Hans Aberg wrote:
On 6 Jul 2009, at 18:49, Francisco Vila wrote:
>> I'm assuming the middle section
>> should be in b-flat major instead of a-sharp major? if you wrap the
>> b-major
>> section with
>> \transpose ais' a' {
>> \relative {
>> \key b \major
>> ...
>> }
>> }
>
> This effectively transposes the music, I'd rather say \transpose ais
> bes { } to keep everything in its place.
Let me try:
The part is written A and should be transposed to be in Bb. So the
normal thing would be
\transpose bes a {
% part in A.
}
To get a 12-equal enharmonic equivalent transposition, one these
should be replaced with the enharmonic equivalent, for example A#
instead of Bb. So
\transpose ais a {
% part in A
}
Hans
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... which solves the B major part, but transposes f major to Fb major, which is even more horrible to read than a# major...
but while we are at it:
why don't \transpose and \relative cooperate the "normal" way an innocent musician might expect?
in similar cases i am getting single notes in the wrong octave, and the like...
is that a bug or a feature?
yours, arno
