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	<id>tag:old.nabble.com,2006:forum-536</id>
	<title>Nabble - TiMidity++ - General</title>
	<updated>2009-12-01T16:22:51Z</updated>
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<entry>
	<id>tag:old.nabble.com,2006:post-26602570</id>
	<title>Re: TImidity and SDL_mixer</title>
	<published>2009-12-01T16:22:51Z</published>
	<updated>2009-12-01T16:22:51Z</updated>
	<author>
		<name>Greg Lee-5</name>
	</author>
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On 11/30/2009 08:25 AM, Matthew wrote:
&lt;blockquote cite=&quot;mid:563842.25917.qm@web26604.mail.ukl.yahoo.com&quot; type=&quot;cite&quot;&gt;
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        &lt;br&gt;
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&lt;/blockquote&gt;
I don't know whether this is a clue.&amp;nbsp; Once, long ago, I adapted a
version of TiMidity to SDL.&amp;nbsp; My version of TiMidity was mostly adapted
from the original, but unlike the original and the current Timidity,
generated 5.1 sound.&amp;nbsp; I don't know whether the SDL_mixer reference is
to my code.&amp;nbsp; No one seemed much interested in 5.1 sound, either from
the SDL side or from the Timidity side, so I gave it up.&lt;br&gt;
&lt;br&gt;
Greg&lt;br&gt;
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<entry>
	<id>tag:old.nabble.com,2006:post-26579532</id>
	<title>TImidity and SDL_mixer</title>
	<published>2009-11-30T10:25:43Z</published>
	<updated>2009-11-30T10:25:43Z</updated>
	<author>
		<name>Matthew Marks</name>
	</author>
	<content type="html">&lt;table cellspacing=&quot;0&quot; cellpadding=&quot;0&quot; border=&quot;0&quot;&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; style=&quot;font: inherit;&quot;&gt;Hello.&amp;nbsp;
I've been using the pykaraoke player on Linux and finding that the noises it
makes are seriously wrong for certain tracks, whereas when played with
timidity on the command line they are fine.&amp;nbsp; It seems that different
instrument pattern files are being opened.&amp;nbsp; pykaraoke uses pygame which
in turn uses SDL_mixer which says that it uses &quot;an old version of
timidity&quot; before I gather it forked and Japanese developers took over.&lt;br&gt;&lt;br&gt;I
was wondering if it would be possible to update SDL_mixer to use a
later version of timidity.&amp;nbsp; I've emailed the three listed authors of
SDL_mixer and not (yet) had a reply, so would be very grateful if
anyone here could give me some advice as to what pitfalls I might
encounter if I look at the code and try to understand what's
involved.&amp;nbsp; I presume there must be a &quot;gotcha&quot; somewhere or SDL_mixer
would have continued to track timidity.&lt;br&gt;&lt;br&gt;Any clues would be welcome.&amp;nbsp; Many thanks.&lt;br&gt;&lt;br&gt;



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<entry>
	<id>tag:old.nabble.com,2006:post-26022664</id>
	<title>Strange Behavior with fluidr3_gm Soundfont</title>
	<published>2009-10-23T01:34:32Z</published>
	<updated>2009-10-23T01:34:32Z</updated>
	<author>
		<name>Starclopsofish</name>
	</author>
	<content type="html">Hi, I did a quick search and didn't see anything about this. When using Timidity with the fluidr3_gm soundfont, ALL drums, cymbals, etc. (I assume everything from channel 10) seems to be panned 100% to the left. Is this a known bug? I've observed this behavior on both Fedora 11 64 and Ubuntu Jaunty Jackalope 32, so I doubt its a configuration issue. 
&lt;br&gt;&lt;br&gt;Any help/insight would be greatly appreciated; thanks in advance.</content>
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<entry>
	<id>tag:old.nabble.com,2006:post-25625276</id>
	<title>Re: options to change reverb parameters</title>
	<published>2009-09-26T05:16:34Z</published>
	<updated>2009-09-26T05:16:34Z</updated>
	<author>
		<name>SATO Kentaro</name>
	</author>
	<content type="html">Hello,
&lt;br&gt;&lt;br&gt;2009/9/24 TAMUKI Shoichi &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=25625276&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;tamuki@...&lt;/a&gt;&amp;gt;:
&lt;br&gt;&amp;gt; Why don't you implement the new reverb parameters as the expansion of
&lt;br&gt;&amp;gt; -EFreverb (--ext=Freverb, --reverb) option? &amp;nbsp;For example:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;-EFreverb=action,level,scaleroom,offsetroom,predelay
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;-EFreverb=3,64,0.28,0.7,100
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;-EFreverb=3,,0.28,0.7
&lt;br&gt;&lt;br&gt;Looks tidy :)
&lt;br&gt;If it's OK to throw away a common extension to --reverb=*
&lt;br&gt;for the future, whensoever.
&lt;br&gt;&lt;br&gt;Regards,
&lt;br&gt;-- 
&lt;br&gt;Kentaro SATO
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<entry>
	<id>tag:old.nabble.com,2006:post-25590392</id>
	<title>Re: options to change reverb parameters</title>
	<published>2009-09-23T23:43:16Z</published>
	<updated>2009-09-23T23:43:16Z</updated>
	<author>
		<name>TAMUKI Shoichi</name>
	</author>
	<content type="html">Hello,
&lt;br&gt;&lt;br&gt;From: SATO Kentaro &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=25590392&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;kentaro@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Subject: [timidity-talk] options to change reverb parameters
&lt;br&gt;Date: Sun, 20 Sep 2009 22:50:35 +0900
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; Is there anyone feeling that the &amp;quot;new reverb&amp;quot; isn't strong enough or such?
&lt;br&gt;&amp;gt; I've written a patch that enables to modify some parameters of
&lt;br&gt;&amp;gt; the reverb from command line option,
&lt;br&gt;&amp;gt; but wondering if this should be merged into CVS or not.
&lt;br&gt;&amp;gt; Also not sure about the best way to specify the parameter,
&lt;br&gt;&amp;gt; by command line (already too many options!) or .cfg only, and their syntax.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; Anyway I post a patch here so that at least those who are interested can try.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; Thank you.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; - sample Windows binary:
&lt;br&gt;&amp;gt; &amp;nbsp; &lt;a href=&quot;http://www.ranvis.com/downloads/timidity-20090920-reverbopt.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.ranvis.com/downloads/timidity-20090920-reverbopt.zip&lt;/a&gt;&lt;br&gt;&amp;gt; - experimental options and initial values:
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; --freeverb=scaleroom,0.28
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; --freeverb=offsetroom,0.7
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; --reverb-predelay-factor=100
&lt;br&gt;&amp;gt; - roomsize = C * scaleroom + offsetroom
&lt;br&gt;&amp;gt; &amp;nbsp; where C is:
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; Room 1 &amp;nbsp; &amp;nbsp; &amp;nbsp;1.0
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; Room 2 &amp;nbsp; &amp;nbsp; &amp;nbsp;0.94
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; Room 3 &amp;nbsp; &amp;nbsp; &amp;nbsp;0.97
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; Hall 1 &amp;nbsp; &amp;nbsp; &amp;nbsp;0.90
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; Hall 2 &amp;nbsp; &amp;nbsp; &amp;nbsp;0.85
&lt;/div&gt;&lt;br&gt;Why don't you implement the new reverb parameters as the expansion of
&lt;br&gt;-EFreverb (--ext=Freverb, --reverb) option? &amp;nbsp;For example:
&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; -EFreverb=action,level,scaleroom,offsetroom,predelay
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; -EFreverb=3,64,0.28,0.7,100
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; -EFreverb=3,,0.28,0.7
&lt;br&gt;&lt;br&gt;Regards,
&lt;br&gt;TAMUKI Shoichi
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<entry>
	<id>tag:old.nabble.com,2006:post-25532026</id>
	<title>options to change reverb parameters</title>
	<published>2009-09-20T06:50:35Z</published>
	<updated>2009-09-20T06:50:35Z</updated>
	<author>
		<name>SATO Kentaro</name>
	</author>
	<content type="html">Hello,
&lt;br&gt;&lt;br&gt;Is there anyone feeling that the &amp;quot;new reverb&amp;quot; isn't strong enough or such?
&lt;br&gt;I've written a patch that enables to modify some parameters of
&lt;br&gt;the reverb from command line option,
&lt;br&gt;but wondering if this should be merged into CVS or not.
&lt;br&gt;Also not sure about the best way to specify the parameter,
&lt;br&gt;by command line (already too many options!) or .cfg only, and their syntax.
&lt;br&gt;&lt;br&gt;Anyway I post a patch here so that at least those who are interested can try.
&lt;br&gt;&lt;br&gt;Thank you.
&lt;br&gt;&lt;br&gt;- sample Windows binary:
&lt;br&gt;&amp;nbsp; &lt;a href=&quot;http://www.ranvis.com/downloads/timidity-20090920-reverbopt.zip&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.ranvis.com/downloads/timidity-20090920-reverbopt.zip&lt;/a&gt;&lt;br&gt;- experimental options and initial values:
&lt;br&gt;&amp;nbsp; &amp;nbsp; --freeverb=scaleroom,0.28
&lt;br&gt;&amp;nbsp; &amp;nbsp; --freeverb=offsetroom,0.7
&lt;br&gt;&amp;nbsp; &amp;nbsp; --reverb-predelay-factor=100
&lt;br&gt;- roomsize = C * scaleroom + offsetroom
&lt;br&gt;&amp;nbsp; where C is:
&lt;br&gt;&amp;nbsp; &amp;nbsp; Room 1 &amp;nbsp; &amp;nbsp; &amp;nbsp;1.0
&lt;br&gt;&amp;nbsp; &amp;nbsp; Room 2 &amp;nbsp; &amp;nbsp; &amp;nbsp;0.94
&lt;br&gt;&amp;nbsp; &amp;nbsp; Room 3 &amp;nbsp; &amp;nbsp; &amp;nbsp;0.97
&lt;br&gt;&amp;nbsp; &amp;nbsp; Hall 1 &amp;nbsp; &amp;nbsp; &amp;nbsp;0.90
&lt;br&gt;&amp;nbsp; &amp;nbsp; Hall 2 &amp;nbsp; &amp;nbsp; &amp;nbsp;0.85
&lt;br&gt;&lt;br&gt;&lt;br&gt;P.S. For a few days I would be able to apply a patch or two to CVS.
&lt;br&gt;Please drop a code to &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=25532026&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;kentaro@...&lt;/a&gt;
&lt;br&gt;with a brief description for changelog.
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;Kentaro SATO
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<entry>
	<id>tag:old.nabble.com,2006:post-25324129</id>
	<title>Re: combined diff for various mixing pop-related bug fixes</title>
	<published>2009-09-06T19:15:40Z</published>
	<updated>2009-09-06T19:15:40Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">On Sun, 6 Sep 2009, A. Zimmer wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; &amp;gt; I have attached a diff that replaces the diff I sent earlier today, and
&lt;br&gt;&amp;gt; &amp;gt; fixes the other anti-popping measure I wrote many years ago as well.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Will these changes be going into CVS? &amp;nbsp;I'd rather download the entire
&lt;br&gt;&amp;gt; source from CVS than patch individual files.
&lt;br&gt;&lt;br&gt;I don't have CVS access, and since I haven't been active in development in
&lt;br&gt;a while, I don't know who the current maintainer is (or I would send the
&lt;br&gt;patch directly to him/her).
&lt;br&gt;&lt;br&gt;Would whoever usually commits patches to CVS contact me with their email
&lt;br&gt;address, so that I can send them patches directly in the future?
&lt;br&gt;&lt;br&gt;In the meantime, there is only the single mix.c file to patch, so just
&lt;br&gt;'cp -a' it to a backup filename, apply the patch, recompile, and you
&lt;br&gt;should be pop-free until the patch makes it into CVS.
&lt;br&gt;&lt;br&gt;-Eric
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<entry>
	<id>tag:old.nabble.com,2006:post-25323562</id>
	<title>Re: combined diff for various mixing pop-related bug fixes</title>
	<published>2009-09-06T17:22:45Z</published>
	<updated>2009-09-06T17:22:45Z</updated>
	<author>
		<name>A. Zimmer</name>
	</author>
	<content type="html">On Sun, 6 Sep 2009 18:57:40 -0500 (CDT)
&lt;br&gt;Eric Welsh &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=25323562&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;ewelsh@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; I have attached a diff that replaces the diff I sent earlier today, and
&lt;br&gt;&amp;gt; fixes the other anti-popping measure I wrote many years ago as well.
&lt;br&gt;&lt;br&gt;Will these changes be going into CVS? &amp;nbsp;I'd rather download the entire
&lt;br&gt;source from CVS than patch individual files.
&lt;br&gt;&lt;br&gt;Andrew Zimmer
&lt;br&gt;&lt;br&gt;&lt;br&gt;------------------------------------------------------------------------------
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<entry>
	<id>tag:old.nabble.com,2006:post-25323378</id>
	<title>combined diff for various mixing pop-related bug fixes</title>
	<published>2009-09-06T16:57:40Z</published>
	<updated>2009-09-06T16:57:40Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">mix.c: next_stage(), compute_mix_smoothing()
&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp;Added new and corrected old volume-ramp related anti-popping measures.
&lt;br&gt;&amp;nbsp; &amp;nbsp;All volume ramps, whether from pans, expression/volume changes, or
&lt;br&gt;&amp;nbsp; &amp;nbsp;non-attack envelopes, now occur over a minimum window of 20 msec
&lt;br&gt;&amp;nbsp; &amp;nbsp;(incorrectly commented as 0.5 msec in previous versions).
&lt;br&gt;&lt;br&gt;Earlier today, I sent a bug fix for instruments with too-short release
&lt;br&gt;envelopes. &amp;nbsp;In looking over some of the other envelope-related code I had
&lt;br&gt;written in the past, I noticed that I had forgotten to take the
&lt;br&gt;&amp;quot;control_ratio&amp;quot; variable (playback rate / samples per second) into
&lt;br&gt;account. &amp;nbsp;At -s 44100 and the default 1000 controls per second,
&lt;br&gt;control_ratio = 44. &amp;nbsp;Thus, all of my previous comments of 0.5 msec were
&lt;br&gt;incorrect, and timidity was actually using an effective amp ramp window of
&lt;br&gt;22 msec. &amp;nbsp;Worse yet, the window length (in time) would change with
&lt;br&gt;different playback sampling rates. &amp;nbsp;While it was difficult to measure in
&lt;br&gt;previous examples of pan-related and rapid volume-related popping, the new
&lt;br&gt;release-related popping was easy to visualize and measure in a WAV editor.
&lt;br&gt;What I thought was 0.5 msec in the code before was indeed 22 msec in
&lt;br&gt;reality :(
&lt;br&gt;&lt;br&gt;I also noticed some possible problems with the envelope-related patch I
&lt;br&gt;sent earlier today and fixed them.
&lt;br&gt;&lt;br&gt;I have attached a diff that replaces the diff I sent earlier today, and
&lt;br&gt;fixes the other anti-popping measure I wrote many years ago as well.
&lt;br&gt;Rather than use 22 msec, I shortened it to a nice round 20 msec. &amp;nbsp;Audibly,
&lt;br&gt;the popping test midi I have sound the same as the prior incorrect
&lt;br&gt;implementation. &amp;nbsp;Reducing the window to 15 msec causes definate pops, so I
&lt;br&gt;think 20 msec is as short as it can reasonably go.
