Hey Brian,
Thanks for the article. I was actually reading it last week
in this months CMJ. Which is what started this whole thing.
It is good to have a pdf version of it.
Since we are all getting started on this stuff I was thinking
it would be interesting to share ideas and patches.
One of the main reasons I got in to trying to integrate
a LISP tools into my composition environment, was to explore
mapping computational processes onto musical parameters.
To have finer control of designing gestures and form.
I also want something that allows me to stay in the
realm of imagination, where I can easily spatialize forms
and envision relationships.
PWGL seems like it would be a good platform for this.
I would be curious to know what you guys are interested
in getting out of PWGL. Maybe we can combine our forces
and learn faster.
Anthony
---- dioioib <
brian.durocher@...> wrote: