wait, wait, wait.. not to keep flogging a dead thread, but... why
must a composer exhaust their output in a genre before moving on to
another? can't you just start painting now, even in the midst of
writing the string quartets?
I understand single-mindedness, but I personally have always been
involved in so many styles/genres/instrumentation/media in both
serial and overlapping time frames in my life that I just thought it
normal artistic comportment. (Until, of course, I lost out in the
final few spots for the PhD program at Mr Lansky's deptartment a few
years ago. I was advised to "narrow my focus." Maybe that's just the
Princeton way? Can't do something while you're already doing
something else?)
__________________________
jonathan segel
jsegel-at-magneticmotorworks.com
etc.
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