&lt;br&gt;&lt;br&gt;-Eric&lt;br /&gt;*** mix.c.orig	Mon Jan 23 03:07:44 2006
&lt;br&gt;--- mix.c	Sun Sep &amp;nbsp;6 18:49:40 2009
&lt;br&gt;***************
&lt;br&gt;*** 1628,1634 ****
&lt;br&gt;&amp;nbsp; {
&lt;br&gt;&amp;nbsp; 	int stage, ch, eg_stage;
&lt;br&gt;&amp;nbsp; 	int32 offset, val;
&lt;br&gt;! 	FLOAT_T rate;
&lt;br&gt;&amp;nbsp; 	Voice *vp = &amp;voice[v];
&lt;br&gt;&amp;nbsp; 
&lt;br&gt;&amp;nbsp; 	stage = vp-&amp;gt;envelope_stage++;
&lt;br&gt;--- 1628,1634 ----
&lt;br&gt;&amp;nbsp; {
&lt;br&gt;&amp;nbsp; 	int stage, ch, eg_stage;
&lt;br&gt;&amp;nbsp; 	int32 offset, val;
&lt;br&gt;! 	FLOAT_T rate, temp_rate;
&lt;br&gt;&amp;nbsp; 	Voice *vp = &amp;voice[v];
&lt;br&gt;&amp;nbsp; 
&lt;br&gt;&amp;nbsp; 	stage = vp-&amp;gt;envelope_stage++;
&lt;br&gt;***************
&lt;br&gt;*** 1641,1646 ****
&lt;br&gt;--- 1641,1660 ----
&lt;br&gt;&amp;nbsp; 	/* there is some difference between GUS patch and Soundfont at envelope. */
&lt;br&gt;&amp;nbsp; 	eg_stage = get_eg_stage(v, stage);
&lt;br&gt;&amp;nbsp; 
&lt;br&gt;+ 	/* HACK -- force ramps to occur over 20 msec windows to avoid pops */
&lt;br&gt;+ 	/* Do not apply to attack envelope */
&lt;br&gt;+ 	if (eg_stage &amp;gt; EG_ATTACK)
&lt;br&gt;+ 	{
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;temp_rate = control_ratio * (labs(vp-&amp;gt;envelope_volume - offset) /
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;	 &amp;nbsp; &amp;nbsp;	(play_mode-&amp;gt;rate * 0.02));
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;if (temp_rate &amp;lt; 1)
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;	temp_rate = 1;
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;if (rate &amp;lt; 0)
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;	temp_rate = -temp_rate;
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;if (fabs(temp_rate) &amp;lt; fabs(rate))
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;	rate = temp_rate;
&lt;br&gt;+ 	}
&lt;br&gt;+ 
&lt;br&gt;&amp;nbsp; 	/* envelope generator (see also playmidi.[ch]) */
&lt;br&gt;&amp;nbsp; 	if (ISDRUMCHANNEL(ch))
&lt;br&gt;&amp;nbsp; 		val = (channel[ch].drums[vp-&amp;gt;note] != NULL)
&lt;br&gt;***************
&lt;br&gt;*** 1708,1713 ****
&lt;br&gt;--- 1722,1742 ----
&lt;br&gt;&amp;nbsp; 		} else if (rate &amp;lt; 1) {rate = &amp;nbsp;1;}	/* slowest attack */
&lt;br&gt;&amp;nbsp; 	}
&lt;br&gt;&amp;nbsp; 
&lt;br&gt;+ 	/* HACK -- force ramps to occur over 20 msec windows to avoid pops */
&lt;br&gt;+ 	/* Do not apply to attack envelope */
&lt;br&gt;+ 	/* Must check again in case the above conditions shortened it */
&lt;br&gt;+ 	if (eg_stage &amp;gt; EG_ATTACK)
&lt;br&gt;+ 	{
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;temp_rate = control_ratio * (labs(vp-&amp;gt;envelope_volume - offset) /
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;	 &amp;nbsp; &amp;nbsp;	(play_mode-&amp;gt;rate * 0.02));
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;if (temp_rate &amp;lt; 1)
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;	temp_rate = 1;
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;if (rate &amp;lt; 0)
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;	temp_rate = -temp_rate;
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;if (fabs(temp_rate) &amp;lt; fabs(rate))
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;	rate = temp_rate;
&lt;br&gt;+ 	}
&lt;br&gt;+ 
&lt;br&gt;&amp;nbsp; 	vp-&amp;gt;envelope_increment = (int32)rate;
&lt;br&gt;&amp;nbsp; 	vp-&amp;gt;envelope_target = offset;
&lt;br&gt;&amp;nbsp; 
&lt;br&gt;***************
&lt;br&gt;*** 1845,1853 ****
&lt;br&gt;&amp;nbsp; #endif
&lt;br&gt;&amp;nbsp; {
&lt;br&gt;&amp;nbsp; 	int32 max_win, delta;
&lt;br&gt;! 	
&lt;br&gt;! 	/* reduce popping -- ramp the amp over a &amp;lt;= 0.5 msec window */
&lt;br&gt;! 	max_win = play_mode-&amp;gt;rate * 0.0005;
&lt;br&gt;&amp;nbsp; 	delta = FROM_FINAL_VOLUME(vp-&amp;gt;left_mix) - vp-&amp;gt;old_left_mix;
&lt;br&gt;&amp;nbsp; 	if (labs(delta) &amp;gt; max_win) {
&lt;br&gt;&amp;nbsp; 		vp-&amp;gt;left_mix_inc = delta / max_win;
&lt;br&gt;--- 1874,1882 ----
&lt;br&gt;&amp;nbsp; #endif
&lt;br&gt;&amp;nbsp; {
&lt;br&gt;&amp;nbsp; 	int32 max_win, delta;
&lt;br&gt;! 
&lt;br&gt;! 	/* reduce popping -- ramp the amp over a 20 msec window */
&lt;br&gt;! 	max_win = (play_mode-&amp;gt;rate * 0.02) / control_ratio;
&lt;br&gt;&amp;nbsp; 	delta = FROM_FINAL_VOLUME(vp-&amp;gt;left_mix) - vp-&amp;gt;old_left_mix;
&lt;br&gt;&amp;nbsp; 	if (labs(delta) &amp;gt; max_win) {
&lt;br&gt;&amp;nbsp; 		vp-&amp;gt;left_mix_inc = delta / max_win;
&lt;br&gt;&lt;br /&gt;------------------------------------------------------------------------------
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<entry>
	<id>tag:old.nabble.com,2006:post-25321563</id>
	<title>Re: Clicking Noise On Some SoundFonts (bug fix: patch attached)</title>
	<published>2009-09-06T13:25:21Z</published>
	<updated>2009-09-06T13:25:21Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">On Sat, 29 Aug 2009, A. Zimmer wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; From: Eric Welsh &amp;lt;ewelsh@bi...&amp;gt; - 2009-08-28 03:56
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Adding a decent release envelope solved the problem. This is not a
&lt;br&gt;&amp;gt; &amp;gt; problem with timidity, but a problem with the instrument not having any
&lt;br&gt;&amp;gt; &amp;gt; kind of sane envelope.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Using the swami soundfont editor (&lt;a href=&quot;http://swami.resonance.org/trac&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://swami.resonance.org/trac&lt;/a&gt;) I can
&lt;br&gt;&amp;gt; also modify the volume envelope release value and eliminate the clicking
&lt;br&gt;&amp;gt; noise.
&lt;br&gt;&lt;br&gt;I have attached a reasonably proper (I think) fix for the problem. &amp;nbsp;Rather
&lt;br&gt;than deal with it during instrument loading, or checking to be sure that
&lt;br&gt;envelope values get set to reasonable parameters in the first place, I
&lt;br&gt;went to the lowest level of the problem and fixed it directly in the
&lt;br&gt;mixing routines. &amp;nbsp;Now, any envelope ramp (from starting volume to final
&lt;br&gt;ending volume) MUST take place over a minimum of 0.5 msec. &amp;nbsp;This should
&lt;br&gt;gaurantee that the problem is solved even for unforseen combinations of
&lt;br&gt;envelope settings in the future. &amp;nbsp;The problematic recorder sounds much
&lt;br&gt;much better now :)
&lt;br&gt;&lt;br&gt;&amp;gt; However, using swami to take a quick survey of the many SF2 soundfonts
&lt;br&gt;&amp;gt; that I have gathered from the Web, I discover that perhaps the majority
&lt;br&gt;&amp;gt; of them have a near zero release value set. &amp;nbsp;All these fonts should
&lt;br&gt;&amp;gt; therefore cause problems with Timididty++, but as I have indicated
&lt;br&gt;&amp;gt; previously, they will not cause problems with the fluidsynth software
&lt;br&gt;&amp;gt; synthesizer. &amp;nbsp;So, is the assessment that these soundfonts lack a
&lt;br&gt;&amp;gt; &amp;quot;sane envelope&amp;quot; really a correct one?
&lt;br&gt;&lt;br&gt;TiMidity was originally written to use GUS pats. &amp;nbsp;There are several
&lt;br&gt;kludges and lots of comments with ?? that deal with specific weirdness in
&lt;br&gt;GUS pats. &amp;nbsp;I have been using TiMidity since around 1996, since before SF2
&lt;br&gt;files, and have edited many many instrument files from all sorts of
&lt;br&gt;different sources. &amp;nbsp;My memory is a little fuzzy on pre-PAT formats, such
&lt;br&gt;as instruments from Kurzweil, Roland, and Yamaha synthesizer disks, but I
&lt;br&gt;seem to remember all of them having reasonable release envelopes. &amp;nbsp;So, up
&lt;br&gt;until SF2 files, most digital instruments had reasonable envelope
&lt;br&gt;parameters. &amp;nbsp;Then there was a flood of SF2 instruments, many of which had
&lt;br&gt;either no envelopes at all, or really strange envelopes. &amp;nbsp;From my
&lt;br&gt;(relatively ancient) perspective, these SF2 files have broken envelopes.
&lt;br&gt;&lt;br&gt;While I still maintain that the SF2 files are broken, as several people
&lt;br&gt;have pointed out, TiMidity should still be able to deal with it and at
&lt;br&gt;least avoid generating popping sounds. &amp;nbsp;I totally agree ... there was just
&lt;br&gt;a large energy barrier to digging back into the TiMidity source code after
&lt;br&gt;several years of inactivity....
&lt;br&gt;&lt;br&gt;The patch was generated off a not-current version of mix.c. &amp;nbsp;If the patch
&lt;br&gt;offsets are too far off, or the file has changed too much from the current
&lt;br&gt;version (which I think is unlikely), the patch is within the next_stage(int v)
&lt;br&gt;function, and it should be fairly obvious where to insert the new code
&lt;br&gt;given the surrounding code chunks in the patch.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;If I could ever get the softsynth to compile and run properly in Windows,
&lt;br&gt;I'd fix some XG SYSEX event handling problems too.... &amp;nbsp;The normal midi
&lt;br&gt;file playing routines already have fixes for the issue, but they never
&lt;br&gt;made it into the realtime synth routines. &amp;nbsp;Does anybody have any
&lt;br&gt;experience getting the realtime softsynth to compile and run under
&lt;br&gt;Windows?
&lt;br&gt;&lt;br&gt;-Eric&lt;br /&gt;*** mix.c.orig	Mon Jan 23 03:07:44 2006
&lt;br&gt;--- mix.c	Sun Sep &amp;nbsp;6 14:41:41 2009
&lt;br&gt;***************
&lt;br&gt;*** 1628,1634 ****
&lt;br&gt;&amp;nbsp; {
&lt;br&gt;&amp;nbsp; 	int stage, ch, eg_stage;
&lt;br&gt;&amp;nbsp; 	int32 offset, val;
&lt;br&gt;! 	FLOAT_T rate;
&lt;br&gt;&amp;nbsp; 	Voice *vp = &amp;voice[v];
&lt;br&gt;&amp;nbsp; 
&lt;br&gt;&amp;nbsp; 	stage = vp-&amp;gt;envelope_stage++;
&lt;br&gt;--- 1628,1634 ----
&lt;br&gt;&amp;nbsp; {
&lt;br&gt;&amp;nbsp; 	int stage, ch, eg_stage;
&lt;br&gt;&amp;nbsp; 	int32 offset, val;
&lt;br&gt;! 	FLOAT_T rate, temp_rate;
&lt;br&gt;&amp;nbsp; 	Voice *vp = &amp;voice[v];
&lt;br&gt;&amp;nbsp; 
&lt;br&gt;&amp;nbsp; 	stage = vp-&amp;gt;envelope_stage++;
&lt;br&gt;***************
&lt;br&gt;*** 1637,1642 ****
&lt;br&gt;--- 1637,1651 ----
&lt;br&gt;&amp;nbsp; 	if (vp-&amp;gt;envelope_volume == offset
&lt;br&gt;&amp;nbsp; 			|| (stage &amp;gt; EG_GUS_SUSTAIN &amp;&amp; vp-&amp;gt;envelope_volume &amp;lt; offset))
&lt;br&gt;&amp;nbsp; 		return recompute_envelope(v);
&lt;br&gt;+ 
&lt;br&gt;+ 	/* HACK -- force ramps to occur over 0.5 msec windows to avoid pops */
&lt;br&gt;+ 	temp_rate = labs(vp-&amp;gt;envelope_volume - offset) /
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;	 &amp;nbsp; &amp;nbsp;	(play_mode-&amp;gt;rate * 0.0005);
&lt;br&gt;+ 	if (temp_rate &amp;lt; 1)
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;temp_rate = 1;
&lt;br&gt;+ 	if (temp_rate &amp;lt; rate)
&lt;br&gt;+ 	 &amp;nbsp; &amp;nbsp;rate = temp_rate;
&lt;br&gt;+ 
&lt;br&gt;&amp;nbsp; 	ch = vp-&amp;gt;channel;
&lt;br&gt;&amp;nbsp; 	/* there is some difference between GUS patch and Soundfont at envelope. */
&lt;br&gt;&amp;nbsp; 	eg_stage = get_eg_stage(v, stage);
&lt;br&gt;&lt;br /&gt;------------------------------------------------------------------------------
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<entry>
	<id>tag:old.nabble.com,2006:post-25206623</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-29T14:45:46Z</published>
	<updated>2009-08-29T14:45:46Z</updated>
	<author>
		<name>A. Zimmer</name>
	</author>
	<content type="html">From: Eric Welsh &amp;lt;ewelsh@bi...&amp;gt; - 2009-08-28 03:56
&lt;br&gt;&lt;br&gt;&amp;gt; Adding a decent release envelope solved the problem. This is not a
&lt;br&gt;&amp;gt; problem with timidity, but a problem with the instrument not having any
&lt;br&gt;&amp;gt; kind of sane envelope. 
&lt;br&gt;&lt;br&gt;Using the swami soundfont editor (&lt;a href=&quot;http://swami.resonance.org/trac&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://swami.resonance.org/trac&lt;/a&gt;) I can
&lt;br&gt;also modify the volume envelope release value and eliminate the clicking
&lt;br&gt;noise.
&lt;br&gt;&lt;br&gt;However, using swami to take a quick survey of the many SF2 soundfonts
&lt;br&gt;that I have gathered from the Web, I discover that perhaps the majority
&lt;br&gt;of them have a near zero release value set. &amp;nbsp;All these fonts should
&lt;br&gt;therefore cause problems with Timididty++, but as I have indicated
&lt;br&gt;previously, they will not cause problems with the fluidsynth software
&lt;br&gt;synthesizer. &amp;nbsp;So, is the assessment that these soundfonts lack a
&lt;br&gt;&amp;quot;sane envelope&amp;quot; really a correct one?
&lt;br&gt;&lt;br&gt;&lt;br&gt;------------------------------------------------------------------------------
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<entry>
	<id>tag:old.nabble.com,2006:post-25200215</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-28T22:40:46Z</published>
	<updated>2009-08-28T22:40:46Z</updated>
	<author>
		<name>A. Zimmer</name>
	</author>
	<content type="html">&lt;br&gt;On Thu, Aug 27, 2009 at 10:56 PM, Eric Welsh&amp;lt;ewelsh@bi...&amp;gt; wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; Adding a decent release envelope solved the problem. &amp;nbsp;This is not a
&lt;br&gt;&amp;gt; problem with timidity, but a problem with the instrument not having any
&lt;br&gt;&amp;gt; kind of sane envelope.
&lt;br&gt;&lt;br&gt;I, too, have eliminated the popping sound by altering the timidity.cfg
&lt;br&gt;file to include an envelope release parameter for the soundfont.
&lt;br&gt;&lt;br&gt;But if Timidity++ is not at fault, then how is fluidsynth able to
&lt;br&gt;render without the popping noise using the same soundfont?
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://fluidsynth.resonance.org/trac&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://fluidsynth.resonance.org/trac&lt;/a&gt;&lt;br&gt;&lt;br&gt;Using fluidsynth and the same midi and soundfont does not produce
&lt;br&gt;the popping noise while using Timidity++ does produce the noise.
&lt;br&gt;&lt;br&gt;It seems Timiditiy++ has been written primarily to handle PAT fonts.
&lt;br&gt;A later addition allowed the use of SF2 fonts but there apparently
&lt;br&gt;is some difficulty.
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<entry>
	<id>tag:old.nabble.com,2006:post-25199962</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-28T21:27:53Z</published>
	<updated>2009-08-28T21:27:53Z</updated>
	<author>
		<name>A. Zimmer</name>
	</author>
	<content type="html">Hello,
&lt;br&gt;&lt;br&gt;The original message about the clicking noise with some SF2 soundfonts
&lt;br&gt;was posted about 8-12 months ago. &amp;nbsp;Since that time, with no replies,
&lt;br&gt;the links have died.
&lt;br&gt;&lt;br&gt;Here are the files re-posted to a new location.
&lt;br&gt;&lt;br&gt;MP3 example of clicking noise with a Timidity++ rendered midi file.
&lt;br&gt;(Note: This is a microtonal composition, so if the tuning sounds a bit
&lt;br&gt;off it is deliberate.):
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://home.comcast.net/~frank.peters/beatgen.mp3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://home.comcast.net/~frank.peters/beatgen.mp3&lt;/a&gt;&amp;nbsp;(MP3 file is about 3.4 Mb)
&lt;br&gt;&lt;br&gt;The midi file:
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://home.comcast.net/~frank.peters/beatgen.mid&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://home.comcast.net/~frank.peters/beatgen.mid&lt;/a&gt;&lt;br&gt;&lt;br&gt;The SF2 soundfont used:
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://home.comcast.net/~frank.peters/WT_Clarinet.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://home.comcast.net/~frank.peters/WT_Clarinet.sf2&lt;/a&gt;&amp;nbsp;(SF2 file is about 330 kB)
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<entry>
	<id>tag:old.nabble.com,2006:post-25197002</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-28T14:06:23Z</published>
	<updated>2009-08-28T14:06:23Z</updated>
	<author>
		<name>bvdp</name>
	</author>
	<content type="html">&lt;br&gt;&lt;div class=&quot;gmail_quote&quot;&gt;&lt;blockquote class=&quot;gmail_quote&quot; style=&quot;border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;&quot;&gt;
Yeah, I guess you&amp;#39;re right.  Behavior I would want as a &amp;quot;power user&amp;quot;&lt;br&gt;
probably isn&amp;#39;t the best thing for the average user....  I&amp;#39;ll take a look&lt;br&gt;
over the code and see where I could most easily insert some sort of&lt;br&gt;
release envelope check.  It would default to the minimal time required to&lt;br&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;br&gt;Just a thought ... instead of changing anything in what Timidity does, would a warning message be more appropriate? Something like the existing messages about no-such-font, etc. along with a short suggestion on how to fix? &lt;br clear=&quot;all&quot;&gt;
&lt;/div&gt;&lt;/div&gt;&lt;br&gt;Also, I&amp;#39;m a bit dismayed that no development is being done anymore with this fine package. I find that it is very handy to use timidity for bulk midi-to-wav conversions. I don&amp;#39;t know of any other command line programs which do this at all ... maybe if there are some I&amp;#39;d not be quite as dismayed?&lt;br&gt;
&lt;br&gt;-- &lt;br&gt;**** Listen to my CD at &lt;a href=&quot;http://www.mellowood.ca/music/cedars&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.mellowood.ca/music/cedars&lt;/a&gt; ****&lt;br&gt;Bob van der Poel ** Wynndel, British Columbia, CANADA **&lt;br&gt;EMAIL: &lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=25197002&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;bob@...&lt;/a&gt;&lt;br&gt;
WWW:   &lt;a href=&quot;http://www.mellowood.ca&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.mellowood.ca&lt;/a&gt; &lt;br&gt;
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<entry>
	<id>tag:old.nabble.com,2006:post-25195063</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-28T11:50:52Z</published>
	<updated>2009-08-28T11:50:52Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">On Fri, 28 Aug 2009, Aaron Johnson wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; Good software design in my philosophy is allowing the flexibility and
&lt;br&gt;&amp;gt; generality when needed, but, yes, saving the user from themselves!
&lt;br&gt;&amp;gt; Given that the clicks were not heard on say FluidSynth, I'd say they
&lt;br&gt;&amp;gt; have something like this in place.
&lt;br&gt;&amp;gt; And I think something like this would be very good for Timidity.
&lt;br&gt;&lt;br&gt;&amp;gt; A lot of people may have already written Timidity off as not being
&lt;br&gt;&amp;gt; capable of professional, clean-quality work, b/c it has clicking noise
&lt;br&gt;&amp;gt; where other MIDI soundfont software doesn't. They may have said, as I
&lt;br&gt;&amp;gt; did, &amp;quot;development isn't active, it's old software, I don't think this
&lt;br&gt;&amp;gt; will get fixed&amp;quot;, and move on, to get their music done without the
&lt;br&gt;&amp;gt; hassle of figuring it out.....I perceive NOT dealing with it clikcing
&lt;br&gt;&amp;gt; as a bug, not a feature. My 2¢!!!
&lt;br&gt;&lt;br&gt;Yeah, I guess you're right. &amp;nbsp;Behavior I would want as a &amp;quot;power user&amp;quot;
&lt;br&gt;probably isn't the best thing for the average user.... &amp;nbsp;I'll take a look
&lt;br&gt;over the code and see where I could most easily insert some sort of
&lt;br&gt;release envelope check. &amp;nbsp;It would default to the minimal time required to
&lt;br&gt;avoid a pop. &amp;nbsp;It still wouldn't sound all that good, because no (or
&lt;br&gt;super short) release just generally sounds bad, but at least it wouldn't
&lt;br&gt;pop any more. &amp;nbsp;I'm still a little leery of defaulting to a noticably long
&lt;br&gt;release (which is what most good instruments have), since perhaps the
&lt;br&gt;short release was actually intentional, but perhaps such a longer default
&lt;br&gt;could be added as a --option (we're running out of -? letters).
&lt;br&gt;&lt;br&gt;I'm going to see if I can find a good place to put the check so that it
&lt;br&gt;can be made after all the various different routines that instruments are
&lt;br&gt;read in from. &amp;nbsp;I don't want to hack separate fixes for the SF2 reader, the
&lt;br&gt;PAT reader, the -P reader, and maybe separate softsynth versions of all of
&lt;br&gt;these. &amp;nbsp;The softsynth will be the worst, since I am totally unfamiliar
&lt;br&gt;with how instruments get loaded on the fly for that, and I have no way to
&lt;br&gt;easily test it under my home Windows setup. &amp;nbsp;I hope that I can find an
&lt;br&gt;easy place just upstream of the mixing routines where the envelopes get
&lt;br&gt;translated into internal values. &amp;nbsp;A check for no release should be easy to
&lt;br&gt;do there, and the minimal pop avoidance value set there for all cases.
&lt;br&gt;Any --option for longer defaults, though, might be a lot more difficult to
&lt;br&gt;add, since that place in the routine has probably lost track of whether
&lt;br&gt;the envelope was missing in the original instrument, or if these values
&lt;br&gt;were what was actually set by the instrument or other overriding
&lt;br&gt;parameters in the .cfg files.
&lt;br&gt;&lt;br&gt;Short answer: I hope to be able to fix the pops for all instrument
&lt;br&gt;sources by adding a minimal super short release time, but changing the
&lt;br&gt;default to be a longer &amp;quot;nice sounding&amp;quot; one may not be so easy and will be
&lt;br&gt;left as a future wish for now.
&lt;br&gt;&lt;br&gt;-Eric
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<entry>
	<id>tag:old.nabble.com,2006:post-25190882</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-28T07:23:09Z</published>
	<updated>2009-08-28T07:23:09Z</updated>
	<author>
		<name>Aaron Krister Johnson</name>
	</author>
	<content type="html">Hi Eric,
&lt;br&gt;&lt;br&gt;Good software design in my philosophy is allowing the flexibility and
&lt;br&gt;generality when needed, but, yes, saving the user from themselves!
&lt;br&gt;Given that the clicks were not heard on say FluidSynth, I'd say they
&lt;br&gt;have something like this in place.
&lt;br&gt;And I think something like this would be very good for Timidity.
&lt;br&gt;&lt;br&gt;However I understand your concern for purity and literally 'doing what
&lt;br&gt;the user asks'...so 3 thoughts come to mind:
&lt;br&gt;&lt;br&gt;1) You could have a auto-declicking provision coded in by default, and
&lt;br&gt;have a command line option to disable.
&lt;br&gt;2) You could have a command-line option to *enable* auto-declicking,
&lt;br&gt;where it's off by default
&lt;br&gt;3) You could document the issue. The user searching for solutions now
&lt;br&gt;is in the dark, and is likely to give up on Timidty. Right now, it's
&lt;br&gt;not mentioned but in passing, and adding 'strip=tail' doesn't work.
&lt;br&gt;Google didn't really bring it up except this recent thread, and the
&lt;br&gt;manpage mentioning the 'strip=tail' option. So, if it weren't for
&lt;br&gt;tinkering, I would write off Timidity too.
&lt;br&gt;&lt;br&gt;A lot of people may have already written Timidity off as not being
&lt;br&gt;capable of professional, clean-quality work, b/c it has clicking noise
&lt;br&gt;where other MIDI soundfont software doesn't. They may have said, as I
&lt;br&gt;did, &amp;quot;development isn't active, it's old software, I don't think this
&lt;br&gt;will get fixed&amp;quot;, and move on, to get their music done without the
&lt;br&gt;hassle of figuring it out.....I perceive NOT dealing with it clikcing
&lt;br&gt;as a bug, not a feature. My 2¢!!!
&lt;br&gt;&lt;br&gt;All best,
&lt;br&gt;Aaron.
&lt;br&gt;&lt;br&gt;&lt;br&gt;Aaron Krister Johnson
&lt;br&gt;&lt;a href=&quot;http://www.akjmusic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://www.untwelve.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.untwelve.org&lt;/a&gt;&lt;br&gt;&lt;br&gt;On Fri, Aug 28, 2009 at 12:16 AM, Eric Welsh&amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=25190882&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;ewelsh@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; This may bring up the wider question of what is the &amp;quot;correct&amp;quot; behavior of
&lt;br&gt;&amp;gt; timidity in the case where &amp;quot;stupid&amp;quot; envelope parameters are specified.
&lt;br&gt;&amp;gt; Should it continue operating as it currently does, and just accept them
&lt;br&gt;&amp;gt; as-is, or should it set some minimum release rate that is still very very
&lt;br&gt;&amp;gt; short, but would be long enough to prevent clicks?
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Sorry, I'm going to go into a historical rant now to overly explain
&lt;br&gt;&amp;gt; the issue....  It is my emperical experience that amplitude changes need
&lt;br&gt;&amp;gt; to be ramped over a minimum of 0.5 milleseconds from starting amplitude to
&lt;br&gt;&amp;gt; new ending amplitude.  Any faster than that and clicks happen.  All notes
&lt;br&gt;&amp;gt; playing in timidity have a current internal amplification, a target
&lt;br&gt;&amp;gt; amplification, and an increment value that tells it how rapidly to
&lt;br&gt;&amp;gt; increase/decrease the amplification.  Envelopes are implemented by
&lt;br&gt;&amp;gt; adjusting these internal values on the fly as the different portions of
&lt;br&gt;&amp;gt; the envelope are reached in the sample.  Volume pans and Expression levels
&lt;br&gt;&amp;gt; are handled in the same routine, it's all done during the mixing stage.
&lt;br&gt;&amp;gt; Originally, timidity had clicking problems during rapid Expression level
&lt;br&gt;&amp;gt; changes, or during very rapid (instant) far right/left pans during the
&lt;br&gt;&amp;gt; middle of a note.  I added a check to adjust the minimum time spent
&lt;br&gt;&amp;gt; ramping between initial and target amplitudes to 0.5 msec and the popping
&lt;br&gt;&amp;gt; went away.  Any shorter and the volume pops, any longer and the ramp delay
&lt;br&gt;&amp;gt; starts to become audible and sound slightly &amp;quot;sluggish&amp;quot;.  I deemed this to
&lt;br&gt;&amp;gt; be a reasonable compromise between &amp;quot;do what I told you&amp;quot; and &amp;quot;do what I
&lt;br&gt;&amp;gt; meant&amp;quot; since the brain will not notice the 0.5 msec delay in the volume
&lt;br&gt;&amp;gt; adjustment.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; So, why is this code not kicking in when there is no release rate set?
&lt;br&gt;&amp;gt; I'm going to guess that timidity pre-calculates that the end of the sample
&lt;br&gt;&amp;gt; play time has been reached, and thus ends the note without any additional
&lt;br&gt;&amp;gt; mixing (since there is no sample left to mix since it ended the resampling
&lt;br&gt;&amp;gt; upstream of the mixing already).  This is just a guess, and I'm too lazy
&lt;br&gt;&amp;gt; to go dig into the code to look right now.  Whatever the reason, I don't
&lt;br&gt;&amp;gt; think that any additional fixes could be easily made at the mixing level
&lt;br&gt;&amp;gt; to check for non-existant release rates.  I think the changes would have
&lt;br&gt;&amp;gt; to be implemented during SF2/PAT loading itself, to check for &amp;quot;bad&amp;quot;
&lt;br&gt;&amp;gt; envelopes and adjust them to something &amp;quot;not so bad&amp;quot;.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; If I remember correctly, and my memory is a little hazy on this at the
&lt;br&gt;&amp;gt; moment, I think that the standard GUS pat loader will use a default
&lt;br&gt;&amp;gt; pre-set envelope if no envelope at all is found in the instrument.  This
&lt;br&gt;&amp;gt; is bypassed when the -P option is used, and the envelope is used as-is
&lt;br&gt;&amp;gt; directly from the pat (this part I am *sure* of).  This would explain why
&lt;br&gt;&amp;gt; the recorder click problem was very bad when I used -P, but was reasonably
&lt;br&gt;&amp;gt; mild when I edited my gravis.cfg file to load the pat instead.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; If this is being done for the standard GUS loader (I have no idea how the
&lt;br&gt;&amp;gt; realtime softsynth handles it), should it be done for SF2 as well?  What
&lt;br&gt;&amp;gt; is, philosophically, the best thing to do here?  Should timidity trust the
&lt;br&gt;&amp;gt; user and do exactly what the user said to do, because the user knows best?
&lt;br&gt;&amp;gt; Or should it set a minimum release rate to protect the user from himself?
&lt;br&gt;&amp;gt; Protecting the user from himself is a dangerous path to take, since it is
&lt;br&gt;&amp;gt; easy to go too far and deny the user from accomplishing his intentions.
&lt;br&gt;&amp;gt; If I tell it 0 release, and timidity auto-fudges this to 0.5 msec release,
&lt;br&gt;&amp;gt; would this auto-fudging behavior be &amp;quot;bad&amp;quot; because it isn't doing what I
&lt;br&gt;&amp;gt; explicitly told it to do?  I'm hesitant to auto-correct &amp;quot;bad&amp;quot; envelope
&lt;br&gt;&amp;gt; settings.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Also, from a purely personal viewpoint, I think the popping noises are
&lt;br&gt;&amp;gt; &amp;quot;good&amp;quot;, since they alert the user that there is something amiss with the
&lt;br&gt;&amp;gt; instrument and that its envelopes should be edited to sound better.
