XORNOT set recording

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XORNOT set recording

by iain duncan :: Rate this Message:

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If anyone wants to hear what our live set sounds like, we taped a rehearsal the
other day and it's up at www.xornot.com. Recording is kind of rough 'cause it's
just live out to disk ( with a glitch half way! ). Everything except the
individual drum sounds is csound5, and we also used python, gvim, and Gentoo
GNU/Linux.

All the synthesis is done with basically the same subtractive synthesizer with
different patches loaded into tables. vco2 , tbvcf, and moogvcf are featured
rather prominently. ; )

http://www.xornot.com
( download is 45 megs. )
Iain



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RE: XORNOT set recording

by Richard Burford :: Rate this Message:

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That's very good.  How long did it take to you put it together?

Richard


-----Original Message-----
From: csoundtekno-bounces@...
[mailto:csoundtekno-bounces@...] On Behalf Of iainduncan@...
Sent: 17 July 2005 03:19
To: csound@...
Cc: csoundtekno@...
Subject: [CsndTek] XORNOT set recording

If anyone wants to hear what our live set sounds like, we taped a rehearsal
the
other day and it's up at www.xornot.com. Recording is kind of rough 'cause
it's
just live out to disk ( with a glitch half way! ). Everything except the
individual drum sounds is csound5, and we also used python, gvim, and Gentoo
GNU/Linux.

All the synthesis is done with basically the same subtractive synthesizer
with
different patches loaded into tables. vco2 , tbvcf, and moogvcf are featured
rather prominently. ; )

http://www.xornot.com
( download is 45 megs. )
Iain



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RE: XORNOT set recording

by Richard Burford :: Rate this Message:

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Iain,

I started learning Perl a few days ago and got a bit stumped to be honest.
I have since realised that python is much easier and started to learn that.
I seem to be getting on pretty well for a total beginner/non-programmer.

I am interested, as you might gather from my attendance here, in making
dance music using csound.  I have done some extremely basic stuff with
csound in the past as one of our tutors from college set us an assignment.

I have listened to your set and I like what I hear.  Maybe you could give me
some advice about how you are working with the tools you mentioned to
realise this in a live situation.

Regards,

Richard

-----Original Message-----
From: csoundtekno-bounces@...
[mailto:csoundtekno-bounces@...] On Behalf Of Richard Burford
Sent: 18 July 2005 11:34
To: 'Making electronic dance music with csound.'
Subject: RE: [CsndTek] XORNOT set recording
Importance: High

That's very good.  How long did it take to you put it together?

Richard


-----Original Message-----
From: csoundtekno-bounces@...
[mailto:csoundtekno-bounces@...] On Behalf Of iainduncan@...
Sent: 17 July 2005 03:19
To: csound@...
Cc: csoundtekno@...
Subject: [CsndTek] XORNOT set recording

If anyone wants to hear what our live set sounds like, we taped a rehearsal
the
other day and it's up at www.xornot.com. Recording is kind of rough 'cause
it's
just live out to disk ( with a glitch half way! ). Everything except the
individual drum sounds is csound5, and we also used python, gvim, and Gentoo
GNU/Linux.

All the synthesis is done with basically the same subtractive synthesizer
with
different patches loaded into tables. vco2 , tbvcf, and moogvcf are featured
rather prominently. ; )

http://www.xornot.com
( download is 45 megs. )
Iain



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Re: XORNOT set recording

by iain duncan :: Rate this Message:

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> I have listened to your set and I like what I hear.  Maybe you could give me
> some advice about how you are working with the tools you mentioned to
> realise this in a live situation.
>

Thanks very much for the compliments! We have a whole wack of code we've
been working on for a few years now, only about half of which is
actually being used right now for the set. There has been a lot of
experimentation to try and find the best balance of what we should be
doing as we play for fun and creativity vs how much we should
pre-prepare to make it sound good.

Right now, the musical lines are all preprogrammed, and we are basically
remixing on the fly. We make them in gvim using the python extensions I
wrote to make gvim look/feel like a python tracker. Then we use my
python-applet "makescore.py" to turn text arrangement files of the
tracker files into big assed score files. The score files include all
the actual notes along with patch snap-shots at the beginning of each
tune section. The big synths and the mixer channels and fx are using
tables to control any dynamically modifiable paramaters, so the
patch/mixer snapshot instruments just slam a bunch of values into those
tables. Preparing the tunes took only about 3 weeks in total, but that
was largely by necessity!

We also wrote a bunch of midi input parsing instruments in csound, and
that allows us to mute and unmute tracks and alter the synth and mixer
paramaters using hardware controllers. So at the moment, that's all
we're doing live. We have written a sequencer engine and sequencer input
modules for doing real time improvised step sequencing as well, but at
the moment, that is on hold till we think our abilities and amount of
input hardware are up to adding it back into the set. Much as I love
improvising, I'd rather improvise less to a full house than improvise
the whole thing to an empty dance floor!

Csound5 has so many huge advances that the next step for me is to redo
the input module in C++ interfacing with csound via the api, which will
allow a lot better code control, and also to then reincorporate the
sequencer engine for more improvisatory possibilities. The hard part is
balancing code work with writing tunes and getting shows done! But we're
learning...

Thanks
Iain

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