt;a href=&quot;http://imaginarymuseum.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://imaginarymuseum.org&lt;/a&gt;&lt;br&gt;web-blog: The Limping Messenger
&lt;br&gt;&lt;a href=&quot;http://limpingmessenger.wordpress.com/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://limpingmessenger.wordpress.com/&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;______________________________________________________
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&lt;br&gt;* Contact: Menno Grootveld (&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26753644&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;rabotnik@...&lt;/a&gt;).
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26754926</id>
	<title>Rome- Communicative action in Solidarity with German students</title>
	<published>2009-12-11T15:35:32Z</published>
	<updated>2009-12-11T15:35:32Z</updated>
	<author>
		<name>claudia bernardi</name>
	</author>
	<content type="html">Today, during the national strike of education, thousands of students made
&lt;br&gt;demonstrations in several italian cities against cuts funding and claiming
&lt;br&gt;basic income and autonomy of research.
&lt;br&gt;&lt;br&gt;During the demonstration in Rome students shouted their solidarity to German
&lt;br&gt;students who have been evicted from university in the last week in different
&lt;br&gt;German cities. Above all in Frankfurt more than 170 students have been
&lt;br&gt;identified, five of them have been hit by police needing hospital aid, and
&lt;br&gt;all students have been denounced for illegal occupation.
&lt;br&gt;&lt;br&gt;After these facts students decided to express their solidarity showing a
&lt;br&gt;banner *in front of the Embassy of Germany that said &amp;quot;Make our university!
&lt;br&gt;solidarity with German students&amp;quot;* shouting that our struggle is a common
&lt;br&gt;one, we won't pay for your crisis, we want money for education now and we're
&lt;br&gt;already making our university!
&lt;br&gt;&lt;br&gt;See photos and news&amp;lt;&lt;a href=&quot;http://www.uniriot.org/uniriotII/index.php?option=com_content&amp;view=article&amp;id=1224:rome-communicative-action-in-solidarity-with-german-students&amp;catid=132:euniriot&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.uniriot.org/uniriotII/index.php?option=com_content&amp;view=article&amp;id=1224:rome-communicative-action-in-solidarity-with-german-students&amp;catid=132:euniriot&lt;/a&gt;&amp;gt;
&lt;br&gt;&lt;br&gt;*Speech of austrian students during the demonstration is coming..more info
&lt;br&gt;soon! &amp;nbsp; &amp;nbsp; www.uniriot.org
&lt;br&gt;*
&lt;br&gt;&lt;br&gt;&lt;br&gt;# &amp;nbsp;distributed via &amp;lt;nettime&amp;gt;: no commercial use without permission
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26748861</id>
	<title>Re: Paul Krugman: Taxing the Speculators ( - aka 'Tobin Tax')</title>
	<published>2009-12-11T09:22:54Z</published>
	<updated>2009-12-11T09:22:54Z</updated>
	<author>
		<name>Nicholas Ruiz III</name>
	</author>
	<content type="html">many thanks for your thoughts ...
&lt;br&gt;&lt;br&gt;...the Public Trust would function as an institutional market player for
&lt;br&gt;the purpose of financing public interests, so on the face of it, it would
&lt;br&gt;not engender what you describe as &amp;quot;everyone stealing from each other, in
&lt;br&gt;effect., and to an equal extent.&amp;quot;
&lt;br&gt;&lt;br&gt;I agree that the tax code needs revision. Many agree we should work to
&lt;br&gt;better the tax code for utilitarian purpose, even Warren Buffett:
&lt;br&gt;&lt;br&gt;(???He said rich people are not paying enough taxes,??? said Sen. Claire
&lt;br&gt;McCaskill (D-Mo.). ???It was interesting to see someone who is such an
&lt;br&gt;aggressive capitalist, who believes so much in our capitalist system,
&lt;br&gt;saying we???ve got the scales way too heavily toward people who are very,
&lt;br&gt;very wealthy.??? Buffett told lawmakers that because of the cuts to the
&lt;br&gt;capital gains tax passed under former President George W. Bush, he pays
&lt;br&gt;taxes at a lower rate than some of his company???s employees.) 
&lt;br&gt;&lt;br&gt;source:
&lt;br&gt;&lt;a href=&quot;http://thehill.com/homenews/senate/58129-buffett-to-meet-with-senate-dems&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://thehill.com/homenews/senate/58129-buffett-to-meet-with-senate-dems&lt;/a&gt;&lt;br&gt;&lt;br&gt;As for the scarcity of attention and competition for reception, the
&lt;br&gt;commercial media stranglehold on mass communication effectively ensures
&lt;br&gt;that ideas such as those of our own, or Nader's, Kucinich, etc. - will
&lt;br&gt;never be widely apprised by the public.