&lt;br&gt;&amp;gt; Better to have the user blatantly notice the problem and fix it properly
&lt;br&gt;&amp;gt; than to mask over the problem and result in a not-as-great sounding, but
&lt;br&gt;&amp;gt; not jarringly bad sound.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; -Eric
&lt;br&gt;&amp;gt;
&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;--
&lt;br&gt;&lt;br&gt;------------------------------------------------------------------------------
&lt;br&gt;Let Crystal Reports handle the reporting - Free Crystal Reports 2008 30-Day 
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<entry>
	<id>tag:old.nabble.com,2006:post-25184145</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-27T22:16:40Z</published>
	<updated>2009-08-27T22:16:40Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">On Thu, 27 Aug 2009, Aaron Johnson wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; I realized that adding a release envelope on the order of 180-200 or
&lt;br&gt;&amp;gt; sometimes more did the trick (it was at first confusing, b/c quicker
&lt;br&gt;&amp;gt; envelopes get *higher* numbers (like 255 being fastest), not lower...I
&lt;br&gt;&amp;gt; wonder if they are denominators of a fraction in some kind of
&lt;br&gt;&amp;gt; non-linear time equation??)
&lt;br&gt;&lt;br&gt;&amp;gt; I added the 'strip=tail' option b/c it mentions clicking in the
&lt;br&gt;&amp;gt; manpage, but it doesn't seem to be the critical piece...the critical
&lt;br&gt;&amp;gt; piece is the 'rate=:::180' option.
&lt;br&gt;&lt;br&gt;The strip=tail is an ancient option meant for some ancient GUS pats that
&lt;br&gt;could sometimes contain garbage at the end of the sample. &amp;nbsp;There are
&lt;br&gt;probably not any instruments still in use today that would benefit from
&lt;br&gt;this. &amp;nbsp;I have not seen any instruments like this in a long long time.
&lt;br&gt;&lt;br&gt;&amp;gt; Thanks for looking into this...everything works really well now!
&lt;br&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; If I render this file with fluidsynth the clicking noise does not
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; occur.  Also, if I tweak the attack or decay rates in the Timidity
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; configuration file, I can mitigate the clicking noise somewhat but
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; cannot eliminate it entirely.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Could this be a problem with the soundfont or is Timidity just not
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; able to process SF2 fonts completely?
&lt;br&gt;&lt;br&gt;I'd be curious to know if WildMidi exhibits this issue too. &amp;nbsp;If there is
&lt;br&gt;one thing I am sure of, it is that Chris Ison knows his GUS instrument
&lt;br&gt;envelopes!
&lt;br&gt;&lt;br&gt;This may bring up the wider question of what is the &amp;quot;correct&amp;quot; behavior of
&lt;br&gt;timidity in the case where &amp;quot;stupid&amp;quot; envelope parameters are specified.
&lt;br&gt;Should it continue operating as it currently does, and just accept them
&lt;br&gt;as-is, or should it set some minimum release rate that is still very very
&lt;br&gt;short, but would be long enough to prevent clicks?
&lt;br&gt;&lt;br&gt;Sorry, I'm going to go into a historical rant now to overly explain
&lt;br&gt;the issue.... &amp;nbsp;It is my emperical experience that amplitude changes need
&lt;br&gt;to be ramped over a minimum of 0.5 milleseconds from starting amplitude to
&lt;br&gt;new ending amplitude. &amp;nbsp;Any faster than that and clicks happen. &amp;nbsp;All notes
&lt;br&gt;playing in timidity have a current internal amplification, a target
&lt;br&gt;amplification, and an increment value that tells it how rapidly to
&lt;br&gt;increase/decrease the amplification. &amp;nbsp;Envelopes are implemented by
&lt;br&gt;adjusting these internal values on the fly as the different portions of
&lt;br&gt;the envelope are reached in the sample. &amp;nbsp;Volume pans and Expression levels
&lt;br&gt;are handled in the same routine, it's all done during the mixing stage.
&lt;br&gt;Originally, timidity had clicking problems during rapid Expression level
&lt;br&gt;changes, or during very rapid (instant) far right/left pans during the
&lt;br&gt;middle of a note. &amp;nbsp;I added a check to adjust the minimum time spent
&lt;br&gt;ramping between initial and target amplitudes to 0.5 msec and the popping
&lt;br&gt;went away. &amp;nbsp;Any shorter and the volume pops, any longer and the ramp delay
&lt;br&gt;starts to become audible and sound slightly &amp;quot;sluggish&amp;quot;. &amp;nbsp;I deemed this to
&lt;br&gt;be a reasonable compromise between &amp;quot;do what I told you&amp;quot; and &amp;quot;do what I
&lt;br&gt;meant&amp;quot; since the brain will not notice the 0.5 msec delay in the volume
&lt;br&gt;adjustment.
&lt;br&gt;&lt;br&gt;So, why is this code not kicking in when there is no release rate set?
&lt;br&gt;I'm going to guess that timidity pre-calculates that the end of the sample
&lt;br&gt;play time has been reached, and thus ends the note without any additional
&lt;br&gt;mixing (since there is no sample left to mix since it ended the resampling
&lt;br&gt;upstream of the mixing already). &amp;nbsp;This is just a guess, and I'm too lazy
&lt;br&gt;to go dig into the code to look right now. &amp;nbsp;Whatever the reason, I don't
&lt;br&gt;think that any additional fixes could be easily made at the mixing level
&lt;br&gt;to check for non-existant release rates. &amp;nbsp;I think the changes would have
&lt;br&gt;to be implemented during SF2/PAT loading itself, to check for &amp;quot;bad&amp;quot;
&lt;br&gt;envelopes and adjust them to something &amp;quot;not so bad&amp;quot;.
&lt;br&gt;&lt;br&gt;If I remember correctly, and my memory is a little hazy on this at the
&lt;br&gt;moment, I think that the standard GUS pat loader will use a default
&lt;br&gt;pre-set envelope if no envelope at all is found in the instrument. &amp;nbsp;This
&lt;br&gt;is bypassed when the -P option is used, and the envelope is used as-is
&lt;br&gt;directly from the pat (this part I am *sure* of). &amp;nbsp;This would explain why
&lt;br&gt;the recorder click problem was very bad when I used -P, but was reasonably
&lt;br&gt;mild when I edited my gravis.cfg file to load the pat instead.
&lt;br&gt;&lt;br&gt;If this is being done for the standard GUS loader (I have no idea how the
&lt;br&gt;realtime softsynth handles it), should it be done for SF2 as well? &amp;nbsp;What
&lt;br&gt;is, philosophically, the best thing to do here? &amp;nbsp;Should timidity trust the
&lt;br&gt;user and do exactly what the user said to do, because the user knows best?
&lt;br&gt;Or should it set a minimum release rate to protect the user from himself?
&lt;br&gt;Protecting the user from himself is a dangerous path to take, since it is
&lt;br&gt;easy to go too far and deny the user from accomplishing his intentions.
&lt;br&gt;If I tell it 0 release, and timidity auto-fudges this to 0.5 msec release,
&lt;br&gt;would this auto-fudging behavior be &amp;quot;bad&amp;quot; because it isn't doing what I
&lt;br&gt;explicitly told it to do? &amp;nbsp;I'm hesitant to auto-correct &amp;quot;bad&amp;quot; envelope
&lt;br&gt;settings.
&lt;br&gt;&lt;br&gt;Also, from a purely personal viewpoint, I think the popping noises are
&lt;br&gt;&amp;quot;good&amp;quot;, since they alert the user that there is something amiss with the
&lt;br&gt;instrument and that its envelopes should be edited to sound better.
&lt;br&gt;Better to have the user blatantly notice the problem and fix it properly
&lt;br&gt;than to mask over the problem and result in a not-as-great sounding, but
&lt;br&gt;not jarringly bad sound.
&lt;br&gt;&lt;br&gt;-Eric
&lt;br&gt;&lt;br&gt;------------------------------------------------------------------------------
&lt;br&gt;Let Crystal Reports handle the reporting - Free Crystal Reports 2008 30-Day 
&lt;br&gt;trial. Simplify your report design, integration and deployment - and focus on 
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<entry>
	<id>tag:old.nabble.com,2006:post-25183815</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-27T21:20:27Z</published>
	<updated>2009-08-27T21:20:27Z</updated>
	<author>
		<name>Aaron Krister Johnson</name>
	</author>
	<content type="html">Hi Eric,
&lt;br&gt;&lt;br&gt;I was just about to write you to say that I came up with the same solution!!!
&lt;br&gt;&lt;br&gt;I realized that adding a release envelope on the order of 180-200 or
&lt;br&gt;sometimes more did the trick (it was at first confusing, b/c quicker
&lt;br&gt;envelopes get *higher* numbers (like 255 being fastest), not lower...I
&lt;br&gt;wonder if they are denominators of a fraction in some kind of
&lt;br&gt;non-linear time equation??)
&lt;br&gt;&lt;br&gt;Anyway, the syntax is described on the manpage. Here's an example:
&lt;br&gt;&lt;br&gt;bank 0
&lt;br&gt;0 %font MyFontName.sf2 0 0 rate=:::180 strip=tail
&lt;br&gt;&lt;br&gt;I added the 'strip=tail' option b/c it mentions clicking in the
&lt;br&gt;manpage, but it doesn't seem to be the critical piece...the critical
&lt;br&gt;piece is the 'rate=:::180' option.
&lt;br&gt;Since we are just setting release time, the attack, decay &amp; sustain
&lt;br&gt;portions are left default, and are hence empty with their following
&lt;br&gt;colons.
&lt;br&gt;&lt;br&gt;Thanks for looking into this...everything works really well now!
&lt;br&gt;&lt;br&gt;Best,
&lt;br&gt;AKJ
&lt;br&gt;&lt;br&gt;On Thu, Aug 27, 2009 at 10:56 PM, Eric Welsh&amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=25183815&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;ewelsh@...&lt;/a&gt;&amp;gt; wrote:
&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; First thing I tried was to load the sf2 bank up in Awave and resave it as
&lt;br&gt;&amp;gt; a PAT.  I could then use the -P flag to force all instruments to be played
&lt;br&gt;&amp;gt; using the specified .pat instrument file.  My standard recorder (the one
&lt;br&gt;&amp;gt; in FreePats) sounds fine.  The pc51d derived recorder pat file clearly
&lt;br&gt;&amp;gt; exhibits the &amp;quot;clicking&amp;quot; noises you described.  This rules out any sf2
&lt;br&gt;&amp;gt; specific envelope problems, since the problem is in the Gravis PAT format
&lt;br&gt;&amp;gt; as well.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Looking at the recorder envelope, it appears that it has no release
&lt;br&gt;&amp;gt; rate at all.  So, when the note ends, the note simply ends abruptly
&lt;br&gt;&amp;gt; without any decaying volume ramp.  This is very likely what is causing the
&lt;br&gt;&amp;gt; clicking sound.  Any extremely rapid change in volume level, such as going
&lt;br&gt;&amp;gt; from a playing note to instantly zero amplitude, will cause an audible
&lt;br&gt;&amp;gt; click in your speakers.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Adding a decent release envelope solved the problem.  This is not a
&lt;br&gt;&amp;gt; problem with timidity, but a problem with the instrument not having any
&lt;br&gt;&amp;gt; kind of sane envelope.  Timidity is behaving as it should and
&lt;br&gt;&amp;gt; ending the note immediately upon a NOTEOFF event, since there is no
&lt;br&gt;&amp;gt; release decay envelope.  Speaking from my experience of looking at many
&lt;br&gt;&amp;gt; many sf2 banks over the years, this is not unusual....  You can fix the
&lt;br&gt;&amp;gt; problem by either resaving the sf2 bank after editing the envelope in an
&lt;br&gt;&amp;gt; instrument editor, or add flags within the timidity .cfg files you are
&lt;br&gt;&amp;gt; using to control that specific instrument's envelope.  Unfortunately, I do
&lt;br&gt;&amp;gt; not remember the syntax for how to do this in the .cfg files :(
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Maybe someone else can chime in with how to alter SF2 (or even PAT)
&lt;br&gt;&amp;gt; envelopes from within timidity .cfg files.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; -Eric
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Thu, 27 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; Hi Eric,
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; Attached is a MIDI file of some Medieval music by Machaut that has audible
&lt;br&gt;&amp;gt;&amp;gt; clicks when used with the Personal Copy GM soundfont (using the recorder
&lt;br&gt;&amp;gt;&amp;gt; patch, program 75 in 1-based counting, or 74 in 0-based counting scheme)...
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; I trust you can track down, or already may have the Personal Copy GM
&lt;br&gt;&amp;gt;&amp;gt; soundfont, but in case you can't here's a link to it that I've uploaded to
&lt;br&gt;&amp;gt;&amp;gt; my site:
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &lt;a href=&quot;http://www.akjmusic.com/PC51d.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com/PC51d.sf2&lt;/a&gt;&amp;nbsp;(58mb download!!)
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; Hope this can help Timidity developers track down the click problem! :)
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; Best,
&lt;br&gt;&amp;gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &lt;a href=&quot;http://www.akjmusic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com&lt;/a&gt;&lt;br&gt;&amp;gt;&amp;gt; &lt;a href=&quot;http://www.untwelve.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.untwelve.org&lt;/a&gt;&lt;br&gt;&amp;gt;&amp;gt; &lt;a href=&quot;http://www.nabble.com/file/p25177354/machaut-b15-gm.mid&quot; target=&quot;_top&quot;&gt;http://www.nabble.com/file/p25177354/machaut-b15-gm.mid&lt;/a&gt;&amp;nbsp;machaut-b15-gm.mid
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; Eric Welsh wrote:
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; On Thu, 27 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; I couldn't find the files either...it looks like a file-sharing site
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; whose
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; links have expired...anyway, are you a developer for Timidity? It would
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; be
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; great to get to the bottom of this issue!
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; Best,
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; I'm haven't been active in development recently, but I've done some work
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; with envelopes and associated click problems in the past.  I'm a little
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; limited in my SF2 knowledge, but I could probably dig a bit into the code
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; to see if it is an SF2 specific envelope problem, or if it is an envelope
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; problem at all.  If you have problematic files of your own, send them my
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; way and I can start taking a look them.
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; -Eric
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &lt;a href=&quot;http://www.untwelve.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.untwelve.org&lt;/a&gt;&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &lt;a href=&quot;http://www.akjmusic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com&lt;/a&gt;&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; Eric Welsh wrote:
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; I tried the links below to the problematic files, but they don't appear
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; to
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; work anymore.  Could the original author repost them somewhere else?
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; -Eric
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; On Wed, 26 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; Hi,
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; I can confirm that this happens to me too, and can also confirm that
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; it
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; is
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; indeed annoying!
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; I've noticed it for all versions of Timidity as far back as I can
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; remember
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; using it, say from 2003....
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; Best,
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; A. Kalten wrote:
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Hello list,
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Timidity usually gives good results, but on some soundfonts it will
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; produce an annoying clicking sound.  As an example, I have uploaded
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; an MP3 of a wave file created with Timidity that contains the
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; clicking
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; noise.  Also uploaded are the MIDI file and the soundfont used
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; (there
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; is only a single instrument involved).
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mp3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mp3&lt;/a&gt;&amp;nbsp;  (MP3 file is about 3.4 Mb)
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mid&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mid&lt;/a&gt;&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/WT_Clarinet.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/WT_Clarinet.sf2&lt;/a&gt;&amp;nbsp; (SF2 file is about 330
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; kB)
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Note: This is a microtonal composition, so if the tuning sounds a
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; bit
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; off it is deliberate.
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; If I render this file with fluidsynth the clicking noise does not
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; occur.  Also, if I tweak the attack or decay rates in the Timidity
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; configuration file, I can mitigate the clicking noise somewhat but
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; cannot eliminate it entirely.
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Could this be a problem with the soundfont or is Timidity just not
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; able to process SF2 fonts completely?
