since they got the new curt

[Roelfs]

 possessed and lost it. She had come to think of it as a room in one of
the "many mansions," although she would have been horrified had she
known that she did so. She was one who kept her religion and her daily
life chemically differentiated. She endeavored to maintain her soul on a
high level of orthodoxy, while her large, flat feet trod her round of
household tasks. It was only when her best parlor, great empty room, was
in demand for some social function like the church fair, that she felt
her old dreams return and stimulate her as with some wine of youth. The
room was very prettily decorated with blossoming boughs, and Japanese
lanterns, and set about with long tables covered with white, which
contained the articles for sale. In the center of the room was the
flower-booth, and that was lovely. It was a circle of green, with oval
openings to frame young girl-faces, and on the circular shelf were
heaped flowers in brilliant masses. At seven o'clock the fair was in
full swing, as far as the wares and saleswomen were concerned. At the
flower-booth were four pretty girls: Fanny Dodge, Ellen Dix, Joyce
Fulsom and Ethel Mixter. Each stood looking out of her frame of green,
and beamed with happiness in her own youth and beauty. They did not,
could not share the anxiety of the older women. The more anxious
gathered about the cake table. Four pathetically bedizened middle-aged
creatures, three too stout, one too thin, put their heads together


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