&lt;br&gt;&amp;nbsp;
&lt;br&gt;Until there is a threshold level of communicative freedom and reciprocity
&lt;br&gt;in the public arena, all of the views categorized as significantly
&lt;br&gt;progressive are bound to be marginalized by corporate orthodox media.
&lt;br&gt;Without a mainstream media outlet within which to communicate to the silent
&lt;br&gt;majorities, the dissemination problem remains intractable.
&lt;br&gt;&lt;br&gt;nick
&lt;br&gt;&lt;br&gt;----- Original Message ----
&lt;br&gt;from: Michael H Goldhaber &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26748861&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;mgoldh@...&lt;/a&gt;&amp;gt;
&lt;br&gt;to: Nicholas Ruiz III &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26748861&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;editor@...&lt;/a&gt;&amp;gt;
&lt;br&gt;cc: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26748861&amp;i=2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;nettime-l@...&lt;/a&gt;
&lt;br&gt;sent: Thu, December 10, 2009 6:32:43 PM
&lt;br&gt;subject: Re: &amp;lt;nettime&amp;gt; Paul Krugman: Taxing the Speculators ( - aka 'Tobin Tax')
&lt;br&gt;&lt;br&gt;Nicholas,
&lt;br&gt;&lt;br&gt;As I see it, the high earnings of some banks and hedge funds can be viewed
&lt;br&gt;as the modern (computerized) form of coin shaving, in effect stripping off
&lt;br&gt;other's wealth as those others attempt to profit . The sources (eventual
&lt;br&gt;losers) are &amp;nbsp;many pension funds , public and private, mutual funds,
&lt;br&gt;charitable foundation endowments, average stock investors, anyone who
&lt;br&gt;&amp;quot;saves&amp;quot; (very much including Chinese workers as well as investors),
&lt;br&gt;recycled petrodollars, university endowments, insurance funds and so on.
&lt;br&gt;More or less, the high earnings in are &amp;quot;robbing Peter to pay Paul.&amp;quot; And the
&lt;br&gt;&amp;nbsp;&amp;lt;...&amp;gt;
&lt;br&gt;&lt;br&gt;&lt;br&gt;# &amp;nbsp;distributed via &amp;lt;nettime&amp;gt;: no commercial use without permission
&lt;br&gt;# &amp;nbsp;&amp;lt;nettime&amp;gt; &amp;nbsp;is a moderated mailing list for net criticism,
&lt;br&gt;# &amp;nbsp;collaborative text filtering and cultural politics of the nets
&lt;br&gt;# &amp;nbsp;more info: &lt;a href=&quot;http://mail.kein.org/mailman/listinfo/nettime-l&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://mail.kein.org/mailman/listinfo/nettime-l&lt;/a&gt;&lt;br&gt;# &amp;nbsp;archive: &lt;a href=&quot;http://www.nettime.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org&lt;/a&gt;&amp;nbsp;contact: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26748861&amp;i=3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;nettime@...&lt;/a&gt;
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26758219</id>
	<title>&quot;I want to ask Jacques Derrida a question.&quot;</title>
	<published>2009-12-11T00:56:41Z</published>
	<updated>2009-12-11T00:56:41Z</updated>
	<author>
		<name>Alan Sondheim</name>
	</author>
	<content type="html">&amp;quot;I want to ask Jacques Derrida a question.&amp;quot;
&lt;br&gt;&lt;br&gt;&lt;br&gt;I want to ask Jacques Derrida a question.
&lt;br&gt;&lt;br&gt;It is question about death, not in particular his death.
&lt;br&gt;&lt;br&gt;But a question concerned with the aporia of death, not necessarily his
&lt;br&gt;own.
&lt;br&gt;&lt;br&gt;Such a question, which would have been possible several years ago, is no
&lt;br&gt;longer possible.
&lt;br&gt;&lt;br&gt;We are thrown back on the words of Jacques Derrida.
&lt;br&gt;&lt;br&gt;We are immured there.
&lt;br&gt;&lt;br&gt;It would have been simple: Jacques, here is what I want to know.
&lt;br&gt;&lt;br&gt;Do you have a minute of your time.
&lt;br&gt;&lt;br&gt;The body of Jacques Derrida still exists.
&lt;br&gt;&lt;br&gt;His body, phoric, carries the aporia.
&lt;br&gt;&lt;br&gt;The aporia is not his own, nor can he speak and return an unraveling.
&lt;br&gt;&lt;br&gt;Today, words are never set in stone, and questions go unanswered.
&lt;br&gt;&lt;br&gt;Today, questions disappear, and their occasion disappears.
&lt;br&gt;&lt;br&gt;The occasion of a question: a gap, as in a detective story.
&lt;br&gt;&lt;br&gt;As if the question were sutured by an answered, when in fact it is sutured
&lt;br&gt;by any reply at all.
&lt;br&gt;&lt;br&gt;An answer responds to a question; a reply responds to the occasion of a
&lt;br&gt;question.
&lt;br&gt;&lt;br&gt;I remember Jacques Derrida, and would have tapped him on the shoulder,
&lt;br&gt;saying, excuse me, but ...
&lt;br&gt;&lt;br&gt;There is an image I have of this tapping: the softness of his jacket, the
&lt;br&gt;slight giving away of the flesh beneath, and he turns towards me.
&lt;br&gt;&lt;br&gt;When I move my hands, everything is empty.
&lt;br&gt;&lt;br&gt;Jacques Derrida is a remnant of matter.
&lt;br&gt;&lt;br&gt;... &amp;quot;If death&amp;quot; ... &amp;quot;names the very irreplaceability of absolute
&lt;br&gt;singularity (no one can die in my place or in the place of the other),
&lt;br&gt;then all the _examples_ in the world can precisely illustrate this
&lt;br&gt;singularity. Everyone's death, the death of all those who can say 'my
&lt;br&gt;death,' is irreplaceable.&amp;quot; ... (Derrida, Aporias)
&lt;br&gt;&lt;br&gt;When I move my hands: when my hands are moved for me, are only moved for
&lt;br&gt;me: mise en scene, a scenario or occurrence, chora.
&lt;br&gt;&lt;br&gt;I do not collapse time, Jacques, in order to speak to you: I speak to
&lt;br&gt;you.
&lt;br&gt;&lt;br&gt;I do not collapse space, in order to speak: I touch you lightly on your
&lt;br&gt;shoulder, I wait until you turn around, your glance moves in my direction,
&lt;br&gt;momentarily you are caught up in my gaze, you hesitate whether or not to
&lt;br&gt;return your own, your reply to my question, you return such, as if such is
&lt;br&gt;returned, an exchange of gifts or misrecognition.
&lt;br&gt;&lt;br&gt;Of the good, there is the edge of a knife, and the fall which surrounds
&lt;br&gt;it; of the spoken, there is a comprehension, empathetic alignment, then
&lt;br&gt;nothing.
&lt;br&gt;&lt;br&gt;Of the spoken, the knife edge separates the question I give to Jacques as
&lt;br&gt;a gift, an awakening, and the reply which shatters after a particular
&lt;br&gt;time, calculable, unattainable.
&lt;br&gt;&lt;br&gt;Of the question: all questions are a permanence: It is impossible to
&lt;br&gt;answer a question.
&lt;br&gt;&lt;br&gt;Jacques turns; I look at his shoes. Thinking of Van Gogh, of Heidegger,
&lt;br&gt;of Jacques Derrida, I take several photographs. They are remnants, indices
&lt;br&gt;with lost referents; they are abject. I am silent; I say nothing to him,
&lt;br&gt;to Van Gogh, to Heidegger. Repeatedly I raise the camera; eye-level, I aim
&lt;br&gt;downward, towards an incalculable earth. The images, lost, are digital;
&lt;br&gt;they never were. Between one pixel and another, a hole, precisely the
&lt;br&gt;width of death.
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&lt;br&gt;# &amp;nbsp;&amp;lt;nettime&amp;gt; &amp;nbsp;is a moderated mailing list for net criticism,
&lt;br&gt;# &amp;nbsp;collaborative text filtering and cultural politics of the nets
&lt;br&gt;# &amp;nbsp;more info: &lt;a href=&quot;http://mail.kein.org/mailman/listinfo/nettime-l&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://mail.kein.org/mailman/listinfo/nettime-l&lt;/a&gt;&lt;br&gt;# &amp;nbsp;archive: &lt;a href=&quot;http://www.nettime.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org&lt;/a&gt;&amp;nbsp;contact: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26758219&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;nettime@...&lt;/a&gt;
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26758239</id>
	<title>Re: Carry On (was: Paul Krugman etc)</title>
	<published>2009-12-10T19:06:22Z</published>
	<updated>2009-12-10T19:06:22Z</updated>
	<author>
		<name>chad scov1lle</name>
	</author>
	<content type="html">There is a treasury bubble coming in USD.