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
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&lt;br&gt;&lt;br&gt;Aaron Krister Johnson
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-25183662</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-27T20:56:52Z</published>
	<updated>2009-08-27T20:56:52Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">First thing I tried was to load the sf2 bank up in Awave and resave it as
&lt;br&gt;a PAT. &amp;nbsp;I could then use the -P flag to force all instruments to be played
&lt;br&gt;using the specified .pat instrument file. &amp;nbsp;My standard recorder (the one
&lt;br&gt;in FreePats) sounds fine. &amp;nbsp;The pc51d derived recorder pat file clearly
&lt;br&gt;exhibits the &amp;quot;clicking&amp;quot; noises you described. &amp;nbsp;This rules out any sf2
&lt;br&gt;specific envelope problems, since the problem is in the Gravis PAT format
&lt;br&gt;as well.
&lt;br&gt;&lt;br&gt;Looking at the recorder envelope, it appears that it has no release
&lt;br&gt;rate at all. &amp;nbsp;So, when the note ends, the note simply ends abruptly
&lt;br&gt;without any decaying volume ramp. &amp;nbsp;This is very likely what is causing the
&lt;br&gt;clicking sound. &amp;nbsp;Any extremely rapid change in volume level, such as going
&lt;br&gt;from a playing note to instantly zero amplitude, will cause an audible
&lt;br&gt;click in your speakers.
&lt;br&gt;&lt;br&gt;Adding a decent release envelope solved the problem. &amp;nbsp;This is not a
&lt;br&gt;problem with timidity, but a problem with the instrument not having any
&lt;br&gt;kind of sane envelope. &amp;nbsp;Timidity is behaving as it should and
&lt;br&gt;ending the note immediately upon a NOTEOFF event, since there is no
&lt;br&gt;release decay envelope. &amp;nbsp;Speaking from my experience of looking at many
&lt;br&gt;many sf2 banks over the years, this is not unusual.... &amp;nbsp;You can fix the
&lt;br&gt;problem by either resaving the sf2 bank after editing the envelope in an
&lt;br&gt;instrument editor, or add flags within the timidity .cfg files you are
&lt;br&gt;using to control that specific instrument's envelope. &amp;nbsp;Unfortunately, I do
&lt;br&gt;not remember the syntax for how to do this in the .cfg files :(
&lt;br&gt;&lt;br&gt;Maybe someone else can chime in with how to alter SF2 (or even PAT)
&lt;br&gt;envelopes from within timidity .cfg files.
&lt;br&gt;&lt;br&gt;-Eric
&lt;br&gt;&lt;br&gt;On Thu, 27 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Hi Eric,
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Attached is a MIDI file of some Medieval music by Machaut that has audible
&lt;br&gt;&amp;gt; clicks when used with the Personal Copy GM soundfont (using the recorder
&lt;br&gt;&amp;gt; patch, program 75 in 1-based counting, or 74 in 0-based counting scheme)...
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; I trust you can track down, or already may have the Personal Copy GM
&lt;br&gt;&amp;gt; soundfont, but in case you can't here's a link to it that I've uploaded to
&lt;br&gt;&amp;gt; my site:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.akjmusic.com/PC51d.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com/PC51d.sf2&lt;/a&gt;&amp;nbsp;(58mb download!!)
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Hope this can help Timidity developers track down the click problem! :)
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Best,
&lt;br&gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.akjmusic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.untwelve.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.untwelve.org&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.nabble.com/file/p25177354/machaut-b15-gm.mid&quot; target=&quot;_top&quot;&gt;http://www.nabble.com/file/p25177354/machaut-b15-gm.mid&lt;/a&gt;&amp;nbsp;machaut-b15-gm.mid
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Eric Welsh wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; On Thu, 27 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; I couldn't find the files either...it looks like a file-sharing site
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; whose
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; links have expired...anyway, are you a developer for Timidity? It would
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; be
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; great to get to the bottom of this issue!
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; Best,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; I'm haven't been active in development recently, but I've done some work
&lt;br&gt;&amp;gt; &amp;gt; with envelopes and associated click problems in the past. &amp;nbsp;I'm a little
&lt;br&gt;&amp;gt; &amp;gt; limited in my SF2 knowledge, but I could probably dig a bit into the code
&lt;br&gt;&amp;gt; &amp;gt; to see if it is an SF2 specific envelope problem, or if it is an envelope
&lt;br&gt;&amp;gt; &amp;gt; problem at all. &amp;nbsp;If you have problematic files of your own, send them my
&lt;br&gt;&amp;gt; &amp;gt; way and I can start taking a look them.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; -Eric
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &lt;a href=&quot;http://www.untwelve.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.untwelve.org&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &lt;a href=&quot;http://www.akjmusic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; Eric Welsh wrote:
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; I tried the links below to the problematic files, but they don't appear
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; to
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; work anymore. &amp;nbsp;Could the original author repost them somewhere else?
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; -Eric
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; On Wed, 26 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; Hi,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; I can confirm that this happens to me too, and can also confirm that
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; it
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; is
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; indeed annoying!
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; I've noticed it for all versions of Timidity as far back as I can
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; remember
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; using it, say from 2003....
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; Best,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; A. Kalten wrote:
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Hello list,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Timidity usually gives good results, but on some soundfonts it will
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; produce an annoying clicking sound. &amp;nbsp;As an example, I have uploaded
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; an MP3 of a wave file created with Timidity that contains the
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; clicking
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; noise. &amp;nbsp;Also uploaded are the MIDI file and the soundfont used
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; (there
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; is only a single instrument involved).
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mp3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mp3&lt;/a&gt;&amp;nbsp; &amp;nbsp;(MP3 file is about 3.4 Mb)
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mid&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mid&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/WT_Clarinet.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/WT_Clarinet.sf2&lt;/a&gt;&amp;nbsp; (SF2 file is about 330
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; kB)
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Note: This is a microtonal composition, so if the tuning sounds a
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; bit
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; off it is deliberate.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; If I render this file with fluidsynth the clicking noise does not
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; occur. &amp;nbsp;Also, if I tweak the attack or decay rates in the Timidity
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; configuration file, I can mitigate the clicking noise somewhat but
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; cannot eliminate it entirely.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Could this be a problem with the soundfont or is Timidity just not
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; able to process SF2 fonts completely?
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Regards,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; AK
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; -------------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; This SF.Net email is sponsored by the Moblin Your Move Developer's
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; challenge
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Build the coolest Linux based applications with Moblin SDK &amp; win
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; great
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; prizes
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Grand prize is a trip for two to an Open Source event anywhere in
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; the
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; world
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://moblin-contest.org/redirect.php?banner_id=100&amp;url=/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://moblin-contest.org/redirect.php?banner_id=100&amp;url=/&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; _______________________________________________
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&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; --
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; View this message in context:
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &lt;a href=&quot;http://www.nabble.com/Clicking-Noise-On-Some-SoundFonts-tp19123503p25164608.html&quot; target=&quot;_top&quot;&gt;http://www.nabble.com/Clicking-Noise-On-Some-SoundFonts-tp19123503p25164608.html&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; Sent from the TiMidity++ - General mailing list archive at Nabble.com.
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&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; ------------------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; Let Crystal Reports handle the reporting - Free Crystal Reports 2008
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; 30-Day
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; trial. Simplify your report design, integration and deployment - and
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; focus on
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; what you do best, core application coding. Discover what's new with
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&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;&amp;gt; Timidity-talk mailing list
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&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; ------------------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Let Crystal Reports handle the reporting - Free Crystal Reports 2008
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; 30-Day
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; trial. Simplify your report design, integration and deployment - and
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; focus
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; on
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; what you do best, core application coding. Discover what's new with
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Crystal Reports now. &amp;nbsp;&lt;a href=&quot;http://p.sf.net/sfu/bobj-july&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://p.sf.net/sfu/bobj-july&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; _______________________________________________
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Timidity-talk mailing list
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&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; --
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; View this message in context:
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &lt;a href=&quot;http://www.nabble.com/Clicking-Noise-On-Some-SoundFonts-tp19123503p25171137.html&quot; target=&quot;_top&quot;&gt;http://www.nabble.com/Clicking-Noise-On-Some-SoundFonts-tp19123503p25171137.html&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; Sent from the TiMidity++ - General mailing list archive at Nabble.com.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; ------------------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; Let Crystal Reports handle the reporting - Free Crystal Reports 2008
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; 30-Day
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; trial. Simplify your report design, integration and deployment - and
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; focus on
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; what you do best, core application coding. Discover what's new with
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; Crystal Reports now. &amp;nbsp;&lt;a href=&quot;http://p.sf.net/sfu/bobj-july&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://p.sf.net/sfu/bobj-july&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; _______________________________________________
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&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; ------------------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt; Let Crystal Reports handle the reporting - Free Crystal Reports 2008
&lt;br&gt;&amp;gt; &amp;gt; 30-Day
&lt;br&gt;&amp;gt; &amp;gt; trial. Simplify your report design, integration and deployment - and focus
&lt;br&gt;&amp;gt; &amp;gt; on
&lt;br&gt;&amp;gt; &amp;gt; what you do best, core application coding. Discover what's new with
&lt;br&gt;&amp;gt; &amp;gt; Crystal Reports now. &amp;nbsp;&lt;a href=&quot;http://p.sf.net/sfu/bobj-july&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://p.sf.net/sfu/bobj-july&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt; _______________________________________________
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&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; --
&lt;br&gt;&amp;gt; View this message in context: &lt;a href=&quot;http://www.nabble.com/Clicking-Noise-On-Some-SoundFonts-tp19123503p25177354.html&quot; target=&quot;_top&quot;&gt;http://www.nabble.com/Clicking-Noise-On-Some-SoundFonts-tp19123503p25177354.html&lt;/a&gt;&lt;br&gt;&amp;gt; Sent from the TiMidity++ - General mailing list archive at Nabble.com.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; ------------------------------------------------------------------------------
&lt;br&gt;&amp;gt; Let Crystal Reports handle the reporting - Free Crystal Reports 2008 30-Day
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-25177354</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-27T11:19:33Z</published>
	<updated>2009-08-27T11:19:33Z</updated>
	<author>
		<name>Aaron Krister Johnson</name>
	</author>
	<content type="html">&lt;br&gt;Hi Eric,
&lt;br&gt;&lt;br&gt;Attached is a MIDI file of some Medieval music by Machaut that has audible clicks when used with the Personal Copy GM soundfont (using the recorder patch, program 75 in 1-based counting, or 74 in 0-based counting scheme)...
&lt;br&gt;&lt;br&gt;I trust you can track down, or already may have the Personal Copy GM soundfont, but in case you can't here's a link to it that I've uploaded to my site:
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.akjmusic.com/PC51d.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com/PC51d.sf2&lt;/a&gt;&amp;nbsp;(58mb download!!)
&lt;br&gt;&lt;br&gt;Hope this can help Timidity developers track down the click problem! :)
&lt;br&gt;&lt;br&gt;Best,
&lt;br&gt;AKJ
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.akjmusic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://www.untwelve.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.untwelve.org&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://old.nabble.com/file/p25177354/machaut-b15-gm.mid&quot; target=&quot;_top&quot;&gt;machaut-b15-gm.mid&lt;/a&gt;&lt;br&gt;&lt;blockquote class=&quot;quote light-black dark-border-color&quot;&gt;&lt;div class=&quot;quote light-border-color&quot;&gt;
&lt;div class=&quot;quote-author&quot; style=&quot;font-weight: bold;&quot;&gt;Eric Welsh wrote:&lt;/div&gt;
&lt;div class=&quot;quote-message shrinkable-quote&quot;&gt;On Thu, 27 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; I couldn't find the files either...it looks like a file-sharing site whose
&lt;br&gt;&amp;gt; links have expired...anyway, are you a developer for Timidity? It would be
&lt;br&gt;&amp;gt; great to get to the bottom of this issue!
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Best,
&lt;br&gt;&amp;gt; AKJ
&lt;br&gt;&lt;br&gt;I'm haven't been active in development recently, but I've done some work
&lt;br&gt;with envelopes and associated click problems in the past. &amp;nbsp;I'm a little
&lt;br&gt;limited in my SF2 knowledge, but I could probably dig a bit into the code
&lt;br&gt;to see if it is an SF2 specific envelope problem, or if it is an envelope
&lt;br&gt;problem at all. &amp;nbsp;If you have problematic files of your own, send them my
&lt;br&gt;way and I can start taking a look them.
&lt;br&gt;&lt;br&gt;-Eric
&lt;br&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.untwelve.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.untwelve.org&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.akjmusic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Eric Welsh wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; I tried the links below to the problematic files, but they don't appear to
&lt;br&gt;&amp;gt; &amp;gt; work anymore. &amp;nbsp;Could the original author repost them somewhere else?
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; -Eric
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; On Wed, 26 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; Hi,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; I can confirm that this happens to me too, and can also confirm that it
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; is
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; indeed annoying!
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; I've noticed it for all versions of Timidity as far back as I can
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; remember
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; using it, say from 2003....
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; Best,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; A. Kalten wrote:
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Hello list,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Timidity usually gives good results, but on some soundfonts it will
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; produce an annoying clicking sound. &amp;nbsp;As an example, I have uploaded
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; an MP3 of a wave file created with Timidity that contains the clicking
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; noise. &amp;nbsp;Also uploaded are the MIDI file and the soundfont used (there
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; is only a single instrument involved).
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mp3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mp3&lt;/a&gt;&amp;nbsp; &amp;nbsp;(MP3 file is about 3.4 Mb)
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mid&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mid&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/WT_Clarinet.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/WT_Clarinet.sf2&lt;/a&gt;&amp;nbsp; (SF2 file is about 330 kB)
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Note: This is a microtonal composition, so if the tuning sounds a bit
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; off it is deliberate.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; If I render this file with fluidsynth the clicking noise does not
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; occur. &amp;nbsp;Also, if I tweak the attack or decay rates in the Timidity
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; configuration file, I can mitigate the clicking noise somewhat but
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; cannot eliminate it entirely.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Could this be a problem with the soundfont or is Timidity just not
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; able to process SF2 fonts completely?
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Regards,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; AK
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
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</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-25175079</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-27T08:58:54Z</published>
	<updated>2009-08-27T08:58:54Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">On Thu, 27 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; I couldn't find the files either...it looks like a file-sharing site whose
&lt;br&gt;&amp;gt; links have expired...anyway, are you a developer for Timidity? It would be
&lt;br&gt;&amp;gt; great to get to the bottom of this issue!
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Best,
&lt;br&gt;&amp;gt; AKJ
&lt;br&gt;&lt;br&gt;I'm haven't been active in development recently, but I've done some work
&lt;br&gt;with envelopes and associated click problems in the past. &amp;nbsp;I'm a little
&lt;br&gt;limited in my SF2 knowledge, but I could probably dig a bit into the code
&lt;br&gt;to see if it is an SF2 specific envelope problem, or if it is an envelope
&lt;br&gt;problem at all. &amp;nbsp;If you have problematic files of your own, send them my
&lt;br&gt;way and I can start taking a look them.
&lt;br&gt;&lt;br&gt;-Eric
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.untwelve.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.untwelve.org&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.akjmusic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Eric Welsh wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; I tried the links below to the problematic files, but they don't appear to
&lt;br&gt;&amp;gt; &amp;gt; work anymore. &amp;nbsp;Could the original author repost them somewhere else?
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; -Eric
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; On Wed, 26 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; Hi,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; I can confirm that this happens to me too, and can also confirm that it
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; is
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; indeed annoying!
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; I've noticed it for all versions of Timidity as far back as I can
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; remember
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; using it, say from 2003....
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; Best,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; A. Kalten wrote:
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Hello list,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Timidity usually gives good results, but on some soundfonts it will
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; produce an annoying clicking sound. &amp;nbsp;As an example, I have uploaded
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; an MP3 of a wave file created with Timidity that contains the clicking
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; noise. &amp;nbsp;Also uploaded are the MIDI file and the soundfont used (there
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; is only a single instrument involved).
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mp3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mp3&lt;/a&gt;&amp;nbsp; &amp;nbsp;(MP3 file is about 3.4 Mb)
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mid&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mid&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/WT_Clarinet.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/WT_Clarinet.sf2&lt;/a&gt;&amp;nbsp; (SF2 file is about 330 kB)
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Note: This is a microtonal composition, so if the tuning sounds a bit
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; off it is deliberate.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; If I render this file with fluidsynth the clicking noise does not
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; occur. &amp;nbsp;Also, if I tweak the attack or decay rates in the Timidity
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; configuration file, I can mitigate the clicking noise somewhat but
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; cannot eliminate it entirely.