&lt;br&gt;&lt;br&gt;/*&lt;a href=&quot;http://www(dot)chadscoville(dot)com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www(dot)chadscoville(dot)com&lt;/a&gt;&lt;br&gt;/* TWITTER &amp;gt;&amp;gt; ad3ptnanosec
&lt;br&gt;-----Original Message-----
&lt;br&gt;From: Brian Holmes [mailto:&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26758239&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;brian.holmes@...&lt;/a&gt;]
&lt;br&gt;Sent: Thursday, December 10, 2009 06:30 PM
&lt;br&gt;To: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26758239&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;nettime-l@...&lt;/a&gt;
&lt;br&gt;Subject: Carry On (was: Paul Krugman etc)
&lt;br&gt;&lt;br&gt;Nicholas Ruiz III wrote:&amp;gt; The new idea I suggest revolves around shares and
&lt;br&gt;derivative contracts&amp;gt; being issued to a Pubilc Trust, an active governmental
&lt;br&gt;trading&amp;gt; institution that would post all gains as income for the public etc
&lt;br&gt;&amp;nbsp;&amp;lt;...&amp;gt;
&lt;br&gt;&lt;br&gt;&lt;br&gt;# &amp;nbsp;distributed via &amp;lt;nettime&amp;gt;: no commercial use without permission
&lt;br&gt;# &amp;nbsp;&amp;lt;nettime&amp;gt; &amp;nbsp;is a moderated mailing list for net criticism,
&lt;br&gt;# &amp;nbsp;collaborative text filtering and cultural politics of the nets
&lt;br&gt;# &amp;nbsp;more info: &lt;a href=&quot;http://mail.kein.org/mailman/listinfo/nettime-l&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://mail.kein.org/mailman/listinfo/nettime-l&lt;/a&gt;&lt;br&gt;# &amp;nbsp;archive: &lt;a href=&quot;http://www.nettime.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.nettime.org&lt;/a&gt;&amp;nbsp;contact: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26758239&amp;i=2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;nettime@...&lt;/a&gt;
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-26737797</id>
	<title>Re: Paul Krugman: Taxing the Speculators ( - aka 'Tobin Tax')</title>
	<published>2009-12-10T15:32:43Z</published>
	<updated>2009-12-10T15:32:43Z</updated>
	<author>
		<name>Michael H Goldhaber</name>
	</author>
	<content type="html">Nicholas,
&lt;br&gt;&lt;br&gt;As I see it, the high earnings of some banks and hedge funds can be &amp;nbsp;
&lt;br&gt;viewed as the modern (computerized) form of coin shaving, in effect &amp;nbsp;
&lt;br&gt;stripping off other's wealth as those others attempt to profit . The &amp;nbsp;
&lt;br&gt;sources (eventual losers) are &amp;nbsp;many pension funds , public and &amp;nbsp;
&lt;br&gt;private, mutual funds, charitable foundation endowments, average stock &amp;nbsp;
&lt;br&gt;investors, anyone who &amp;quot;saves&amp;quot; (very much including Chinese workers as &amp;nbsp;
&lt;br&gt;well as investors), recycled petrodollars, university endowments, &amp;nbsp;
&lt;br&gt;insurance funds and so on. More or less, the high earnings in are &amp;nbsp;
&lt;br&gt;&amp;quot;robbing Peter to pay Paul.&amp;quot; And the high earners, at various times do &amp;nbsp;
&lt;br&gt;include funds of all these sorts as long as they have invested in the &amp;nbsp;
&lt;br&gt;right coin shavers of the moment. So there is in fact a partial &amp;nbsp;
&lt;br&gt;&amp;quot;Public Trust&amp;quot; already acting in the way you suggest, at times &amp;nbsp;at &amp;nbsp;
&lt;br&gt;least funding real jobs in education, health (through hospitals and &amp;nbsp;
&lt;br&gt;other charitable foundations who invest their endowments) and so on. &amp;nbsp; 
&lt;br&gt;The successful endowments of course compete with less successful one &amp;nbsp;
&lt;br&gt;or publicly funded entities for star professors, doctors, etc., &amp;nbsp;
&lt;br&gt;leading the res to to increase fees, find ways to cut corners, or hire &amp;nbsp;
&lt;br&gt;part-timers to seem competitive. (I've discussed much of this on my &amp;nbsp;
&lt;br&gt;Blog, in more detail &lt;a href=&quot;http://goldhaber.org/blog/?p=147&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://goldhaber.org/blog/?p=147&lt;/a&gt;&amp;nbsp; &amp;nbsp;&lt;a href=&quot;http://goldhaber.org/blog/?p=149&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://goldhaber.org/blog/?p=149&lt;/a&gt;&amp;nbsp;
&lt;br&gt;&amp;nbsp; &lt;a href=&quot;http://goldhaber.org/blog/?p=151&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://goldhaber.org/blog/?p=151&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://goldhaber.org/blog/?p=155&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://goldhaber.org/blog/?p=155&lt;/a&gt;&amp;nbsp;)
&lt;br&gt;&lt;br&gt;Meanwhile, as financial firms seem to be better at profit making than &amp;nbsp;
&lt;br&gt;say industrial ones, the latter compete by also trying to cut &amp;nbsp;
&lt;br&gt;corners, , moving jobs abroad, automating, lowering wages and &amp;nbsp;
&lt;br&gt;benefits, etc. the increasing inequality (domestically at least) then &amp;nbsp;
&lt;br&gt;puts pressure on private consumption (since higher &amp;quot;earners&amp;quot; tend to &amp;nbsp;
&lt;br&gt;&amp;quot;save&amp;quot; more). Financial firms themselves inevitably compete with each &amp;nbsp;
&lt;br&gt;other by taking ever-greater risks. The result is the sort of money &amp;nbsp;
&lt;br&gt;economy the US has had in the last couple of decades, with frequent &amp;nbsp;
&lt;br&gt;bubbles —which eventually burst — and more and more froth. When a &amp;nbsp;
&lt;br&gt;downturn occurs, public funds that have gone into supporting the &amp;nbsp;
&lt;br&gt;portion of institutions such as schools and hospitals &amp;nbsp;that have had &amp;nbsp;
&lt;br&gt;to compete with the well endowed ones are further imperiled —since &amp;nbsp;
&lt;br&gt;states are not allowed budget deficits, and increased taxes are made &amp;nbsp;
&lt;br&gt;to seem unpopular — leading to greater inequality, and so on.
&lt;br&gt;&lt;br&gt;I don't quite see how a smoother system of the sort you propose could &amp;nbsp;
&lt;br&gt;work, since it would mean everyone stealing from each other, in &amp;nbsp;
&lt;br&gt;effect., and to an equal extent. Krugman's suggestion of the Tobin &amp;nbsp;
&lt;br&gt;tax, if it were effective, would lessen the profits form speedy &amp;nbsp;
&lt;br&gt;transactions more than it would raise government revenues, I think It &amp;nbsp;
&lt;br&gt;would help limit inequality, but would not undo the damage of the last &amp;nbsp;
&lt;br&gt;thirty years, for which a wealth tax seems the best remedy as far as I &amp;nbsp;
&lt;br&gt;can see.
&lt;br&gt;&lt;br&gt;But the deeper problem is the growing scarcity of attention, and the &amp;nbsp;
&lt;br&gt;resultant heightened competition for it. Even the Wall St. traders who &amp;nbsp;
&lt;br&gt;rake in tens of millions or even several billion each year do not do &amp;nbsp;
&lt;br&gt;it so much for what the wealth will buy them as for the symbolic value &amp;nbsp;
&lt;br&gt;of looking good ot their peers, it would seem. Meanwhile competition &amp;nbsp;
&lt;br&gt;for attention through other channels escalates. Scholars, surgeons, &amp;nbsp;
&lt;br&gt;trial lawyers and others lust for stardom, and stardom also means high &amp;nbsp;
&lt;br&gt;incomes. (The kinds of public services such as education and medical &amp;nbsp;
&lt;br&gt;care that you emphasize are mostly ones that must offer attention to &amp;nbsp;
&lt;br&gt;ordinary citizens, which helps explain why they will stay unequal.) &amp;nbsp;
&lt;br&gt;Even those on the left who praise equality don't necessarily accept it &amp;nbsp;
&lt;br&gt;in practice, for you can be a star leftist (in a relatively small &amp;nbsp;
&lt;br&gt;arena, admittedly, but still an arena) . How the public good gets &amp;nbsp;
&lt;br&gt;supported when hyper-individualism rages is the real difficulty.
&lt;br&gt;&lt;br&gt;(There's also more about the attention economy &amp;nbsp;— as I define it— all &amp;nbsp;
&lt;br&gt;over my blog, of course. )
&lt;br&gt;&lt;br&gt;Best,
&lt;br&gt;Michael
&lt;br&gt;http:www.goldhaber.org
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&lt;br&gt;&lt;br&gt;&lt;br&gt;On Dec 10, 2009, at 7:31 AM, Nicholas Ruiz III wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; btw - my thought never extolled the 'virtue' of the Code, that was never
&lt;br&gt;&amp;gt; my assessment of it, I simply point to its metaphysical reality.