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Could this be a problem with the soundfont or is Timidity just not
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; able to process SF2 fonts completely?
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; Regards,
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt; AK
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;&amp;gt; &amp;gt;
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-25171137</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-27T08:24:47Z</published>
	<updated>2009-08-27T08:24:47Z</updated>
	<author>
		<name>Aaron Krister Johnson</name>
	</author>
	<content type="html">Eric,
&lt;br&gt;&lt;br&gt;I couldn't find the files either...it looks like a file-sharing site whose links have expired...anyway, are you a developer for Timidity? It would be great to get to the bottom of this issue!
&lt;br&gt;&lt;br&gt;Best,
&lt;br&gt;AKJ
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.untwelve.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.untwelve.org&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://www.akjmusic.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.akjmusic.com&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;blockquote class=&quot;quote light-black dark-border-color&quot;&gt;&lt;div class=&quot;quote light-border-color&quot;&gt;
&lt;div class=&quot;quote-author&quot; style=&quot;font-weight: bold;&quot;&gt;Eric Welsh wrote:&lt;/div&gt;
&lt;div class=&quot;quote-message shrinkable-quote&quot;&gt;I tried the links below to the problematic files, but they don't appear to
&lt;br&gt;work anymore. &amp;nbsp;Could the original author repost them somewhere else?
&lt;br&gt;&lt;br&gt;-Eric
&lt;br&gt;&lt;br&gt;On Wed, 26 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; Hi,
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; I can confirm that this happens to me too, and can also confirm that it is
&lt;br&gt;&amp;gt; indeed annoying!
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; I've noticed it for all versions of Timidity as far back as I can remember
&lt;br&gt;&amp;gt; using it, say from 2003....
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Best,
&lt;br&gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; A. Kalten wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Hello list,
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Timidity usually gives good results, but on some soundfonts it will
&lt;br&gt;&amp;gt; &amp;gt; produce an annoying clicking sound. &amp;nbsp;As an example, I have uploaded
&lt;br&gt;&amp;gt; &amp;gt; an MP3 of a wave file created with Timidity that contains the clicking
&lt;br&gt;&amp;gt; &amp;gt; noise. &amp;nbsp;Also uploaded are the MIDI file and the soundfont used (there
&lt;br&gt;&amp;gt; &amp;gt; is only a single instrument involved).
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mp3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mp3&lt;/a&gt;&amp;nbsp; &amp;nbsp;(MP3 file is about 3.4 Mb)
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mid&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mid&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/WT_Clarinet.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/WT_Clarinet.sf2&lt;/a&gt;&amp;nbsp; (SF2 file is about 330 kB)
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Note: This is a microtonal composition, so if the tuning sounds a bit
&lt;br&gt;&amp;gt; &amp;gt; off it is deliberate.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; If I render this file with fluidsynth the clicking noise does not
&lt;br&gt;&amp;gt; &amp;gt; occur. &amp;nbsp;Also, if I tweak the attack or decay rates in the Timidity
&lt;br&gt;&amp;gt; &amp;gt; configuration file, I can mitigate the clicking noise somewhat but
&lt;br&gt;&amp;gt; &amp;gt; cannot eliminate it entirely.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Could this be a problem with the soundfont or is Timidity just not
&lt;br&gt;&amp;gt; &amp;gt; able to process SF2 fonts completely?
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Regards,
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; AK
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; -------------------------------------------------------------------------
&lt;br&gt;&amp;gt; &amp;gt; This SF.Net email is sponsored by the Moblin Your Move Developer's
&lt;br&gt;&amp;gt; &amp;gt; challenge
&lt;br&gt;&amp;gt; &amp;gt; Build the coolest Linux based applications with Moblin SDK &amp; win great
&lt;br&gt;&amp;gt; &amp;gt; prizes
&lt;br&gt;&amp;gt; &amp;gt; Grand prize is a trip for two to an Open Source event anywhere in the
&lt;br&gt;&amp;gt; &amp;gt; world
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&lt;br&gt;&amp;gt; --
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&lt;/div&gt;&lt;/blockquote&gt;
</content>
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<entry>
	<id>tag:old.nabble.com,2006:post-25165044</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-26T19:21:52Z</published>
	<updated>2009-08-26T19:21:52Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">I tried the links below to the problematic files, but they don't appear to
&lt;br&gt;work anymore. &amp;nbsp;Could the original author repost them somewhere else?
&lt;br&gt;&lt;br&gt;-Eric
&lt;br&gt;&lt;br&gt;On Wed, 26 Aug 2009, Aaron Krister Johnson wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; Hi,
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; I can confirm that this happens to me too, and can also confirm that it is
&lt;br&gt;&amp;gt; indeed annoying!
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; I've noticed it for all versions of Timidity as far back as I can remember
&lt;br&gt;&amp;gt; using it, say from 2003....
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Best,
&lt;br&gt;&amp;gt; AKJ
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; A. Kalten wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Hello list,
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Timidity usually gives good results, but on some soundfonts it will
&lt;br&gt;&amp;gt; &amp;gt; produce an annoying clicking sound. &amp;nbsp;As an example, I have uploaded
&lt;br&gt;&amp;gt; &amp;gt; an MP3 of a wave file created with Timidity that contains the clicking
&lt;br&gt;&amp;gt; &amp;gt; noise. &amp;nbsp;Also uploaded are the MIDI file and the soundfont used (there
&lt;br&gt;&amp;gt; &amp;gt; is only a single instrument involved).
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mp3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mp3&lt;/a&gt;&amp;nbsp; &amp;nbsp;(MP3 file is about 3.4 Mb)
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mid&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mid&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://firstbooks.biz/midi/WT_Clarinet.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/WT_Clarinet.sf2&lt;/a&gt;&amp;nbsp; (SF2 file is about 330 kB)
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Note: This is a microtonal composition, so if the tuning sounds a bit
&lt;br&gt;&amp;gt; &amp;gt; off it is deliberate.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; If I render this file with fluidsynth the clicking noise does not
&lt;br&gt;&amp;gt; &amp;gt; occur. &amp;nbsp;Also, if I tweak the attack or decay rates in the Timidity
&lt;br&gt;&amp;gt; &amp;gt; configuration file, I can mitigate the clicking noise somewhat but
&lt;br&gt;&amp;gt; &amp;gt; cannot eliminate it entirely.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Could this be a problem with the soundfont or is Timidity just not
&lt;br&gt;&amp;gt; &amp;gt; able to process SF2 fonts completely?
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Regards,
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; AK
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
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&lt;br&gt;&amp;gt; View this message in context: &lt;a href=&quot;http://www.nabble.com/Clicking-Noise-On-Some-SoundFonts-tp19123503p25164608.html&quot; target=&quot;_top&quot;&gt;http://www.nabble.com/Clicking-Noise-On-Some-SoundFonts-tp19123503p25164608.html&lt;/a&gt;&lt;br&gt;&amp;gt; Sent from the TiMidity++ - General mailing list archive at Nabble.com.
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-25164608</id>
	<title>Re: Clicking Noise On Some SoundFonts</title>
	<published>2009-08-26T18:31:52Z</published>
	<updated>2009-08-26T18:31:52Z</updated>
	<author>
		<name>Aaron Krister Johnson</name>
	</author>
	<content type="html">Hi,
&lt;br&gt;&lt;br&gt;I can confirm that this happens to me too, and can also confirm that it is indeed annoying!
&lt;br&gt;&lt;br&gt;I've noticed it for all versions of Timidity as far back as I can remember using it, say from 2003....
&lt;br&gt;&lt;br&gt;Best,
&lt;br&gt;AKJ
&lt;br&gt;&lt;br&gt;&lt;blockquote class=&quot;quote light-black dark-border-color&quot;&gt;&lt;div class=&quot;quote light-border-color&quot;&gt;
&lt;div class=&quot;quote-author&quot; style=&quot;font-weight: bold;&quot;&gt;A. Kalten wrote:&lt;/div&gt;
&lt;div class=&quot;quote-message shrinkable-quote&quot;&gt;Hello list,
&lt;br&gt;&lt;br&gt;Timidity usually gives good results, but on some soundfonts it will
&lt;br&gt;produce an annoying clicking sound. &amp;nbsp;As an example, I have uploaded
&lt;br&gt;an MP3 of a wave file created with Timidity that contains the clicking
&lt;br&gt;noise. &amp;nbsp;Also uploaded are the MIDI file and the soundfont used (there
&lt;br&gt;is only a single instrument involved).
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mp3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mp3&lt;/a&gt;&amp;nbsp; &amp;nbsp;(MP3 file is about 3.4 Mb)
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://firstbooks.biz/midi/beatgen.mid&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/beatgen.mid&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://firstbooks.biz/midi/WT_Clarinet.sf2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://firstbooks.biz/midi/WT_Clarinet.sf2&lt;/a&gt;&amp;nbsp; (SF2 file is about 330 kB)
&lt;br&gt;&lt;br&gt;Note: This is a microtonal composition, so if the tuning sounds a bit
&lt;br&gt;off it is deliberate.
&lt;br&gt;&lt;br&gt;If I render this file with fluidsynth the clicking noise does not
&lt;br&gt;occur. &amp;nbsp;Also, if I tweak the attack or decay rates in the Timidity
&lt;br&gt;configuration file, I can mitigate the clicking noise somewhat but
&lt;br&gt;cannot eliminate it entirely.
&lt;br&gt;&lt;br&gt;Could this be a problem with the soundfont or is Timidity just not
&lt;br&gt;able to process SF2 fonts completely?
&lt;br&gt;&lt;br&gt;Regards,
&lt;br&gt;&lt;br&gt;AK
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&lt;/div&gt;&lt;/blockquote&gt;
</content>
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<entry>
	<id>tag:old.nabble.com,2006:post-25067494</id>
	<title>timidity as an add-on to a music editor</title>
	<published>2009-08-20T11:34:17Z</published>
	<updated>2009-08-20T11:34:17Z</updated>
	<author>
		<name>David Ford-9</name>
	</author>
	<content type="html">Hi
&lt;br&gt;A friend has written a music editing program and I use Timidity++ with
&lt;br&gt;it - to play back the musical notation.
&lt;br&gt;&lt;br&gt;He has recently added a cursor to the program that follows the music as
&lt;br&gt;it is played. He has provided a delay option to the cursor, to allow for
&lt;br&gt;the time it takes for the sound fonts to load.
&lt;br&gt;&lt;br&gt;The time it takes Timidity to load the sound font varies from
&lt;br&gt;arrangement to arrangement so I am finding that there is no convenient
&lt;br&gt;value.
&lt;br&gt;&lt;br&gt;Is there some way for a 'headless' Timidity (eg alsa/pulse/jack
&lt;br&gt;interface) to indicate when the first measure is being played - as is
&lt;br&gt;used in the measure counter in the ncurses interface.
&lt;br&gt;&lt;br&gt;many thanks
&lt;br&gt;&lt;br&gt;David
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<entry>
	<id>tag:old.nabble.com,2006:post-24681080</id>
	<title>Pro Patches light with Timidity</title>
	<published>2009-07-27T06:52:21Z</published>
	<updated>2009-07-27T06:52:21Z</updated>
	<author>
		<name>andy_blah</name>
	</author>
	<content type="html">I have been trying to use Pro Patches light (a replacement .pat set for the Gravis Ultrasound) with the Windows Timidity (the version from this site: &lt;a href=&quot;http://timidity.s11.xrea.com/index.en.html#down&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://timidity.s11.xrea.com/index.en.html#down&lt;/a&gt;). I have tried to place a timidity.cfg and a default.cfg file in the folder with the patches, and tried to open it with Timidity from options, but every time I try to play a midi, nothing happens and when I restart Timidity it just says that it can't read the configuration file. Could somebody help me make Timidity work with those patches? Both timidity.cfg and default.cfg contain this: 
&lt;br&gt;&amp;nbsp;
&lt;br&gt;dir C:\Games\OldGames\ULTRASND\MIDI\ 
&lt;br&gt;&amp;nbsp;
&lt;br&gt;0, 2, 1, 1, 1, acpiano 
&lt;br&gt;1, 2, 1, 1, 1, britepno 
&lt;br&gt;2, 2, 1, 1, 4, synpiano 
&lt;br&gt;3, 2, 1, 1, 1, honky 
&lt;br&gt;4, 2, 1, 1, 4, epiano1 
&lt;br&gt;5, 2, 1, 1, 4, epiano2 
&lt;br&gt;6, 2, 1, 1, 1, hrpschrd 
&lt;br&gt;7, 2, 1, 1, 1, clavinet 
&lt;br&gt;8, 12, 12, 12, 12, celeste 
&lt;br&gt;9, 12, 12, 12, 12, glocken 
&lt;br&gt;10, 12, 12, 12, 12, musicbox 
&lt;br&gt;11, 12, 12, 12, 12, vibes 
&lt;br&gt;12, 12, 12, 12, 12, marimba 
&lt;br&gt;13, 12, 12, 12, 12, xylophon 
&lt;br&gt;14, 12, 12, 12, 12, tubebell 
&lt;br&gt;15, 12, 12, 12, 12, santur 
&lt;br&gt;16, 2, 16, 16, 19, homeorg 