&lt;br&gt;&amp;nbsp;&amp;lt;...&amp;gt;
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<entry>
	<id>tag:old.nabble.com,2006:post-26737777</id>
	<title>Carry On (was: Paul Krugman etc)</title>
	<published>2009-12-10T15:30:54Z</published>
	<updated>2009-12-10T15:30:54Z</updated>
	<author>
		<name>brian.holmes@aliceadsl.fr</name>
	</author>
	<content type="html">Nicholas Ruiz III wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; The new idea I suggest revolves around shares and derivative contracts
&lt;br&gt;&amp;gt; being issued to a Pubilc Trust, an active governmental trading
&lt;br&gt;&amp;gt; institution that would post all gains as income for the public etc etc
&lt;br&gt;&lt;br&gt;In New York City in early 2008 we organized a Continental Drift session 
&lt;br&gt;at 16 Beaver where a critic of the financial markets, Henry C.K. Liu 
&lt;br&gt;whom you can read in the Asia Times, explained that the housing bubble 
&lt;br&gt;was going to be the last one. Why? Because in the logic of bubbles, each 
&lt;br&gt;one has to be bigger than the one before, and given that this one had 
&lt;br&gt;reached all the way down into the savings-and-borrowings of the lower 
&lt;br&gt;middle and working classes, it would be impossible to find more capital 
&lt;br&gt;than that, the whole cookie was in the oven and when it came out burnt a 
&lt;br&gt;new recipe would have to be found altogether. Henry C.K. Liu thought a 
&lt;br&gt;bunch of crazy artists were the perfect kind of people for the present 
&lt;br&gt;moment, cause they could think up something new while the old order was 
&lt;br&gt;tanking. Well, guess what? Due to the kinds of counter-cyclical policies 
&lt;br&gt;that every bureaucrat and monetary official gushes over at the beginning 
&lt;br&gt;of every TV interview (stimulus for Goldman Sachs &amp; co) it now appears 
&lt;br&gt;that the result of the mega-bubble of 2007-08 will be... a zmega-bubble, 
&lt;br&gt;this time in &amp;quot;global assets,&amp;quot; i.e. investment-quality whatever, as long 
&lt;br&gt;as its FAR AWAY.
&lt;br&gt;&lt;br&gt;It's called the carry trade, it used to go from Japan to Brazil and 
&lt;br&gt;Australia and now it goes from the US to points everywhere. It works 
&lt;br&gt;like this: to fight off the new Great Depression, interest rates in the 
&lt;br&gt;US are basically zero, once a little inflation is factored in anyway: so 
&lt;br&gt;you can borrow for free (zmegabanks only need apply). So what's a good 
&lt;br&gt;zmegatrader to do? Borrow in America and invest, not in Joe Schmo's 
&lt;br&gt;cement plant (which is in Thailand now anyway) but in any kind of asset 
&lt;br&gt;in a less troubled zone of the world economy where you can still get 
&lt;br&gt;five percent return or more. By doing this the added advantage is, all 
&lt;br&gt;these capital outflows drive down the value of the dollar, and as the 
&lt;br&gt;dollar goes down, the profit earned on your foreign asset increases with 
&lt;br&gt;the increased value of the foreign currency. People did this out of 
&lt;br&gt;deflation-prone Japan for ten or fifteen years, they got particularly 
&lt;br&gt;rich in Latin America because of the risk premium adding up to over ten 
&lt;br&gt;percent return on the free yen, and now it can be done on an even bigger 
&lt;br&gt;scale out of the USA with the free dollars. The massive bailouts, the 
&lt;br&gt;&amp;quot;quantitative easing&amp;quot; (i.e. liberal abuse of the printing press), all 
&lt;br&gt;that financial stimulus is getting poured into these easy opportunities 
&lt;br&gt;to make money on the interest-rate differential, plus whatever 
&lt;br&gt;speculative premium you can scrape up to boot. The limit comes either 
&lt;br&gt;when the US dollar gets so low that it can't go down anymore (cause it's 
&lt;br&gt;still by far the biggest economy of the world and the linchpin of the 
&lt;br&gt;whole system), or more ominously, when some kind of geopolitical crisis 
&lt;br&gt;occurs and there is a new &amp;quot;flight to safety&amp;quot; ie the greenback. Whatever 
&lt;br&gt;the cause, at some point sooner than later panic ensues and it's game 
&lt;br&gt;over all over again. Nouriel Roubini has written an important article in 
&lt;br&gt;the FT about this, called &amp;quot;The Mother of All Carry Trades,&amp;quot; and 
&lt;br&gt;experience shows, you gotta read Nouriel Roubini:
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://tinyurl.com/carry-trade&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://tinyurl.com/carry-trade&lt;/a&gt;&lt;br&gt;&lt;br&gt;So what does that mean for the average nettime-grade cultural critic? 