&lt;br&gt;17, 2, 16, 16, 19, percorg 
&lt;br&gt;18, 2, 16, 16, 19, rockorg 
&lt;br&gt;19, 2, 16, 16, 19, church 
&lt;br&gt;20, 2, 16, 16, 19, reedorg 
&lt;br&gt;21, 2, 16, 16, 19, accordn 
&lt;br&gt;22, 2, 16, 16, 19, harmonca 
&lt;br&gt;23, 2, 16, 16, 19, concrtna 
&lt;br&gt;24, 24, 24, 24, 24, nyguitar 
&lt;br&gt;25, 24, 24, 24, 24, acguitar 
&lt;br&gt;26, 24, 24, 24, 24, jazzgtr 
&lt;br&gt;27, 24, 24, 24, 27, cleangtr 
&lt;br&gt;28, 24, 24, 24, 24, mutegtr 
&lt;br&gt;29, 29, 29, 29, 29, odguitar 
&lt;br&gt;30, 29, 30, 30, 30, distgtr 
&lt;br&gt;31, 29, 30, 30, 31, gtrharm 
&lt;br&gt;32, 39, 32, 32, 32, acbass 
&lt;br&gt;33, 39, 32, 32, 32, fngrbass 
&lt;br&gt;34, 39, 32, 32, 36, pickbass 
&lt;br&gt;35, 39, 32, 32, 32, fretless 
&lt;br&gt;36, 39, 36, 36, 36, slapbas1 
&lt;br&gt;37, 39, 36, 36, 36, slapbas2 
&lt;br&gt;38, 39, 36, 36, 32, synbass1 
&lt;br&gt;39, 39, 36, 36, 32, synbass2 
&lt;br&gt;40, 40, 40, 40, 40, violin 
&lt;br&gt;41, 40, 40, 40, 40, viola 
&lt;br&gt;42, 40, 42, 42, 40, cello 
&lt;br&gt;43, 40, 40, 40, 40, contraba 
&lt;br&gt;44, 40, 40, 40, 40, tremstr 
&lt;br&gt;45, 40, 40, 40, 45, pizzcato 
&lt;br&gt;46, 24, 24, 46, 46, harp 
&lt;br&gt;47, 47, 47, 47, 47, timpani 
&lt;br&gt;48, 51, 51, 48, 48, marcato 
&lt;br&gt;49, 51, 51, 49, 48, slowstr 
&lt;br&gt;50, 51, 51, 48, 48, synstr1 
&lt;br&gt;51, 51, 51, 48, 48, synstr2 
&lt;br&gt;52, 52, 52, 52, 52, choir 
&lt;br&gt;53, 52, 52, 52, 52, doo 
&lt;br&gt;54, 52, 52, 52, 52, voices 
&lt;br&gt;55, 128, 128, 55, 55, orchhit 
&lt;br&gt;56, 56, 56, 56, 56, trumpet 
&lt;br&gt;57, 56, 56, 56, 56, trombone 
&lt;br&gt;58, 56, 56, 56, 58, tuba 
&lt;br&gt;59, 56, 56, 56, 56, mutetrum 
&lt;br&gt;60, 56, 56, 56, 56, frenchrn 
&lt;br&gt;61, 56, 56, 56, 56, hitbrass 
&lt;br&gt;62, 56, 56, 56, 56, synbras1 
&lt;br&gt;63, 56, 56, 56, 56, synbras2 
&lt;br&gt;64, 66, 66, 64, 64, sprnosax 
&lt;br&gt;65, 66, 66, 66, 66, altosax 
&lt;br&gt;66, 66, 66, 66, 66, tenorsax 
&lt;br&gt;67, 66, 66, 66, 66, barisax 
&lt;br&gt;68, 68, 69, 69, 69, oboe 
&lt;br&gt;69, 68, 69, 69, 69, englhorn 
&lt;br&gt;70, 68, 69, 69, 70, bassoon 
&lt;br&gt;71, 68, 69, 69, 71, clarinet 
&lt;br&gt;72, 73, 73, 73, 73, piccolo 
&lt;br&gt;73, 73, 73, 73, 73, flute 
&lt;br&gt;74, 73, 73, 73, 73, recorder 
&lt;br&gt;75, 73, 73, 73, 75, woodflut 
&lt;br&gt;76, 73, 73, 73, 75, bottle 
&lt;br&gt;77, 73, 77, 77, 77, shakazul 
&lt;br&gt;78, 73, 73, 73, 73, whistle 
&lt;br&gt;79, 73, 73, 73, 73, ocarina 
&lt;br&gt;80, 29, 29, 29, 29, sqrwave 
&lt;br&gt;81, 29, 29, 29, 29, sawwave 
&lt;br&gt;82, 73, 73, 29, 77, calliope 
&lt;br&gt;83, 73, 73, 29, 29, chiflead 
&lt;br&gt;84, 29, 29, 29, 29, charang 
&lt;br&gt;85, 52, 52, 29, 85, voxlead 
&lt;br&gt;86, 52, 52, 29, 86, lead5th 
&lt;br&gt;87, 52, 52, 29, 32, basslead 
&lt;br&gt;88, 52, 52, 88, 88, fantasia 
&lt;br&gt;89, 52, 52, 29, 89, warmpad 
&lt;br&gt;90, 52, 52, 29, 89, polysyn 
&lt;br&gt;91, 52, 52, 29, 89, ghostie 
&lt;br&gt;92, 52, 52, 29, 89, bowglass 
&lt;br&gt;93, 52, 52, 29, 89, metalpad 
&lt;br&gt;94, 52, 52, 29, 89, halopad 
&lt;br&gt;95, 52, 52, 29, 89, sweeper 
&lt;br&gt;96, 52, 52, 96, 89, aurora 
&lt;br&gt;97, 52, 52, 52, 89, soundtrk 
&lt;br&gt;98, 52, 52, 52, 89, crystal 
&lt;br&gt;99, 52, 52, 52, 89, atmosphr 
&lt;br&gt;100, 52, 52, 52, 89, freshair 
&lt;br&gt;101, 52, 52, 52, 89, unicorn 
&lt;br&gt;102, 52, 102, 102, 89, echovox 
&lt;br&gt;103, 52, 102, 102, 89, startrak 
&lt;br&gt;104, 24, 102, 102, 104, sitar 
&lt;br&gt;105, 24, 105, 105, 105, banjo 
&lt;br&gt;106, 24, 105, 105, 105, shamisen 
&lt;br&gt;107, 24, 105, 105, 105, koto 
&lt;br&gt;108, 115, 115, 115, 115, kalimba 
&lt;br&gt;109, 24, 69, 105, 109, bagpipes 
&lt;br&gt;110, 24, 42, 42, 40, fiddle 
&lt;br&gt;111, 24, 105, 105, 105, shannai 
&lt;br&gt;112, 114, 114, 112, 112, carillon 
&lt;br&gt;113, 114, 114, 112, 112, agogo 
&lt;br&gt;114, 114, 114, 114, 114, steeldrm 
&lt;br&gt;115, 115, 115, 115, 115, woodblk 
&lt;br&gt;116, 115, 117, 117, 117, taiko 
&lt;br&gt;117, 115, 117, 117, 117, toms 
&lt;br&gt;118, 115, 117, 117, 117, syntom 
&lt;br&gt;119, 128, 128, 128, 128, revcym 
&lt;br&gt;120, 128, 128, 128, 128, fx-fret 
&lt;br&gt;121, 128, 128, 128, 128, fx-blow 
&lt;br&gt;122, 128, 128, 128, 122, seashore 
&lt;br&gt;123, 128, 128, 128, 128, jungle 
&lt;br&gt;124, 128, 128, 128, 128, telephon 
&lt;br&gt;125, 128, 128, 128, 128, helicptr 
&lt;br&gt;126, 128, 128, 126, 126, applause 
&lt;br&gt;127, 128, 128, 128, 128, pistol 
&lt;br&gt;128, 128, 128, 128, 128, blank 
&lt;br&gt;155, 128, 128, 128, 128, highq 
&lt;br&gt;156, 128, 128, 128, 128, slap 
&lt;br&gt;157, 128, 128, 128, 157, scratch1 
&lt;br&gt;158, 128, 128, 128, 158, scratch2 
&lt;br&gt;159, 159, 159, 159, 159, sticks 
&lt;br&gt;160, 128, 128, 128, 160, sqrclick 
&lt;br&gt;161, 128, 128, 128, 160, metclick 
&lt;br&gt;162, 128, 128, 128, 128, metbell 
&lt;br&gt;163, 163, 163, 163, 163, kick1 
&lt;br&gt;164, 164, 164, 164, 164, kick2 
&lt;br&gt;165, 165, 165, 165, 165, stickrim 
&lt;br&gt;166, 166, 166, 166, 166, snare1 
&lt;br&gt;167, 167, 167, 167, 167, claps 
&lt;br&gt;168, 168, 168, 168, 168, snare2 
&lt;br&gt;169, 171, 169, 169, 169, tomlo2 
&lt;br&gt;170, 170, 170, 170, 170, hihatcl 
&lt;br&gt;171, 171, 171, 171, 171, tomlo1 
&lt;br&gt;172, 172, 172, 172, 172, hihatpd 
&lt;br&gt;173, 175, 173, 173, 173, tommid2 
&lt;br&gt;174, 174, 174, 174, 174, hihatop 
&lt;br&gt;175, 175, 175, 175, 175, tommid1 
&lt;br&gt;176, 178, 176, 176, 176, tomhi2 
&lt;br&gt;177, 181, 177, 177, 177, cymcrsh1 
&lt;br&gt;178, 178, 178, 178, 178, tomhi1 
&lt;br&gt;179, 181, 177, 177, 177, cymride1 
&lt;br&gt;180, 181, 177, 177, 180, cymchina 
&lt;br&gt;181, 181, 177, 177, 181, cymbell 
&lt;br&gt;182, 182, 182, 182, 182, tamborin 
&lt;br&gt;183, 181, 177, 177, 177, cymsplsh 
&lt;br&gt;184, 128, 128, 128, 128, cowbell 
&lt;br&gt;185, 181, 177, 177, 177, cymcrsh2 
&lt;br&gt;186, 128, 128, 128, 128, vibslap 
&lt;br&gt;187, 181, 177, 177, 177, cymride2 
&lt;br&gt;188, 178, 188, 188, 188, bongohi 
&lt;br&gt;189, 175, 189, 189, 189, bongolo 
&lt;br&gt;190, 175, 190, 190, 190, congahi1 
&lt;br&gt;191, 175, 191, 191, 191, congahi2 
&lt;br&gt;192, 171, 191, 191, 192, congalo 
&lt;br&gt;193, 128, 128, 128, 193, timbaleh 
&lt;br&gt;194, 128, 128, 128, 194, timbalel 
&lt;br&gt;195, 128, 128, 128, 195, agogohi 
&lt;br&gt;196, 128, 128, 128, 196, agogolo 
&lt;br&gt;197, 128, 128, 128, 128, cabasa 
&lt;br&gt;198, 128, 198, 198, 198, maracas 
&lt;br&gt;199, 128, 128, 128, 128, whistle1 
&lt;br&gt;200, 128, 128, 128, 128, whistle2 
&lt;br&gt;201, 128, 128, 128, 128, guiro1 
&lt;br&gt;202, 128, 128, 128, 128, guiro2 
&lt;br&gt;203, 128, 128, 128, 128, clave 
&lt;br&gt;204, 128, 204, 204, 204, woodblk1 
&lt;br&gt;205, 128, 205, 205, 205, woodblk2 
&lt;br&gt;206, 128, 128, 128, 206, cuica1 
&lt;br&gt;207, 128, 128, 128, 207, cuica2 
&lt;br&gt;208, 128, 128, 128, 208, triangl1 
&lt;br&gt;209, 128, 128, 128, 209, triangl2 
&lt;br&gt;210, 128, 128, 128, 128, shaker 
&lt;br&gt;211, 128, 128, 128, 128, jingles 
&lt;br&gt;212, 128, 128, 128, 128, belltree 
&lt;br&gt;213, 128, 128, 128, 128, castinet 
&lt;br&gt;214, 128, 128, 128, 128, surdo1 
&lt;br&gt;215, 128, 128, 128, 128, surdo2 
&lt;br&gt;&amp;nbsp;
&lt;br&gt;&amp;nbsp;
&lt;br&gt;I have uploaded the patch set here, so you could take a look: 
&lt;br&gt;&lt;a href=&quot;http://www.megaupload.com/?d=4R3CLFE1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.megaupload.com/?d=4R3CLFE1&lt;/a&gt;</content>
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</entry>

<entry>
	<id>tag:old.nabble.com,2006:post-24671393</id>
	<title>using Timidity instruments inside OpenMPT running on Wine</title>
	<published>2009-07-26T15:58:42Z</published>
	<updated>2009-07-26T15:58:42Z</updated>
	<author>
		<name>nitrofurano</name>
	</author>
	<content type="html">Hi!
&lt;br&gt;Is that possible to use Timidity instruments inside OpenMPT, running
&lt;br&gt;on Wine? (i'm using Ubuntu Linux 9.04)
&lt;br&gt;(i'm using OpenMPT running on Wine due on a lack of good trackers
&lt;br&gt;nativelly running on GNU/LInux as good as OpenMPT - i did anyway a
&lt;br&gt;request on OpenMPT developers on these sources being recoded to a more
&lt;br&gt;open and multiplatform environment - and i'm not good in C coding
&lt;br&gt;enough to replace all the mswindows-api calls into open api calls like
&lt;br&gt;gnome, qt, wxwidgets or any other...)
&lt;br&gt;Or, is it possible to obtain the Timidity 128 midi instruments as .wav
&lt;br&gt;or .aiff instruments, and having them into OpenMPT?
&lt;br&gt;thanks, and best regards to all
&lt;br&gt;&lt;br&gt;------------------------------------------------------------------------------
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<entry>
	<id>tag:old.nabble.com,2006:post-24668885</id>
	<title>Re: Tuning with --freq-table</title>
	<published>2009-07-26T10:49:33Z</published>
	<updated>2009-07-26T10:49:33Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">On Sun, 26 Jul 2009, anisometropie wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; 2009/7/26 Eric Welsh &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=24668885&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;ewelsh@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Try &amp;quot;#extension opt&amp;quot;, and include the dashes before the arguments:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; #extension opt -B 2,8
&lt;br&gt;&amp;gt; &amp;gt; #extension opt -EFreverb=0
&lt;br&gt;&amp;gt; &amp;gt; #extension opt -s 32000
&lt;br&gt;&amp;gt; &amp;gt; #extension opt --fast-decay
&lt;br&gt;&amp;gt; &amp;gt; #extension opt --freq-table=/etc/timidity/temperament.egal
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; -Eric
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; If i add the sharp #, it will comment the line.
&lt;br&gt;&amp;gt; I've tried without and I get a syntax error for those lines :
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; extension opt -iA
&lt;br&gt;&amp;gt; extension opt -B2,8
&lt;br&gt;&amp;gt; extension opt -Z /etc/timidity/temperament.egal
&lt;br&gt;&amp;gt; extension opt -Os -EFreverb=0&amp;
&lt;/div&gt;&lt;br&gt;I googled for a man page and pulled up the following:
&lt;br&gt;&lt;br&gt;&amp;gt;&amp;gt;BEGIN QUOTE
&lt;br&gt;&amp;nbsp; &amp;nbsp;#extension opt [-]{option} [optarg]
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Sets the value of boot-time options.
&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp;...
&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp;These &amp;nbsp;&amp;quot;#extension&amp;quot; statements are beginning with character '#' that is
&lt;br&gt;&amp;nbsp; &amp;nbsp;the comment flag of old TiMidity(version 0.2i or &amp;nbsp;earlier). &amp;nbsp; So
&lt;br&gt;&amp;nbsp; &amp;nbsp;these statememts are treated as comment line.
&lt;br&gt;&amp;nbsp; &amp;nbsp;The latest TiMidity treats &amp;quot;#extension&amp;quot; as white-space. So you can
&lt;br&gt;&amp;nbsp; &amp;nbsp;omit it.
&lt;br&gt;&amp;lt;&amp;lt;END_QUOTE
&lt;br&gt;&lt;br&gt;So, #extension is treated as a special case and not treated as a comment.
&lt;br&gt;It also looks like you can simply omit the #extension and use &amp;quot;opt&amp;quot; by
&lt;br&gt;itself like you were originally doing (but don't forget to prefix the
&lt;br&gt;options with their - signs). &amp;nbsp;I've always used the #extension lines, but
&lt;br&gt;it looks like either way should work from the documentation.
&lt;br&gt;&lt;br&gt;-Eric
&lt;br&gt;&lt;br&gt;------------------------------------------------------------------------------
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<entry>
	<id>tag:old.nabble.com,2006:post-24668395</id>
	<title>Re: Tuning with --freq-table</title>
	<published>2009-07-26T09:41:22Z</published>
	<updated>2009-07-26T09:41:22Z</updated>
	<author>
		<name>anisometropie</name>
	</author>
	<content type="html">&lt;br&gt;&lt;br&gt;&lt;div class=&quot;gmail_quote&quot;&gt;2009/7/26 Eric Welsh &lt;span dir=&quot;ltr&quot;&gt;&amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=24668395&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;ewelsh@...&lt;/a&gt;&amp;gt;&lt;/span&gt;&lt;br&gt;&lt;blockquote class=&quot;gmail_quote&quot; style=&quot;border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;&quot;&gt;
&lt;div class=&quot;im&quot;&gt;
&lt;/div&gt;Try &amp;quot;#extension opt&amp;quot;, and include the dashes before the arguments:&lt;br&gt;
&lt;br&gt;
#extension opt -B 2,8&lt;br&gt;
#extension opt -EFreverb=0&lt;br&gt;
#extension opt -s 32000&lt;br&gt;
#extension opt --fast-decay&lt;br&gt;
#extension opt --freq-table=/etc/timidity/temperament.egal&lt;br&gt;
&lt;font color=&quot;#888888&quot;&gt;&lt;br&gt;
-Eric&lt;br&gt;
&lt;/font&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;br&gt;If i add the sharp #, it will comment the line.&lt;br&gt;I&amp;#39;ve tried without and I get a syntax error for those lines :&lt;br&gt;&lt;br&gt;extension opt -iA&lt;br&gt;extension opt -B2,8&lt;br&gt;extension opt -Z /etc/timidity/temperament.egal&lt;br&gt;
extension opt -Os -EFreverb=0&amp;amp;&lt;br&gt;&lt;br&gt;
&lt;br /&gt;------------------------------------------------------------------------------
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<entry>
	<id>tag:old.nabble.com,2006:post-24668364</id>
	<title>Re: Tuning with --freq-table</title>
	<published>2009-07-26T09:20:31Z</published>
	<updated>2009-07-26T09:20:31Z</updated>
	<author>
		<name>Eric Welsh</name>
	</author>
	<content type="html">On Sun, 26 Jul 2009, anisometropie wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; # Instrument configuration file for timidity
&lt;br&gt;&amp;gt; # $Id: timidity.cfg,v 1.7 2005/09/03 19:26:03 hmh Exp $
&lt;br&gt;&amp;gt; [...]