&lt;br&gt;That we should all go back to explaining the mystical Code of finance 
&lt;br&gt;capitalism and try to become Nicholas Ruiz the IV, V, or VI, ie that we 
&lt;br&gt;should all do like a good bourgeois according to Wallerstein, namely 
&lt;br&gt;invest and aspire to live off our rents and become an aristocrat? My 
&lt;br&gt;perspective is that instead of the boom-bust going on forever as it 
&lt;br&gt;seemed fated to in the 80s, it now looks as though the increasing scale 
&lt;br&gt;of each new crisis will bring about, A. major increases in the level of 
&lt;br&gt;social violence due to more and more people being trashed each time the 
&lt;br&gt;bubble bursts, and B. increasingly big returns on the 
&lt;br&gt;climate-contradiction, in the form of environmental disasters that will 
&lt;br&gt;contribute ever more to the major increases of A. What I find myself 
&lt;br&gt;increasingly drawn to in the moments when I have no energy for critical 
&lt;br&gt;analysis and social/environmental justice campaigns, is some kind of 
&lt;br&gt;science-fiction that could portray what things look like after a little 
&lt;br&gt;of that old ABABABA.
&lt;br&gt;&lt;br&gt;For example, let's not tax our poor heads too hard by looking more than 
&lt;br&gt;just one year into the future: Imagine that the Democrats totally lose 
&lt;br&gt;the mid-term elections due to Obama's obvious failure to do anything but 
&lt;br&gt;placate the financial elites - whatever, we can imagine he proposes a 
&lt;br&gt;Public Trust of bailout money invested in the carry trade to fix every 
&lt;br&gt;bridge, heal every sore, broken leg, broken heart and so on, but then at 
&lt;br&gt;the last minute, surprise surprise, because of a vote in the Senate it 
&lt;br&gt;turns out to be yet more Private Options for Goldman and J.P. Morgan and 
&lt;br&gt;the hedge funds - and so America swings back into some mounting rabid 
&lt;br&gt;Republican talk-radio fury, the carry-trade bubble bursts in our faces 
&lt;br&gt;and the Yellow Brick Road vanishes into the mud again, yet another ten 
&lt;br&gt;or fifteen percent of the middle classes are trashed, tuition at the 
&lt;br&gt;universities goes up 75%, the National Guard gets deployed around 
&lt;br&gt;hospitals to keep the uninsured at bay, a few cities get torched due to 
&lt;br&gt;the restiveness of the hungry and excluded, Sarah Palin starts 
&lt;br&gt;campaigning for Rogue of the Century, the Christian Fundamentalist 
&lt;br&gt;Family Bible finds a home under every Christmas Tree, fascist vigilantee 
&lt;br&gt;camo becomes THE patriotic outfit for the New Year, etc etc etc. 
&lt;br&gt;Whaddaya think? Time for an exit strategy? Maybe an earth divestment 
&lt;br&gt;fund? Quantum Lunar Escape anyone?
&lt;br&gt;&lt;br&gt;Actually I think I'll carry on with the critical analysis and the 
&lt;br&gt;social/environmental justice, but maybe with a greater sense of urgency. 
&lt;br&gt;Could it be that more same turbo-capitalism is not what we need in the 
&lt;br&gt;21st century?
&lt;br&gt;&lt;br&gt;good luck, Brian
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<entry>
	<id>tag:old.nabble.com,2006:post-26732590</id>
	<title>Re: Paul Krugman: Taxing the Speculators ( - aka 'Tobin Tax')</title>
	<published>2009-12-10T09:03:43Z</published>
	<updated>2009-12-10T09:03:43Z</updated>
	<author>
		<name>Matze Schmidt</name>
	</author>
	<content type="html">&amp;gt;&amp;gt; the earning potential of the Market
&lt;br&gt;&lt;br&gt;Interessting but not juicy: Britain is deep in horror (just like
&lt;br&gt;Iceland, just like Dubai) and constructing an special tax on bonuses of
&lt;br&gt;bankers, ALL bankers! But to interpret this in the right manner one
&lt;br&gt;has to keep in mind that not one atom of value is created by &amp;quot;the&amp;quot;
&lt;br&gt;market, markets are places for selling and buying for instance money.
&lt;br&gt;Sure, every plant needs fluent capital, liquid assets to get into
&lt;br&gt;operation but every single commodity in capitalism is done for realizing
&lt;br&gt;the value put into the commodity by labor. This _realizing_ is the
&lt;br&gt;market, but the value is appraised by the necessary values (practical
&lt;br&gt;value and exchange value) for getting the things (or services) produced.
&lt;br&gt;These values are based on other goods and services.
&lt;br&gt;&lt;br&gt;So Britain needs the money to get out of the trap, they probably have no
&lt;br&gt;other choice. But check out reality! There seems to be no state
&lt;br&gt;socialism in it nor any sand in the weels, it's the other way round:
&lt;br&gt;Those taxes will help to reinforce production of profit.