&lt;br&gt;&amp;gt; #opt s32kHz &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; #default sample frequency to 32kHz
&lt;br&gt;&amp;gt; #opt fast-decay &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; #fast decay notes
&lt;br&gt;&amp;gt; *opt freq-table=/etc/timidity/temperament.egal*
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; but this is not working.
&lt;br&gt;&amp;gt; Any idea why?
&lt;br&gt;&lt;br&gt;Try &amp;quot;#extension opt&amp;quot;, and include the dashes before the arguments:
&lt;br&gt;&lt;br&gt;#extension opt -B 2,8
&lt;br&gt;#extension opt -EFreverb=0
&lt;br&gt;#extension opt -s 32000
&lt;br&gt;#extension opt --fast-decay
&lt;br&gt;#extension opt --freq-table=/etc/timidity/temperament.egal
&lt;br&gt;&lt;br&gt;-Eric
&lt;br&gt;&lt;br&gt;------------------------------------------------------------------------------
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<entry>
	<id>tag:old.nabble.com,2006:post-24668062</id>
	<title>Tuning with --freq-table</title>
	<published>2009-07-26T08:47:32Z</published>
	<updated>2009-07-26T08:47:32Z</updated>
	<author>
		<name>anisometropie</name>
	</author>
	<content type="html">Hello,&lt;br&gt;&lt;br&gt;I&amp;#39;m using this command to start a timidity server.&lt;br&gt;&lt;b&gt;timidity -iA -B2,8 -Z /etc/timidity/temperament.egal -Os -EFreverb=0&amp;amp;&lt;/b&gt;&lt;br&gt;&lt;br&gt;i&amp;#39;m using the option&lt;i&gt; -Z /etc/timidity/temperament.egal &lt;/i&gt;because I want to set the A to 442hz, and still the have the equal temperament.&lt;br&gt;
&lt;br&gt;but this option &lt;u&gt;only&lt;/u&gt; works when I use the command myself in bash.&lt;br&gt;I want this option to be used every times, even when I start my computer.&lt;br&gt;&lt;br&gt;so I added this line to /etc/timidity/timidity.cfg :&lt;br&gt;&lt;br&gt;
# Instrument configuration file for timidity&lt;br&gt;# $Id: timidity.cfg,v 1.7 2005/09/03 19:26:03 hmh Exp $&lt;br&gt;[...]&lt;br&gt;#opt s32kHz             #default sample frequency to 32kHz&lt;br&gt;#opt fast-decay         #fast decay notes&lt;br&gt;
&lt;b&gt;opt freq-table=/etc/timidity/temperament.egal&lt;/b&gt;&lt;br&gt;&lt;br&gt;but this is not working. &lt;br&gt;Any idea why?&lt;br&gt;&lt;br&gt;thanks in advance.&lt;br&gt;&lt;br&gt;
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<entry>
	<id>tag:old.nabble.com,2006:post-24660135</id>
	<title>for Timidity A=439hz ?</title>
	<published>2009-07-25T11:01:21Z</published>
	<updated>2009-07-25T11:01:21Z</updated>
	<author>
		<name>anisometropie</name>
	</author>
	<content type="html">Hi
&lt;br&gt;&lt;br&gt;I've just tried to play an A with rosegarden using timidity.
&lt;br&gt;I've a chromatic tuner (to tune my cello) and I put the tuner close to my speakers. And then it happened ! the tuner said &amp;quot;out of tune&amp;quot; ! It was a little to low.
&lt;br&gt;I tried to set the A on my Tuner on A=439hz, and then The note played by timidity was exactly in tune. 
&lt;br&gt;&lt;br&gt;but this is really weird, I've tried to set a new frequency table (using a file /etc/timidity/tuning where there are all the frequencies and with the option timidity -Z /etc/timidity/tuning)
&lt;br&gt;&lt;br&gt;i've tried this line 420000 (the frequencies have to be written x1000 in the file)
&lt;br&gt;I restarted timidity with &lt;i&gt;timidity -iA -Z /etc/timidity/tuning -B2,8 -Os -EFreverb=0&lt;/i&gt;&lt;br&gt;Then I've set my tuner to A=442hz
&lt;br&gt;but again the A of timidity if not in tune !
&lt;br&gt;My tuner tell it is an 441hz A !
&lt;br&gt;Then I don't know which of timitidy or my tuner I should believe in
&lt;br&gt;(there is no reason my tuner is wrong, i've used it many times in my orchestra, and it was ok)</content>
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<entry>
	<id>tag:old.nabble.com,2006:post-24581276</id>
	<title>Re: timidity midi to pcm project</title>
	<published>2009-07-20T20:51:29Z</published>
	<updated>2009-07-20T20:51:29Z</updated>
	<author>
		<name>注册.吴</name>
	</author>
	<content type="html">dear Yair K:
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;problem 2 is ok.
&lt;br&gt;thanks.
&lt;br&gt;&amp;nbsp;Yours 
&lt;br&gt;&amp;nbsp;FUFO &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;
&lt;br&gt;&lt;br&gt;--------------------------------------------------
&lt;br&gt;From: &amp;quot;注册.吴&amp;quot; &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=24581276&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;zhfufo.wu001@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Sent: Tuesday, July 21, 2009 9:08 AM
&lt;br&gt;To: &amp;quot;Yair K.&amp;quot; &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=24581276&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;cesium2@...&lt;/a&gt;&amp;gt;; &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=24581276&amp;i=2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;timidity-talk@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Subject: Re: [timidity-talk] timidity midi to pcm project
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; dear Yair K:
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; thanks for your reply.I have 2 problems.
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; 1. when I compile the MSVC6.0 project,there are some error. 
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; --------------------Configuration: timw32g - Win32 Debug--------------------
&lt;br&gt;&amp;gt; Compiling...
&lt;br&gt;&amp;gt; w32g_i.c
&lt;br&gt;&amp;gt; D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3573) : warning C4013: 'messagesizeof' undefined; assuming extern returning int
&lt;br&gt;&amp;gt; D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3573) : warning C4047: 'function' : 'const char *' differs in levels of indirection from 'int '
&lt;br&gt;&amp;gt; D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3573) : warning C4024: 'strncpy' : different types for formal and actual parameter 2
&lt;br&gt;&amp;gt; D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3573) : error C2198: 'strncpy' : too few actual parameters
&lt;br&gt;&amp;gt; D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3577) : warning C4047: 'function' : 'const char *' differs in levels of indirection from 'int '
&lt;br&gt;&amp;gt; D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3577) : warning C4024: 'strncpy' : different types for formal and actual parameter 2
&lt;br&gt;&amp;gt; D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3577) : error C2198: 'strncpy' : too few actual parameters
&lt;br&gt;&amp;gt; Error executing cl.exe.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; timw32g.exe - 2 error(s), 5 warning(s)
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; &amp;nbsp; 2. &amp;nbsp;if I comment 'strncpy' ,it can compile success. when I run timw32g.exe ,it warning &amp;quot;..can't read any configuration file..&amp;quot; and if I open any midi file to play,there are no sound .(even if I set Output is &amp;quot;AIFF FILE&amp;quot;, the aiff file is also no sound.)
&lt;br&gt;&amp;gt; &amp;nbsp; 
&lt;br&gt;&amp;gt; thanks .
&lt;br&gt;&amp;gt; your reply is very appreciated.
&lt;br&gt;&amp;gt; Yours 
&lt;br&gt;&amp;gt; FUFO
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; --------------------------------------------------
&lt;br&gt;&amp;gt; From: &amp;quot;Yair K.&amp;quot; &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=24581276&amp;i=3&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;cesium2@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt; Sent: Monday, July 20, 2009 8:53 PM
&lt;br&gt;&amp;gt; To: &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=24581276&amp;i=4&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;timidity-talk@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt; Subject: Re: [timidity-talk] timidity midi to pcm project
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt;&amp;gt; On Mon July 20 2009 13:49:39 注册.吴 wrote:
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; dear all:
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; I am study midi .I want a project thank can decoder a midi file
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; to pcm file.I have downloaded TiMidity++-2.13.2 . when I compile it in
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; MSVC6.0, I find it it difficult to me .so are there anybody have such
&lt;br&gt;&amp;gt;&amp;gt;&amp;gt; project in MSVC6.0? thanks all
&lt;br&gt;&amp;gt;&amp;gt; 
&lt;br&gt;&amp;gt;&amp;gt; I recall there's a MSVC6 project in the configs/ subdirectory.
&lt;br&gt;&amp;gt;&amp;gt; 
&lt;br&gt;&amp;gt;&amp;gt; Yours,
&lt;br&gt;&amp;gt;&amp;gt; Yair K.
&lt;br&gt;&amp;gt;&amp;gt; 
&lt;br&gt;&amp;gt;&amp;gt; ------------------------------------------------------------------------------
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&lt;br&gt;the opportunity to enter the BlackBerry Developer Challenge. See full prize &amp;nbsp;
&lt;br&gt;details at: &lt;a href=&quot;http://p.sf.net/sfu/Challenge&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://p.sf.net/sfu/Challenge&lt;/a&gt;&lt;br&gt;_______________________________________________
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<entry>
	<id>tag:old.nabble.com,2006:post-24580170</id>
	<title>Re: timidity midi to pcm project</title>
	<published>2009-07-20T18:08:37Z</published>
	<updated>2009-07-20T18:08:37Z</updated>
	<author>
		<name>注册.吴</name>
	</author>
	<content type="html">dear Yair K:
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;thanks for your reply.I have 2 problems.
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; 
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;1. when I compile the MSVC6.0 project,there are some error. 
&lt;br&gt;&lt;br&gt;--------------------Configuration: timw32g - Win32 Debug--------------------
&lt;br&gt;Compiling...
&lt;br&gt;w32g_i.c
&lt;br&gt;D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3573) : warning C4013: 'messagesizeof' undefined; assuming extern returning int
&lt;br&gt;D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3573) : warning C4047: 'function' : 'const char *' differs in levels of indirection from 'int '
&lt;br&gt;D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3573) : warning C4024: 'strncpy' : different types for formal and actual parameter 2
&lt;br&gt;D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3573) : error C2198: 'strncpy' : too few actual parameters
&lt;br&gt;D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3577) : warning C4047: 'function' : 'const char *' differs in levels of indirection from 'int '
&lt;br&gt;D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3577) : warning C4024: 'strncpy' : different types for formal and actual parameter 2
&lt;br&gt;D:\workshop\midi\TiMidity++-2.13.2\interface\w32g_i.c(3577) : error C2198: 'strncpy' : too few actual parameters
&lt;br&gt;Error executing cl.exe.
&lt;br&gt;&lt;br&gt;timw32g.exe - 2 error(s), 5 warning(s)
&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp;2. &amp;nbsp;if I comment 'strncpy' ,it can compile success. when I run timw32g.exe ,it warning &amp;quot;..can't read any configuration file..&amp;quot; and if I open any midi file to play,there are no sound .(even if I set Output is &amp;quot;AIFF FILE&amp;quot;, the aiff file is also no sound.)
&lt;br&gt;&amp;nbsp; &amp;nbsp;
&lt;br&gt;thanks .
&lt;br&gt;your reply is very appreciated.
&lt;br&gt;Yours 
&lt;br&gt;FUFO
&lt;br&gt;&lt;br&gt;&lt;br&gt;--------------------------------------------------
&lt;br&gt;From: &amp;quot;Yair K.&amp;quot; &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=24580170&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;cesium2@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Sent: Monday, July 20, 2009 8:53 PM
&lt;br&gt;To: &amp;lt;&lt;a href=&quot;http://old.nabble.com/user/SendEmail.jtp?type=post&amp;post=24580170&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;timidity-talk@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Subject: Re: [timidity-talk] timidity midi to pcm project
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; On Mon July 20 2009 13:49:39 注册.吴 wrote:
&lt;br&gt;&amp;gt;&amp;gt; dear all:
&lt;br&gt;&amp;gt;&amp;gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; I am study midi .I want a project thank can decoder a midi file
&lt;br&gt;&amp;gt;&amp;gt; to pcm file.I have downloaded TiMidity++-2.13.2 . when I compile it in
&lt;br&gt;&amp;gt;&amp;gt; MSVC6.0, I find it it difficult to me .so are there anybody have such
&lt;br&gt;&amp;gt;&amp;gt; project in MSVC6.0? thanks all
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; I recall there's a MSVC6 project in the configs/ subdirectory.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; Yours,
&lt;br&gt;&amp;gt; Yair K.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; ------------------------------------------------------------------------------
&lt;br&gt;&amp;gt; Enter the BlackBerry Developer Challenge &amp;nbsp;
&lt;br&gt;&amp;gt; This is your chance to win up to $100,000 in prizes! For a limited time, 
&lt;br&gt;&amp;gt; vendors submitting new applications to BlackBerry App World(TM) will have
&lt;br&gt;&amp;gt; the opportunity to enter the BlackBerry Developer Challenge. See full prize &amp;nbsp;
&lt;br&gt;&amp;gt; details at: &lt;a href=&quot;http://p.sf.net/sfu/Challenge&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://p.sf.net/sfu/Challenge&lt;/a&gt;&lt;br&gt;&amp;gt; _______________________________________________
&lt;br&gt;&amp;gt; Timidity-talk mailing list
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&lt;/div&gt;------------------------------------------------------------------------------
&lt;br&gt;Enter the BlackBerry Developer Challenge &amp;nbsp;
&lt;br&gt;This is your chance to win up to $100,000 in prizes! For a limited time, 
&lt;br&gt;vendors submitting new applications to BlackBerry App World(TM) will have
&lt;br&gt;the opportunity to enter the BlackBerry Developer Challenge. See full prize &amp;nbsp;
&lt;br&gt;details at: &lt;a href=&quot;http://p.sf.net/sfu/Challenge&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://p.sf.net/sfu/Challenge&lt;/a&gt;&lt;br&gt;_______________________________________________
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<entry>
	<id>tag:old.nabble.com,2006:post-24569320</id>
	<title>Re: timidity midi to pcm project</title>
	<published>2009-07-20T05:53:46Z</published>
	<updated>2009-07-20T05:53:46Z</updated>
	<author>
		<name>Yair K.</name>
	</author>
	<content type="html">On Mon July 20 2009 13:49:39 注册.吴 wrote:
&lt;br&gt;&amp;gt; dear all:
&lt;br&gt;&amp;gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; I am study midi .I want a project thank can decoder a midi file
&lt;br&gt;&amp;gt; to pcm file.I have downloaded TiMidity++-2.13.2 . when I compile it in
&lt;br&gt;&amp;gt; MSVC6.0, I find it it difficult to me .so are there anybody have such
&lt;br&gt;&amp;gt; project in MSVC6.0? thanks all
&lt;br&gt;&lt;br&gt;I recall there's a MSVC6 project in the configs/ subdirectory.
&lt;br&gt;&lt;br&gt;Yours,
&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Yair K.
&lt;br&gt;&lt;br&gt;------------------------------------------------------------------------------
&lt;br&gt;Enter the BlackBerry Developer Challenge &amp;nbsp;
&lt;br&gt;This is your chance to win up to $100,000 in prizes! For a limited time, 
&lt;br&gt;vendors submitting new applications to BlackBerry App World(TM) will have
&lt;br&gt;the opportunity to enter the BlackBerry Developer Challenge. See full prize &amp;nbsp;
&lt;br&gt;details at: &lt;a href=&quot;http://p.sf.net/sfu/Challenge&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://p.sf.net/sfu/Challenge&lt;/a&gt;&lt;br&gt;_______________________________________________
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