&lt;br&gt;&lt;br&gt;Matze Schmidt
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<entry>
	<id>tag:old.nabble.com,2006:post-26732555</id>
	<title>Re: Paul Krugman: Taxing the Speculators ( - aka 'Tobin Tax')</title>
	<published>2009-12-10T07:31:19Z</published>
	<updated>2009-12-10T07:31:19Z</updated>
	<author>
		<name>Nicholas Ruiz III</name>
	</author>
	<content type="html">btw - my thought never extolled the 'virtue' of the Code, that was never my
&lt;br&gt;assessment of it, I simply point to its metaphysical reality.
&lt;br&gt;&lt;br&gt;thanks for your thoughts.
&lt;br&gt;&lt;br&gt;To offer a brief sketch - The new idea I suggest revolves around shares and
&lt;br&gt;derivative contracts being issued to a Pubilc Trust, an active governmental
&lt;br&gt;trading institution that would post all gains as income for the public, in
&lt;br&gt;order to &amp;nbsp;contribute to the financing of public affairs (e.g. commodity
&lt;br&gt;subsidies, education, healthcare, etc.) Record trading profits, year after
&lt;br&gt;year, should not be exclusively available financial instutions without
&lt;br&gt;public obligations.
&lt;br&gt;&lt;br&gt;There are a multiplicity of ways that the Public Trust would work to
&lt;br&gt;support the holes created by elitist, sequestered speculation as it stands
&lt;br&gt;today. Many employees do have pensions and 401K plans. But they do not
&lt;br&gt;benefit from shorting activities associated with hedge funds, or derivative
&lt;br&gt;trading. Hence they become buyers of interests that are sellers on
&lt;br&gt;declines, and there is no balance where the public is always left holding
&lt;br&gt;the bag. The public, via its government, should be able to benefit in
&lt;br&gt;exactly the same way as the private speculator, and not simply be locked
&lt;br&gt;into long trades (e.g. within 401K plans, etc.) in stocks, hoping for an
&lt;br&gt;incline, when conditions are otherwise. It is not the case, at present,
&lt;br&gt;that all people benefit from the opportunity of speculation, because of the
&lt;br&gt;large capital requirements for successful trading. In fact, as a result,
&lt;br&gt;most speculative activity benefits only a few major players, thus
&lt;br&gt;furthering the income gap.
&lt;br&gt;&lt;br&gt;Foreclosures, gas prices at the pump (and green energy), a single payer
&lt;br&gt;healthcare system - all of these are examples of things that could be paid
&lt;br&gt;for and/or subsidized through the Public Trust.
&lt;br&gt;&lt;br&gt;nick
&lt;br&gt;&lt;br&gt;----- Original Message ----
&lt;br&gt;from: Brian Holmes &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26732555&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;brian.holmes@...&lt;/a&gt;&amp;gt;
&lt;br&gt;to: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=26732555&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;nettime-l@...&lt;/a&gt;
&lt;br&gt;sent: Wed, December 9, 2009 5:55:13 PM
&lt;br&gt;subject: Re: &amp;lt;nettime&amp;gt; Paul Krugman: Taxing the Speculators ( - aka 'Tobin Tax')
&lt;br&gt;&lt;br&gt;Nicholas Ruiz III wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; why not simply harness the earning potential of the Market
&lt;br&gt;&amp;gt; for the greater good?
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; In the US, we need to harness the power of the financial Market (i.e.
&lt;br&gt;&amp;gt; Wall Street) for the Public - as in a 10% issuance of public shares
&lt;br&gt;&amp;gt; of all publicly traded companies, and a 10% issuance of all tradable
&lt;br&gt;&amp;gt; derivatives (e.g. crude oil, gold, etc.) for the financing of public
&lt;br&gt;&amp;gt; interests (e.g. healthcare, education, social security, etc.).
&lt;br&gt;&lt;br&gt;A version of this argumentation has generally been trotted out during 
&lt;br&gt;the financial bubbles, just before the crashes, advertising the 
&lt;br&gt;potential of &amp;quot;popular investment&amp;quot; or the &amp;quot;shareholder's society.&amp;quot; &amp;nbsp;The 
&lt;br&gt;last time this argument was heard in the US was under Clinton before the 
&lt;br&gt;dot-com bust in which many middle-class people lost their savings or 
&lt;br&gt;their retirement. During Bush, no such argument was heard because the 
&lt;br&gt;sting of the last major expropriation was too close. So instead people 
&lt;br&gt;were encouraged to place their money in the most rock-solid investment 
&lt;br&gt;of all, their own house, now reconfigured as a speculative investment 
&lt;br&gt;vehicle. With the results that everyone has seen.
&lt;br&gt;&amp;nbsp;&amp;lt;...&amp;gt;
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